Tag Archives: David Margulies

Dressed to Kill-1980

Dressed to Kill-1980

Director Brian De Palma

Starring Angie Dickinson, Nancy Allen

Top 250 Films #16

Top 40 Horror Films #5

Scott’s Review #164

60020714

Reviewed September 2, 2014

Grade: A

Dressed to Kill (1980) is Brian De Palma’s most significant work throughout his storied career.

Set in New York City, the film is essentially divided into two halves.

The first half centers on Angie Dickinson as Kate, a bored housewife. She is unhappy in her marriage and seeks therapy from a psychiatrist played by Michael Caine, to whom she makes sexual advances.

She is unfaithful to her husband, yet she a kind, intelligent, and cultured. She adores her son and loves her husband, but feels utterly unfulfilled.

Do we, the audience, sympathize with her? Does she get what she deserves? Is she a victim?

One powerful scene involves a wide-eyed little girl who cannot stop staring at Kate. Can she sense Kate’s shenanigans? Does she sense her conflict? Does Kate feel guilt?

Kate is a complex character and brilliantly played by Dickinson, who gives the character sexiness, softness, and appeal.

After a shocking event in a high-rise elevator rivaled only by the shower scene in Psycho (1960) for its surprise and terror, the rest of the film follows Nancy Allen as Liz, a prostitute determined to solve a mystery to clear her name.

De Palma sets the dreamlike tone with a sizzling opening shower scene sure to make the prudish blush in its explicitness, which I found deliciously sexy.

A ten-minute museum sequence speaks volumes without dialogue, as Kate engages in a cat-and-mouse flirtation with a stranger.

The brilliance of Dressed to Kill lies in its versatility and complexity, and it delivers one surprise after another, from the elevator scene to the final reveal to the final stage itself.

It is part horror film, part thriller, and always stylish.

The film was not well regarded upon release, but over the years, it has been respected for its creativity and excellent mood. Many scenes are shot in slow motion, adding to the effect.

Dressed to Kill (1980) is simply brilliant on every level.

Golden Globe Nominations: New Star of the Year-Actress-Nancy Allen

A Most Violent Year-2014

A Most Violent Year-2014

Director J.C. Chandor

Starring Oscar Isaac

Scott’s Review #239

_A_Most_Violent_Year__Theatrical_Poster

Reviewed May 1, 2015

Grade: B

Set in New York City during a brutally violent 1981, and influenced, at least in part, by The Godfather (1972), A Most Violent Year (2014) shares a similar tone and feel with The Sopranos (1999-2007).

A Most Violent Year attempts to weave a tale of a “good guy” mixed up with the mafia, trying to stay upstanding amid the adversity and corruption he encounters.

Oscar Isaac and Jessica Chastain portray Abel and Anna Morales, who own Standard Oil, an upstart business they are trying to launch.

Due to the violent nature of the times, several trucks are hijacked, resulting in robberies and severe beatings.

In desperate need of funds to expand their business and stay ahead of competitors, Abel and Anna are forced to take out loans, leading them into a world where crime and violence run rampant.

The Assistant District Attorney investigates them for apparent price-fixing and tax evasion.

The main theme is the conflict and guilt that Abel feels towards violence and the constant temptation to join the ranks of the crime world to protect his business ventures.

Abel faces pressure from Anna, who has mob ties (her father is an influential mafia boss known around town) and wants to fight fire with fire. Abel refuses and is determined to lead a straight and narrow life.

When circumstances spin out of control, his morals come into question.

A Most Violent Year is an interesting film, but I think I expected a bit more than I got.

For starters, it is not in the same league as the mafia works of art. It is hard to put my finger on what’s missing, but something is missing from the film, leaving it without a compelling edge.

The plot moves slowly, but the film succeeds as the character study it is; still, I left wanting more depth in the characters and a broader vision for the film.

I didn’t find myself truly invested in either Abel or Anna.

Chastain received praise for her performance, which I found adequate, but hardly a marvel. Nominated for several awards, but deemed “snubbed” for not receiving an Oscar nomination, I find this untrue.

Her performance is not brilliant, and Oscar Isaac’s is superior.

This isn’t to say I didn’t enjoy the film overall. It takes some risks, has a rich character complexity, is shot very well, and looks great. It has a smooth look, and I completely bought the 1981 time period, rather than feeling like it was dressed up for the era.

There is an authenticity to it.

A mob film not on the level of The Godfather or Goodfellas (1990), A Most Violent Year is a decent contribution to the crime-thriller era. It just doesn’t live up to the critical acclaim it received.

Independent Spirit Award Nominations: Best Supporting Female-Jessica Chastain, Best Screenplay, Best Editing

Ace Ventura: Pet Detective-1994

Ace Ventura: Pet Detective-1994

Director Tom Shadyac

Starring Jim Carrey

Scott’s Review #106

215309

Reviewed July 12, 2014

Grade: D-

Ace Ventura: Pet Detective is a silly comedy from 1994 starring Jim Carrey as a goofy private investigator specializing in pet rescue.

He is fairly inept but is hired by the Miami Dolphins to find their stolen mascot.

The film is ridiculous on almost every level- bad clichés, bad acting, mostly by the football players, and a dumb plot.

The saving grace of the film is Jim Carrey, who defined the goofy, slapstick film star of the 1990s and, although over-the-top, is quite funny with his weird gestures and absurd mannerisms.

If the writing were only slightly better- think Dumb and Dumber (1994) or The Mask (1994), this film would have been almost enjoyable, but.

Still, it’s the definition of dumb fun, just a little too far, and sooner rather than later, it becomes convoluted and tedious.

A cameo appearance by Dan Marino, obviously a poor actor, just made this movie seem sad and desperate.

Sean Young is appealing as the villain.