Tag Archives: Tim Griffin

A Better Life-2011

A Better Life-2011

Director Chris Weitz

Starring Demian Bichir

Scott’s Review #1,004

Reviewed March 26, 2020

Grade: B+

A Better Life (2011) is a heartwarming and timely project that focuses on and showcases Hispanic culture, both positively and negatively.

The film explores illegal immigration amid a powerful family drama.

Lead actor Demian Bichir deservedly earned a Best Actor Oscar nomination for his sensitive portrayal of a man who wants only the best for his son, even as life stacks the odds against him.

The film is an atypical Hollywood production, told simply and with heart.

Carlos Galindo (Bichir) is a struggling Los Angeles gardener who manicures the lawns of the rich and famous in sunny California with his partner and close friend Blasco.

Carlos lives a content life but is always on guard because he is an illegal immigrant and worries about his son Luis (Jose Julian) falling in with the wrong crowd.

When one day Carlos’s sister loans him $12,000 to purchase a truck he needs for his job, he hits his stride, only to have the truck stolen.

Desperate, Carlos and Luis are determined to get back the truck while avoiding trouble with the law.

The film’s title, while basic and not sexy, is powerful in its simplicity. Bold and thought-provoking, this is merely what Carlos wants for Luis and what every father wants for his son.

His trials and tribulations are a constant; he strives to teach Luis to stay on a positive path and avoid the mistakes Carlos made.

Regardless of the political discussion the film could have, what lies beneath is a heartwarming story of cherished love between a man and his son.

Cleverly, the film provides a hopeful final message for both major characters.

I adore the rich Mexican culture the film represents. A battle of traditional appreciation of one’s roots versus immersing oneself in American culture is examined.

Nearly the entire cast is of Hispanic descent, and with numerous scenes of ethnic flavor, from restaurants and cafes to nightclubs and street life, the film is authentic and fresh.

Thankfully, the filmmakers do not try to pull off the insulting ploy of casting white actors clad in Mexican garb or a big-name actor in the role of Carlos.

Many of the characters even seem like non-actors.

The Los Angeles setting is highly successful, especially since the low-budget independent film uses tons of exterior shots.

The camerawork isn’t exceptional but feels fresh, letting the warm climate marinate with viewers so they feel immersed in the Southern California neighborhoods.

The contrast between the East Los Angeles area where Carlos lives versus where he works is a harsh reality for most landscapers.

Bichir more than deserves the accolades heaped upon him for this mesmerizing and intelligent role. He quietly portrays an empathetic man who is an unsung hero and a representative of many fathers who never get their due respect, especially if they are undocumented immigrants.

When Luis denounces Mexican music, Carlos’s pain is evident as he endures what surely breaks his heart.

Bichir’s realism and commitment to the characters’ truth drive the film.

A Better Life (2011) is a story rich with poignancy and relevance, showcasing the plight of a good man. Now, almost ten years later, the film is arguably more important than ever since immigration has become a hot-ticket item in the turbulent political climate.

Do hardworking, undocumented people deserve a break from being in the United States? The answer seems obvious, and the film skews steadily to the left, but is there any other strong viewpoint?

Oscar Nominations: Best Actor-Demian Bichir

Independent Spirit Award Nominations: Best Male Lead-Demian Bichir

The Gift-2015

The Gift-2015

Director Joel Edgerton

Starring Jason Bateman, Joel Edgerton

Scott’s Review #264

Reviewed August 9, 2015

Grade: A-

The Gift (2015) is a throwback to the psychological thriller genre made famous by Fatal Attraction in 1987 and similar films throughout the 1990s.

An unstable psycho threatens a happy couple.

Interestingly, The Gift is similar in genre to a film also released in 2015, The Boy Next Door.

The Gift is worlds superior to that film and delivers surprises, frights, twists, and turns I didn’t see coming.

The film isn’t predictable, which is refreshing in this genre.

Jason Bateman and Rebecca Hall star as Simon and Robyn, a successful young couple who relocate from Chicago to sunny California, near Simon’s childhood hometown, to start a new life and start a family.

They soon run into a man named Gordo, played by actor/director Joel Edgerton, a high school chum of Simon’s from twenty years ago whom Simon barely remembers.

Simon and Gordo plan to reconnect over dinner, but the audience senses something is off about Gordo.

As Simon, Gordo, and Robyn reconnect, Gordo starts leaving pleasant little gifts on Simon and Robyn’s doorstep and showing up at their house unannounced, which is particularly unnerving to Robyn, who is home alone all day.

Simon is consumed with his new career and possible promotion.

Interestingly, their home is located in a secluded area.

The film soon reveals that Gordo was nicknamed “Gordo the Weirdo” in high school and that an incident involving Gordo occurred, though nobody seems to remember the exact circumstances.

Perhaps they choose not to remember?

The vagueness of this situation is appealing because the audience is sure these circumstances will be revealed later in the story and play a large part in the climax, and they do.

We also learn that another incident took place with Robyn in Chicago and that she suffered a miscarriage. She does not drink and avoids pills. Could she be unstable, imagining things, or overly cautious?

It is revealed that she handles stress poorly.

A wonderful aspect of The Gift is its surprise factor. As the plot twists and turns, I switch alliances and wonder who the villain is. Gordo? Simon? Robyn?

Edgerton (along with a great performance) directed the film compellingly and was undoubtedly influenced by Alfred Hitchcock.

The camera angles and score excel at establishing the right level of tension at just the right moment.

In more than a few scenes, the audience knows something will jump out at the screen, so there is anticipation, but when and how it will happen is a surprise.

Many scenes show Robyn alone during the day, thank goodness, when she hears a noise or notices the water running. These scenes are traditional fare in horror or thriller, but they’re well done in The Gift.

Simon is an interesting character. Sophisticated, educated, and with a high-level executive job, he has a strange fear of monkeys.

The past is a common theme of the film- past events encase the three lead characters, leading to conflict, and ultimately these events come back to haunt them.

Most of Simon’s friends are unlikable and seem more interested in style than substance. They seem drawn to Simon more for his success than because they care about him.

This contradicts his wife’s character.

Robyn is down-to-earth and kind, and does not place as much stock in wealth and achievements as she does in personality and being a kind individual.

She and Simon bicker and disagree about Gordo, and their conflict increases.

It is not often in films anymore that one is truly frightened and “jumps out of your seat”, but two intense scenes, one involving a dog and the other a shower, made me jump, and the hairs on my arm stand on end.

Everyone in the audience gasped together.

Now that is fun!

The only negatives in The Gift are continuity issues and the suspension of disbelief in some scenes. Without giving anything away, how does Gordo manage to do some things he can’t?

The Gift (2015) is an old-fashioned thriller with excellent acting, compelling characters, and a wonderful debut for Edgerton in the director’s chair.

The film will leave the viewer pondering moral questions and relating to each of the three main characters.

American Sniper-2014

American Sniper-2014

Director Clint Eastwood

Starring Bradley Cooper

Scott’s Review #223

American_Sniper_poster

Reviewed February 22, 2015

Grade: A-

American Sniper (2014), directed by Clint Eastwood, is a war film told from the viewpoint of a soldier- or a sniper.

A character study, if you will.

Starring Bradley Cooper as Chris Kyle, deemed the deadliest marksman in U.S. military history, he has 255 kills.

The film begins pre-9/11 as Kyle views coverage of the 1998 U.S. Embassy attacks and enlists in a grueling training program to become a Navy SEAL sniper.

Flashbacks show Kyle as a child, taught by his demanding father to hunt deer and shoot a rifle. He is eventually sent to Iraq following the 9/11 terror attacks, and the film continues to showcase Kyle’s military career and multiple tours of duty, ending years later.

Sienna Miller plays his wife, Taya.

I am not sure the controversy American Sniper has stirred is warranted. I see the film simply as a very good mainstream action movie.

Yes, it has overdone Americana machismo and Texas swagger, but it is an Eastwood film! This masculinity is at the heart of many of his films.

I do not view the film as politically charged.

The film leans neither Republican nor Democratic and seems to take a middle-of-the-road viewpoint.

It is a tale of a war hero, but it questions the wars fought and the casualties involved, both American and otherwise. Sure, Kyle is a good ol’ red-blooded American, but as he and Taya watch the 9/11 attacks on television, they are watching CNN, not Fox News.

His close military buddy asks, “Why are we here?” referring to Afghanistan, and Eastwood implies a question about what this is all about.

I hope audiences keep this in mind.

One concern I do face as I ponder the film is whether American Sniper will send some audience members back to a time when the world was fearful of Muslims and at risk of the recent ISIS terror situations; I hope that people are smart enough to realize that NOT all Muslims are terrorists.

Only a minuscule portion is evil-inspired.

The major terrorist in American Sniper, known simply as The Butcher, is despicable, but plenty of other Muslims are innocent and victims of The Butcher’s brutality.

I love how deep the film is.

Cooper is as resilient as the troubled sniper. He is portrayed as human, a nice, all-American guy. He wrestles with the choice of shooting a woman and a young boy who died at the risk of them carrying a bomb and killing members of his squad- he does not want to kill them, but rather is excellent at his job.

He is a perfect shot.

In the heat of the moment, under extreme pressure, he must ask himself, “Should I pull the trigger and end their lives”? “What if they are innocent pedestrians?”

He becomes, in a sense, addicted to his duty of going overseas to Iraq and Afghanistan and justifies his service as “protecting Americans”.

This leads to a troubled personal life as Taya grows frustrated with his frequent tours of duty, which he readily accepts. He has Post-Traumatic Stress Disorder but refuses to acknowledge this.

He almost kills the family dog in a fit of uncontrolled rage; he temporarily confuses sounds from an auto shop as military warfare.

My admiration for Bradley Cooper’s acting grows with each role I see him in. He is a marvel.

From recent dynamic performances in American Hustle (2013) and The Place Beyond the Pines (2012) to this role, I am convinced he can play any part successfully and convincingly.

He has sure come a long way from The Hangover (2009).

American Sniper (2014) is an enormously creative and commercial success and deserves to be. Layered and character-driven, it is worlds above the typical male-driven action film.

Oscar Nominations: 1 win-Best Picture, Best Actor-Bradley Cooper, Best Adapted Screenplay, Best Sound Editing (won), Best Sound Mixing, Best Film Editing