Tag Archives: Antoni Corone

I Love You Phillip Morris-2009

I Love You Phillip Morris-2009

Director John Requa, Glenn Ficarra

Starring Jim Carey, Ewan McGregor

Scott’s Review #1,235

Reviewed March 5, 2022

Grade: A-

Easily the most daring and arguably the best film role of Jim Carey’s career, I Love You Phillip Morris (2009) is a delightful romantic comedy featuring same-sex characters in the central roles.

At the risk of being too fluffy, there is a sardonic and wry wittiness that I fell in love with.

Those criticizing the film as ‘gay porn’ are silly since there is hardly a sex scene to be critical of or anything more than would appear in a traditional male/female romantic comedy.

Prudes wouldn’t see a film like I Love You Phillip Morris anyway.

It is based on the 1980s and 1990s real-life story of Texas con artist, impostor, and multiple prison fugitive Steven Jay Russell, who was clever beyond belief and successful at outwitting his opponents.

I Love You, Phillip Morris is the directorial debut by John Requa and Glenn Ficarra, who received a nomination from the Writers Guild of America Award for Best Adapted Screenplay.

Steven Russell  (Carrey) becomes a cop, gets married, and starts a family, but after a terrible car accident, he vows to be true to himself.

Thus far in his life, he has played by the rules and done what is expected of him, and because of the crash, he pivots to an emotional bloodletting.

The key irony is that Steven is telling the audience his story from his deathbed, so most of the activity is in the past. This is the hook because it made me wonder how and why he died. But is there a twist?

He comes out of the closet, moves to Florida, and finances a luxurious lifestyle with bad checks and credit cards. Arrested and now in prison, Steven meets Phillip (Ewan McGregor), a mild-mannered inmate who becomes the love of his life.

Determined to build a beautiful life with his partner, Steven embarks on another crime spree.

The film caters to the LGBTQ+ audience but has a crossover appeal so that all audiences can enjoy it. This is in large part thanks to the screenwriters and whoever had Carey and McGregor in mind for the film.

Too often, films centering around gay characters are deemed second-fiddle and not profitable, but with bigger stars, the audiences will come.

I Love You Phillip Morris is an independent film that builds momentum when the message is that big stars are comfortable in gay roles, something Heath Ledger and Jake Gyllenhaal taught us a few years earlier in Brokeback Mountain (2005).

Jim Carey, fabulous in The Mask from 1994, and having his share of hits and misses over the years, is perfect in the role of Steven. It’s the most interesting role he has portrayed since he gets to provide his usual physical humor in a role that matters.

LGBTQ+ audiences see a character who makes them laugh without the typical gay stereotypes.

Straight audiences will see a character whose sexual identity doesn’t matter to them.

Props go to McGregor as well, who makes a perfect counterpart for Carey as the calm, cool, and collected ‘straight man’. The film could not have worked without him.

He meshes so well with Carey that the audience instantly roots for Steven and Phillip to ride off into the sunset despite being criminals.

The stereotypes are limited, but the subject matter of AIDS, especially given the time in which the film is set, is given notice. This is a win, and Requa and Ficarra are very careful not to teeter too close to the edge of doom and gloom while respecting the disease.

At its core, I Love You Phillip Morris (2009) is a romantic comedy, and the trials and tribulations of Steven and Phillip are told. I immediately fell in love with them, and viewers will too.

It’s a film that feels fresh and alive, with a rich exploration of character that is not easy to come by.

The Immigrant-2013

The Immigrant-2013

Director James Gray

Starring Marion Cotillard, Joaquin Phoenix, Jeremy Renner

Scott’s Review #293

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Reviewed December 5, 2015

Grade: A-

The Immigrant (2013) is a lovely, classic, old-style Hollywood film set in early 1920’s New York City.

The film is a classic tale of a poor Polish immigrant who travels to America in hopes of a better life, only to be met with hardship, manipulation, and conflict.

However, The Immigrant is not a downer. Rather, a powerful and intriguing story of life and the clichéd pursuit of happiness, with a compelling love story mixed in.

Nominated for Best Actress for Two Days, One Night, eligible the same year as The Immigrant, this is a good example of how the Academy got it wrong, as Marion Cotillard should have been nominated for this performance instead.

The actress was, however, recognized with an Independent Spirit Award nomination for Best Actress for this role. A true talent, she gives a wonderful performance.

Little is known about Ewa’s (Cotillard) life before she arrives on Ellis Island with her sister Magda in tow.

We meet them as they disembark a ship and wait in line at the immigration station, weary from their escape from war-torn Poland.

They have escaped their native country in hopes of a better life in the United States.

Unfortunately, Magda is ill, cannot hide a cough, and is sent to the infirmary, most likely before being sent back to Poland.

Ewa desperately needs money and is told that her Aunt and Uncle have not shown up to collect her as she had originally thought.

She is now on her own and desperate in a land where she knows not a soul.

As the plot unfolds, Ewa encounters two men who enter her life- Bruno (Joaquin Phoenix) and Emil (Jeremy Renner)- brothers with a rivalry, both professionally and over Ewa.

They both fall in love with her- she is gorgeous and innocent, after all.

But can the men be trusted? Are their feelings true? We begin to get to know the men better, and not everything is as it seems or as it originally appeared.

The Immigrant perfectly captures the 1920s era cinematically with gorgeous cinematography and camera work.

Directed by James Gray, a director with a tendency to direct films set in New York City and feature a romantic element (Two Lovers comes to mind- also starring Joaquin Phoenix as a Jew pursuing a blonde girl).

In The Immigrant, I felt transported to the 1920s with Bruno’s dark coat and bowler and the characters’ costumes in general.

The Lower East Side, from the automobiles to the theaters, seems like that’s how it was back then- charming, artistic, and yet combustible too.

Marion Cotillard gives a soft yet tough performance as the long-suffering, heart-of-gold Ewa.

Her yearning to keep her traditional Catholic values while being transported into a new, dangerous world filled with corruption and the need to survive is heartbreaking, and Cotillard wears her heart on her sleeve.

She is also tougher and more stubborn than we first think she is- she will not be taken advantage of, and these aspects give the character complexity.

I did not see her as a victim.

Let’s not forget the men in the film; while it borders on turning into a “woman’s movie” towards the climax, and Cotillard is front and center, Phoenix and Renner are flawless.

Phoenix, with the larger role, is extremely complex, and it takes the audience until the final scene to entirely figure Bruno out.

I wish The Immigrant (2013) would have found a wider audience, but for fans of a traditional, classic, romantic Hollywood experience, this film is a treat.

It will take you back to an earlier time in the world- in a completely authentic way.

Independent Spirit Award Nominations: Best Female Lead-Marion Cotillard

Ace Ventura: Pet Detective-1994

Ace Ventura: Pet Detective-1994

Director Tom Shadyac

Starring Jim Carrey

Scott’s Review #106

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Reviewed July 12, 2014

Grade: D-

Ace Ventura: Pet Detective is a silly comedy from 1994 starring Jim Carrey as a goofy private investigator specializing in pet rescue.

He is fairly inept but is hired by the Miami Dolphins to find their stolen mascot.

The film is ridiculous on almost every level- bad clichés, bad acting, mostly by the football players, and a dumb plot.

The saving grace of the film is Jim Carrey, who defined the goofy, slapstick film star of the 1990s and, although over-the-top, is quite funny with his weird gestures and absurd mannerisms.

If the writing were only slightly better- think Dumb and Dumber (1994) or The Mask (1994), this film would have been almost enjoyable, but.

Still, it’s the definition of dumb fun, just a little too far, and sooner rather than later, it becomes convoluted and tedious.

A cameo appearance by Dan Marino, obviously a poor actor, just made this movie seem sad and desperate.

Sean Young is appealing as the villain.