Tag Archives: Terry Kinney

I Smile Back-2015

I Smile Back-2015

Director Adam Salky

Starring Sarah Silverman

Scott’s Review #654

Reviewed June 13, 2017

Grade: B+

As a fan of Sarah Silverman, the comedienne, I was eager to see the 2015 film I Smile Back, which earned her a Screen Actors Guild Award nomination.

Silverman tackles a heavy dramatic role in a film that teeters on being a pure “downer.” Fans expecting the actress’s comic wit may not find it.

Instead, I embraced the performance and found the film a treat, thanks to Silverman’s powerful work. She nails the part and carries it to success.

I Smile Back is a small film that I wish had garnered more viewers.

Laney Brooks (Silverman) appears to have it all. She lives an affluent existence in Westchester County, New York, with her handsome husband, Bruce (Josh Charles), and their two young children.

With a gorgeous house, dinner parties, and friends, who could ask for anything more?

Bored and troubled by a tough childhood and “daddy issues,” Laney tends to drink too much, abuse drugs and prescription pills, and carry on an affair with her best friend’s husband, all while managing to run a household.

As she spirals down a darker path, Laney watches her perfect world crumble around her.

Throughout the film, I asked, “Are we supposed to root for Laney or dislike her?”

Director Adam Salky does not make it easy to like her.

In addition to her substance abuse (or overuse), Laney is rather selfish.

From the small scenes when Laney drops off her kids from school and is annoyed when the crossing guard and a teacher refuse to give her special treatment, she mutters insults under her breath as she grabs a cigarette and heads for her scandalous rendezvous.

But when she is put in great peril later in the film, following one of her benders, I could not help but feel deep sympathy for her.

It is a bit unclear what the audience should feel.

This leads me to conclude that the film belongs to Silverman. What impresses me most is how believable she is in most scenes.

She packs creative lunches for her kids and plays fun birthday cake decorating games with them, but in the next breath snorts cocaine and rails at a neighbor lady for not celebrating Thanksgiving.

Thanks to Silverman, she plays these scenes with gusto.

Some critics have complained about the script, but I find no real fault. While not the strongest element, it is fine, nonetheless.

I Smile Back is a low-budget indie drama that serves its purpose- it does not delve too deeply into the hows and whys of her addiction, and a nice scene with Laney’s father (Chris Sarandon) offers no concrete evidence of why this man drove her to drugs through his abandonment.

The film seems to be more about proving a good performance by Silverman than anything else.

Sarah Silverman commands great respect for her dark portrayal in I Smile Back.

This role, combined with her recent turn in Showtime’s Masters of Sex, where she portrays a pregnant lesbian in the 1960s, proves she has what it takes to compete with today’s great dramatic actresses.

She is much more than a stand-up comic. Here’s to hoping for more drama from this talented lady in the years ahead.

A Wedding-1978

A Wedding-1978

Director Robert Altman

Starring Desi Arnaz, Jr.

Scott’s Review #539

Reviewed December 17, 2016

Grade: A

A Wedding (1978) is an obscure, brilliant gem penned and directed by Robert Altman, a film genius and one of my most adored directors.

I love most of his movies, and A Wedding is no exception.

The creative way Altman weaves intersecting storylines and dialogue, creating a real-life tone, gives his films immense realism.

In A Wedding, he takes a basic life event and turns it into a well-nuanced, fascinating, comical, yet dramatic story.

He is known for having enormous casts (in A Wedding, there are 48 principals!), but every character serves a purpose.

The viewer will feel like a fly on the wall at a real wedding.

Altman’s actors primarily improvise their dialogue, speaking at the same time, which lends a realistic edge. I adore this quality.

The film is a satire- people either love or loathe attending weddings, and Altman’s film caters to the latter. He creates a setting, from the ceremony to the reception, riddled with awkward moments and social gaffes.

In pure satirical soap-opera fashion, two wealthy families gather at a lavish estate for the ceremony to begin. Hilarity ensues when the corpse of the matriarch of one family lies in her bed, nobody realizing she is dead.

Other hijinks include the revelation of a nude, life-size portrait of the bride, the caterer falling ill, and a tornado wreaking havoc.

Slowly, the families reveal secrets as alcohol flows and the characters become entangled in perilous situations.

Altman does it again, creating a masterpiece based on real-life situations most can relate to.

Golden Globe Nominations: Best Supporting Actress-Carol Burnett