About Schmidt-2002

Director Alexander Payne

Starring Jack Nicholson

Scott’s Review #1,054

Reviewed August 18, 2020

Grade: A-

Anyone familiar with the works of director Alexander Payne knows he is notorious for crafting pictures with wry humor and dark sarcasm, all mixed with emotion.

Election-1999, Sideways-2004, and The Descendants-2011 immediately spring to mind.

Interestingly, several of his projects are set in Omaha, Nebraska, not exactly a hotbed of excitement, but there is a reason for this- he embraces every man.

Payne also has a knack for casting big stars, sometimes before they are big stars, giving them meaty and clever roles to sink their teeth into.

With About Schmidt (2002), he hits the jackpot and obtains the legendary Jack Nicholson, an actor famous for turning down many roles that simply aren’t good.

This already bodes well for the film, which spotlights an older character and plants the spotlight firmly on him, admirable in youth-obsessed Hollywood.

The film is very good, sometimes adding stock characters, but it is an admirable, worthwhile effort with surprisingly strong emotion and sentimentality.

The result was both a critical and commercial success and is highly recommended.

The film kicks off showing Walter Schmidt (Nicholson) staring at the clock in his office, day after day, counting the minutes until his shift concludes and he goes home for dinner.

He has a dull job as an actuary at a life insurance company.

Finally, one day, he retires and, feeling useless, sponsors an African child, and the two become quick pen pals. Suddenly, Walter’s wife, Helen (June Squibb), dies as they are about to embark on a cross-country trip in their Winnebago.

Devastated, he finally goes it alone.

About Schmidt is a film that evokes many emotions: happiness, anger, and sadness.

Walter is a lonely, unhappy man in a loveless marriage with Helen, though he doesn’t have the heart to tell her. She’s a nice lady, but the honeymoon ended years ago, and the spark has dulled.

At the same time, he has a tough time coping with her death and can barely cook, clean, or do laundry. He uncovers a secret about his wife that both sends his life into a free fall and inspires him to summon the nerve to live a little.

Walter is a great character and exhibits the traits of many, many men. He is someone for audiences (especially males) to relate to and fall in love with.

Bored with life, he is used to doing the same thing every day, no doubt eating the same meals, going to bed at the same time each night, etc.

Helen dictates what he does, reducing him to urinating and sitting down. Audiences will champion his reemergence to the land of the living! The fun is witnessing his escapades.

A hilarious sequence erupts when he meets the vivacious Roberta Hertzel (Kathy Bates). She is the mother of Walter’s daughter, Jeannie’s (Hope Davis) intended, Randall (Dermot Mulroney), and has a voracious sexual appetite.

She immediately sets her sights on Walter and attempts to seduce the unwitting man in her hot tub. Bates is terrific in the role, and her nude scene is something to remember.

Major props to the actress for letting it all hang out!

The characters of Jeannie and Randall are not written especially well, and I was not a fan at all. They are “types” meant to complicate the plot or affect other characters in some way.

Actors Davis and Mulroney do their best with what they are provided, but they are meant to be obstacles for Walter to overcome. He loves his daughter and doesn’t want to see her marry a jerk.

Jeannie is angry because her life hasn’t turned out the way she wanted, so she takes it out on Walter.

I did not buy or bond with Jeannie or Randall the way I did with Walter and Roberta.

Nicholson’s performance is one of the best of his career and the most multifaceted.

The final scene, when he returns home to find a note from his pen pal with a sentimental crayon drawing, is electric with emotion, feeling authentic, and is a pivotal breakthrough for Walter.

The character runs the course from submissive and lost to emboldened and strong. It’s a joy to watch his progression.

I love how Payne frequently celebrates and showcases older characters who are more than providers of advice, good listeners, or some other watered-down stock characters.

They have their own stories and enriched, meaningful lives.

About Schmidt (2002) has it all and is one of Payne’s top films, deservedly showcasing this generation in cinema.

Oscar Nominations: Best Actor-Jack Nicholson, Best Supporting Actress-Kathy Bates