Tag Archives: Daniel Bruhl

Inglourious Basterds-2009

Inglourious Basterds-2009

Director Quentin Tarantino

Starring Mélanie Laurent, Christoph Waltz, Brad Pitt

Top 250 Films #92

Scott’s Review #589

Reviewed January 7, 2017

Grade: A

Inglorious Basterds (2009) is simply a great movie.

Blending many film genres, it is hard to categorize, but that is because it is a Quentin Tarantino film, and that says it all.

The film as a whole contains excellent acting, is wonderfully shot, and is extremely detail-oriented, plus it has the familiar “Tarantino” style of music and sound, the chapter breakdown, and the heavy violence.

Set mainly in German-occupied France during the early 1940s during World War II, the action centers around two stories: Shosanna (Mélanie Laurent), a teenage girl whose entire family is killed after being discovered hidden by a dairy farmer.

He is a Jewish sympathizer, and Shosanna barely escapes with her life when an SS Colonel, brilliantly played by Christoph Waltz, interrogates the man.

Three years later, now living in Paris and owning a cinema, she plots her revenge. The other story is also of a revenge plot by a group of Jewish-American soldiers to kill as many Nazis as possible.

Both stories eventually intersect with a grand finale inside a cinema.

The story itself is richly nuanced and unlike many generic films of today. The fantastic set design and the perfection of every last set-piece are amazing.

Long scenes play out slowly but bristle with authenticity and good dialogue.

Take the first scene, for example- as the SS Colonel, aptly nicknamed the “Jew Hunter,” plays cat and mouse with the dairy farmer, politely asking for two glasses of milk, the audience knows the payoff will be huge, but the conversation crackles with good dialogue.

What strikes me most about the film is the intelligent writing.

The many scenes of conversations between characters, a chat over strudel and cream, a trivia game at a bar, and the aforementioned scene at the farmhouse crackle with unique, clever written dialogue, so the scenes are far from mere filler.

Of course, this is also a characteristic of Tarantino.

At over two and a half hours, Inglourious Basterds (2009) is long but satisfying.

My only criticism is of Brad Pitt. I didn’t buy him as a Tarantino guy and found his character the only weak point of the film. His southern drawl did not draw me in like I thought it might.

He was touted as the main character (perhaps because he was the biggest star), but he plays a supporting role.

Oscar Nominations: 1 win-Best Picture, Best Director-Quentin Tarantino, Best Supporting Actor-Christoph Waltz (won), Best Original Screenplay, Best Sound Editing, Best Sound Mixing, Best Cinematography, Best Film Editing

Rush-2013

Rush-2013

Director Ron Howard

Starring Chris Hemsworth, Daniel Brühl

Scott’s Review #162

70253165

Reviewed August 31, 2014 

Grade: B+

Rush (2013), a film directed by Ron Howard, delves into the world of auto racing through the true story of the 1970s rivalry between racing superstars James Hunt and Niki Lauda.

The film mainly focuses on 1970-1976 and the races and championships between the two, with some of their life trials and tribulations thrown in.

From bitter enemies, they slowly build respect and friendship over the years.

Chris Hemsworth and Daniel Brühl give excellent performances as Hunt and Lauda, respectively.

Ron Howard, a very mainstream, Hollywood-style director, carves out a nice film that isn’t edgy or particularly risk-taking. Still, it’s a solid biopic that works and keeps the viewer interested.

The film isn’t gritty and has a definite safe feel, but that is unsurprising since Ron Howard directed it and that’s characteristic of his films.

Reportedly, the feud between Hunt and Lauda is slightly embellished from the low-key real-life feud, and some events are created for effect.

Hunt never beats up a reporter in Lauda’s defense.

The racing sequences are compelling and don’t feel overdone or detract from the film’s human side. I loved seeing the real-life Hunt and Lauda at the end of the film, as is quite common these days when telling a true-life story.

Brühl, an unknown to me, received a deserving Golden Globe nomination for Best Supporting Actor.

Rush (2013) isn’t a movie to go down in history, nor will it leave you thinking about it or asking questions days after you watch it, but it is a slick, competent, entertaining story with impressive performances from the two leads.