West Side Story-2021

Director Steven Spielberg

Starring Ansel Elgort, Rachel Zegler, Ariana DeBose

Scott’s Review #1,207

Reviewed December 12, 2021

Grade: A

I salivated when the news broke that a reboot of the brilliant 1961 film West Side Story, itself based on a Broadway musical, was being planned.

I was cautiously optimistic when I heard Steven Spielberg would direct the production. Nothing personal against Mr. Spielberg, but there have been some misses with musical adaptations over the years.

Does anyone remember Cats (2019)? I know, we are all trying to forget it.

Nonetheless, my anticipation was temporarily sidelined due to the dreaded COVID-19 pandemic. Still, art always perseveres, and the release of the new West Side Story was pushed back from December 2020 to December 2021.

Finally, the moment had arrived, and I was even fortunate enough to score members-only sneak preview tickets to an early screening at my local art theater.

Hooray!

West Side Story (2021) is a brilliant adaptation that does not disappoint in the least, offering entertainment and authenticity in abundance. It’s bombastic and enthralling, mixing romance with some quite brutal fight scenes.

The delightful songs “Maria”, “America”, “Tonight”, “I Feel Pretty”, and my personal favorite “Somewhere” are all included and are like new gifts for fans to unwrap greedily.

This may be Spielberg’s best effort yet (I never thought he’d top 1993’s Schindler’s List), as he recreates a musical spectacle that will surely entice viewers back to the cinema.

The reboot has life, artistry, and expressionism, breathing fresh energy into the production. In some ways, it surpasses the 1961 version.

Despite being created in the late 1950s, a remains timely. Racism sadly still exists in America, and we have much work to do to unite as one if we ever do. This may feel hopeless, but the film’s message is one of love and unity, offering hints of hopefulness.

How timely and how much we need this film.

The film has a more profound sentiment in light of the recent death of Stephen Sondheim, the masterful composer and lyricist who revolutionized the American musical. He worked in tandem with Leonard Bernstein on most of these songs.

For those unfamiliar, let me briefly summarize the film’s plot.

Love, at first sight, strikes when young Tony (Ansel Elgort) spots Maria (Rachel Zegler) at a high school dance in 1957 New York City. Forbidden from having anything to do with each other except to hate each other, their immediate romance helps fuel the fire between the warring Jets and Sharks —two rival gangs vying for control of the streets.

Things go from tense to terrible when street fights between the gangs lead to mayhem, misunderstandings, and death.

The film is crafted exceptionally well from a visual and cinematic perspective. From the opening sequence, when the gangs stumble amongst the ruins of a decrepit west side lot, there are intriguing shadows and shapes, and high camera shots.

These moments continue throughout the film, as the flawless choreography of the dance scene takes center stage.

Speilberg corrects missteps that the 1961 version made, which brought a broad smile to my face. The Puerto Rican characters, which make up half the cast, are played by Hispanic actors. The big mistake the original film made was casting Caucasian actors who passed for Puerto Rican.

The chemistry between Richard Baymer (original Tony) and Natalie Wood (original Maria) was lacking, but it explodes off the screen from the first moment that Elgort and Zegler appear together.

Rita Morena, familiar to West Side Story fans with her portrayal of Anita in the 1961 version, returns in the role of Valentina, who runs Doc’s general store and is assumed to be the widow of Doc.

It is explained that Valentina, a Puerto Rican, married a white man. Morena’s role is much bigger than I thought, and she performs a magnificent, tear-jerking version of “Somewhere”.

The casting is flawless. Standouts are Elgort (Tony), Ziegler (Maria), Ariana DeBose (Anita), David Alvarez (Bernardo), and Mike Faist (Riff), but the entire company performs flawlessly and effortlessly.

The character of Anybodys, a tomboy in the original, is cast with a transgender actor, Iris Menas, which provides rich diversity and inclusion.

West Side Story (2021) is an instant classic that I eagerly anticipate seeing again and again. I’ll never waver in my love and devotion to the original version.

Still, the new version is an exceptional achievement in authenticity, style, and pizazz that will assuredly remind viewers why they love the cinema so much.

It certainly reminded me.

Oscar Nominations: 1 win-Best Picture, Best Director-Steven Spielberg, Best Supporting Actress-Ariana DeBose (won), Best Cinematography, Best Production Design, Best Costume Design, Best Sound