Tag Archives: Ethan Embry

Vacancy-2007

Vacancy-2007

Director Nimród Antal

Starring Luke Wilson, Kate Beckinsale 

Scott’s Review #1,127

Reviewed March 29, 2021

Grade: B-

Many times in cinema, there exists a great premise for a good film that is a great idea only, and the follow-through falls apart. Vacancy (2007) is one such film.

Especially a vibrant story for a horror film, the first half is way better than the latter half, as we can enjoy wondering what will happen next.

The film fumbles the football midway through, once it’s revealed who the killer (or killers?) is, and never gets its bearings back. It’s still an okay watch, but the possibilities could have taken the film to another level.<|join|>It’s still an okay watch, but the possibilities could have taken the film to another level.

Instead, we get too much predictability.

The idea seems great because it’s in a very similar territory to Alfred Hitchcock’s 1960 masterpiece, Psycho. Think Bates Motel and a crazed killer not unlike Anthony Perkins, sans the good chemistry and motivation.

Unfortunately, the killer (or killers?) has no good motivation.

Vacancy is a mish-mash of other recent horror efforts, including Saw (2004), Hostel (2005), and Joy Ride (2001). It takes standard materials from each and mixes them to create a fabulous concoction.

This doesn’t work so well. Instead, it just feels like a combination of the other films with a similar look and feel.

Since director Nimród Antal is Hungarian, this would explain the Hostel pattern, which also features a European vibe, even though Vacancy is set somewhere off a mountain road in the United States.

A young couple lost in a deserted area near a seedy hotel will likely freak anyone out. What if my car breaks down, I have no cell phone, and I’m not sure where I am? The viewer immediately thinks:

Throw in a serial killer, and you’ve frightened the bejeesus out of just about anyone. To make matters worse, the characters in Vacancy choose to watch horror films on television for fun- not a smart decision.

When David’s (Luke Wilson) and Amy’s (Kate Beckinsale) car breaks down, they have no choice but to spend the night at a remote hotel. The couple decides to make the best of it by entertaining themselves with low-budget slasher movies on TV.

They suddenly realize that the horrifying images they see are being recorded in the room where they are staying!

With hidden cameras capturing their every move, David and Amy must find a way out before they become the latest stars in another film in the series of snuff films.

At first, they panic, then try to use their good sense to figure out what the hell is going on and how to escape this crazy hotel room.

Besides the plot loopholes, there is not good chemistry between Wilson and Beckinsale which doesn’t do the film any favors.

David and Amy are merely your average, ordinary horror movie characters. They are on the verge of divorce due to some family tragedy that is never explained, nor does it have anything to do with the events.

They have some measure of smarts, and it’s interesting to see how they finagle out of their peril, but they are not James Bond either, so their actions are implausible and become riddled with B-movie cliches.

By the halfway point, Vacancy, which starts quite well, is reduced to a standard horror film with an average cat-and-mouse final sequence that makes it completely predictable.

Speaking of cliches, Antal adds the too-good-to-be-true auto mechanic played by Ethan Embry, the prime suspect, and Mason, the desk clerk.

Is he a suspect, too? These characters are a hybrid of Norman Bates and, to a certain extent, make the film fun. Once their true colors are revealed, it becomes silly.

Luke Wilson and Kate Beckinsale do what they can with a less-than-spectacular script that takes us into familiar territory and borrows way too much from other films.

Vacancy (2007) has some potential that never becomes realized or feels very fresh.

The Guest-2014

The Guest-2014

Director Adam Wingard

Starring Dan Stevens

Scott’s Review #220

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Reviewed February 7, 2015

Grade: C-

The Guest is a thriller from 2014 that can, perhaps, be classified under the adage “it’s so bad that it’s good”, though as I pondered writing this review, that could be a bit of a stretch.

As poor as the film is, there is something that I slightly enjoyed about it.

The premise is simple. A Midwestern family, the Peterson’s, is suddenly visited by a veteran soldier, named David, who claims to be a friend of the parent’s deceased son Caleb. David easily insinuates himself into their lives and the Petersons extend an invitation for him to stay a few days to rehash details about Caleb.

The family is middle-class, yet struggling financially, and consists of a mother and father, a college-aged daughter named Anna, the actress eerily resembling a young Gwen Stefani, and a bullied, timid, high school-aged son named Luke.

From the get-go, something is off with David, but his motives are unclear to the audience.

The issues with the film are aplenty.

For starters, the acting is rather poor. The most notable actors in the film are Dan Stevens (Downton Abbey) and Sheila Kelley (L.A. Law) and a collection of unknowns.

Stevens and Kelley give better performances, and I particularly thought Stevens very believable in a role opposite of his Downton Abbey alter ego.

The rest of the cast is wooden and un-compelling.

The weakest parts of The Guest are the inane plot points and the 1980s-style soundtrack. Were the filmmakers going for a retro throwback? The film is set in present times so this aspect remains a mystery.

The story starts interestingly. Is it a Fatal Attraction (1987) type of film? What is David’s motive? What was his relationship with the deceased Caleb? Does he intend to help or harm the family?

The reveal towards the end of the film is implausible, ridiculous, and disappointing. Without giving too much away, the government plays a large role in the meat of the film and it does little to provoke sympathy for any of the characters, only eliciting further confusion.

The attempted (and botched) love story between David and Anna does not work. They have little chemistry and the rooting value is not there especially as he picks up her drunken best friend at a party.

Is the audience supposed to root for David and Anna or is it merely a weak sub-plot to the thrill aspect of the film? I suspect the latter.

Despite all of these negatives, I did not despise the film as it trucked along- rather, I found it to be more of a mess than anything else.

It is not a good film, but there is something slightly appealing about it. Some of the death scenes are well done and the budding friendship between David and the bullied son is rather sweet.

The son is enamored with the strong, masculine David, and David, in turn, serves as a protector, humiliating the bullies who gave the kid a black eye. The film does not delve into a sexual angle regarding this but is a bond that is cheerful to see. It has a nice, warm element.

Another impressive point of The Guest is that it ends with a surprise that leaves room for a sequel. However, due to the success that the film did not achieve, I doubt a sequel will ever see the light of day.

A poorly written, weak-acted film, The Guest (2014) has moments of interest but fails miserably at providing a strong viewing experience.

By the end, I still had no idea of the main character’s motivations which is a huge problem.

Confusing and convoluted are the adjectives best to describe this film.

Independent Spirit Award Nominations: Best Editing