Tag Archives: Kathryn Crosby

Rear Window-1954

Rear Window-1954

Director Alfred Hitchcock

Starring James Stewart, Grace Kelly

Top 250 Films #19

Scott’s Review #317

Reviewed January 2, 2016

Grade: A

I dearly love several Alfred Hitchcock films, and Rear Window (1954) is at the top of that list.

The film is a unique experience in that much of it is shot from the point of view of the main character, L.B. Jeffries, played with conviction by James Stewart, a fixture in several of Hitchcock’s great films.

Wheelchair-bound and confined to his Manhattan apartment, he has nothing more to do than spy on an entire apartment of neighbors across the street.

He witnesses a crime, and a cat-and-mouse game ensues.

What is great about this film is that the viewer gets to know the series of neighbors L.B. watches and glimpses into their lives, some of which are happy and some sad.

Rear Window is shot like a play. The chemistry between Stewart and Grace Kelly is nice, but secondary to the main story’s tremendous impact.

Rear Window (1954) can be watched repeatedly and enjoyed with each subsequent viewing.

Oscar Nominations: Best Director, Alfred Hitchcock, Best Screenplay, Best Sound Recording, Best Cinematography, Color

5 Against the House-1955

5 Against the House-1955

Director Phil Karlson

Starring Brian Keith, Kim Novak

Scott’s Review #998

Reviewed March 11, 2020

Grade: C-

5 Against the House (1955) is a film that may have influenced heist films such as the Rat Pack Ocean’s 11 (1960) or countless other films featuring groups of young men holding up an establishment for money.

The film is mediocre and lacks memorable content. Nothing distinguishes it from other movies with similar themes.

Star Brian Keith is charismatic in the lead, but the chemistry with Kim Novak goes nowhere with any of the actors.

The film is mildly interesting, with a few tense moments but little more. 

Four Midwestern University college pals, Brick (Keith), Al (Guy Madison), Ronnie, and Roy, devise a grand casino heist while drunk and partying one weekend in Reno. The idea is to go through with their plan and then return the cash to prove they can get away with the high-stakes prank.

But when one of the group betrays the others and plots to keep the money for himself, he imperils them all.

Novak plays Kaye, Al’s girlfriend, who recently became a singer at a local nightclub.

The standouts from the cast are Keith and William Conrad because the then-unknown actors became television stars in later years, for Family Affair and Jake and the Fat Man, respectively.

Keith is great in the lead role of Brick, the tormented and conflicted ex-veteran of the Korean War, unable to forget tragedies he saw while abroad. He is a remarkable every man with an edge, angry and out to prove something to the world. He also needs the money that the heist will provide him.

The character is interesting and empathetic.

Conrad is gruff and memorable as a cart operator who plays an essential role in the film’s finale. Sent to retrieve cash from the money room, using the prerecorded message to make him believe that there is a desperate man with a gun in the cart who will shoot him if he does not cooperate, Conrad does wonders with his eyes and facial expressions.

The luscious Novak, soon to be a household name in the stunning and cerebral Alfred Hitchcock film Vertigo (1958), is not as compelling as Kaye.

The main reason is that she has little to do but stand around and serve as window dressing. This is too bad since the actress has talent and charisma for miles, but this work is beneath her.

It was not her debut but one of her early films, What’s a Girl to Do? To add insult to injury, another singer dubbed her voice. Novak needed the paycheck.

Director Phil Karlson is unsuccessful at bringing the picture entirely- circle but does pepper in some nice exterior night scenes of Reno. The casino sequences are commendable, and the set pieces are properly zesty and flashy when appropriate.

However, trimmings never complete a film, and 5 Against the House needs more meat on the bone than it serves up.

The heist is the main attraction. Some tension does exist, but not enough, and the finale is a letdown. After the unspectacular robbery, Brick leaves the others behind and escapes with the money. A pursuit ensues. Kaye, having alerted the police, follows them, and a tepid standoff follows.

Ultimately, Brick changes his mind while Al and Kaye embrace on a crowded street. The feeble final scene is a romantic sendoff for the couple, who didn’t have much chemistry.

5 Against the House (1955) contains an adequate cast and a few positive tidbits worth mentioning, but the story is way too predictable. The conclusion, which should be the high point, disappoints, and the actors are too old to be believable as college-aged students.

Many other film noir or heist films released before or after this film are superior and better crafted.

Anatomy of a Murder-1959

Anatomy of a Murder-1959

Director Otto Preminger

Starring James Stewart

Scott’s Review #61

Reviewed June 24, 2014

Grade: B+

Anatomy of a Murder (1959) is a thought-provoking courtroom/legal thriller that is not a black-and-white, good-and-bad story.

It is more profound and more complex than that.

Starring James Stewart as an everyman defense attorney, the film, shot effectively in black and white, pushed barriers for its time by using certain words such as “rape” and “panties” that were never spoken in films before this time.

Much of the action takes place inside the courtroom.

The film pushed the envelope and is still enjoyable today.

Throughout the film, which is admittedly slow at times, the audience is unsure of the defendant’s guilt and wary and suspicious of him from the start, which creates great drama.

The rooting value is with Stewart, the hero, and the interesting supporting cast provides deeper layers than similar-type films that risk being wordy or preachy.

As each new fact or twist and turn arrives throughout the film, it becomes more and more engaging until it reaches a satisfying climax.

Oscar Nominations: Best Motion Picture, Best Actor-James Stewart, Best Supporting Actor-Arthur O’Connell, George C. Scott, Best Screenplay Based on Material from Another Medium, Best Cinematography, Black-and-White, Best Film Editing

Golden Globe Nominations: Best Motion Picture-Drama, Best Director-Motion Picture-Otto Preminger, Best Performance by an Actress in a Motion Picture-Drama-Lee Remick, Best Performance by an Actor in a Supporting Role in any Motion Picture-Joseph Welch