Tag Archives: Kurt Egyiawan

A Real Pain-2024

A Real Pain-2024

Director Jesse Eisenberg

Starring Jesse Eisenberg

Scott’s Review #1,452

Reviewed November 25, 2024

Grade: A-

A Real Pain (2024) is a well-written film about life’s emotions, experiences, joys, and pains. It wonderfully mixes comedy with drama, not one genre or the other but a pot of delicious flavors forming a potent concoction.

Jesse Eisenberg produces, writes, directs, and acts in his creation, making it his own. Kieran Culkin is a revelation as a troubled young man plagued by depression and ravaged by passion.

Emma Stone co-produces.

David (Eisenberg) and Benji (Culkin) play New York Jewish cousins with seemingly minor in common who reunite for a tour through Poland to honor their beloved grandmother.

David, a reserved and pragmatic father and husband, contrasts sharply with Benji, a free-spirited and eccentric drifter. Their personalities clash as Benji criticizes David for losing his former passion and spontaneity, while David struggles with Benji’s unfiltered outbursts and lack of direction.

In Poland, the pair meets up with a Holocaust tour group that each shares a link to the Holocaust history.

Emotional honesty among the group members and tour guide occurs during their week-long trip as brutal truths and past tensions surface.

A Real Pain is a character study with flawless writing. Eisenberg delivers an effort reminiscent of a Woody Allen film with punchy moments, neurotic characters, and cheeky humor.

Benji and David, more like brothers than cousins, admire and resent each other. Benji wishes he had what David does- a stable job, a wife and child, and peace of mind. David resents the way Benji lights up a room with his passion, quickly becoming center stage while David is forced to lurk in his shadow.

Together, the film belongs to Eisenberg and Culkin as their dazzling chemistry emulates from the screen.

From the first scene, we sense David’s frustration. He rushes to the chaotic airport, hurriedly leaving voicemails for Benji. But the carefree Benji has been at the airport for hours and dismisses David at every measure.

David is a nice guy who selflessly gives Benji the window seat and first dibs on the shower. But he secretly feels bullied by Benji’s selfishness.

David realizes that people always fall for Benji and give him a pass, which frustrates him. He essentially mocks and calls the tour group assholes but somehow is deemed ‘real’ or ‘honest.’

Benji is tough to like, but Culkin’s wounded blue eyes allow the audience to realize he is hurting and suffering from deep pain.

My only knock is why the tour guide, who is mocked and criticized by Benji, ultimately thanks him for his brutal honesty and more or less snubs David.

Compared to the otherwise honest writing, this scene feels forced and unrealistic.

Eisenberg flawlessly delivers a performance that showcases his range of emotions. Sufferingly patient, he explodes during a dinner scene, letting his emotions spill onto the table.

Eisenberg and Culkin’s great acting is showcased, especially during the scenes where they let their emotions rip. Their best scene together is atop a hotel, where they smoke pot and old wounds furiously come to the surface.

Besides the acting, Eisenberg, the screenwriter, immerses the audience in the importance of Holocaust history.

It’s not for the faint of heart. Powerful scenes of the tour group walking through  Majdanek concentration camp are hard to watch, with the knowledge that thousands were exterminated.

Led by a scene-stealing turn from Culkin and a bevy of creative talents by Eisenberg, A Real Pain (2024) is a powerfully funny, emotionally resonant dramedy that finds him playing to his strengths on either side of the camera.

Oscar Nominations: 1 win-Best Supporting Actor-Kieran Culkin (won), Best Original Screenplay

Independent Spirit Award Nominations: 2 wins-Best Supporting Performance-Kieran Culkin (won), Best Screenplay (won)

Beasts of No Nation-2015

Beasts of No Nation-2015

Director Cary Joji Fukunaga

Starring Abraham Attah

Scott’s Review #380

Beasts_of_No_Nation_poster

Reviewed February 21, 2016

Grade: B+

After hearing about this film through the healthy number of independent film award nominations it received in 2015, I watched Beasts of No Nation, a war drama set in an unnamed West African country.

It tells the story of dire events through the eyes of a young boy who has lost his family.

He is forced into a life of brutality and death, taken under the wing of a charismatic commander.

Beasts of No Nation is sometimes raw, sometimes gorgeous, but always thoughtful, a powerful telling of the devastation of human life in a world very few can comprehend.

We first meet Agu (approximately aged eight or nine), wonderfully played by unknown child actor Abraham Attah, during happy times.

He plays with his childhood chums and adores his older brother, who is attempting to woo a pretty girl. His father is a leader, and the family lives in a small village protected by troops.

They allow refugees in for care.

Their country is in a civil war, but the family happily survives and makes a life for themselves, sharing meals. Suddenly, the government has fallen, and rebels seize the area.

Soon, Agu’s family is gone, leaving him alone and scared.

His world turns upside down; he becomes involved with a militia commandant, played by Idris Elba, and a fellow child soldier named Strika, who takes him in.

The film centers on two actors, Attah and Elba, though the whole cast performs with precision.

The relationship between the characters is interesting and complex, like a father/son mixed with mentor/protégé, and it’s the film’s most compelling part.

The commander is a father figure to Agu. He sees a warrior in him, takes him under his wing, feeds him, and cares for him.

He is never violent or abusive towards Agu, and in one powerful scene, Agu is sodomized ( mostly off-screen yet very much implied), and Agu seeks comfort in his best friend Strika, who has also met the same actions prior.

One cannot help but think sexual assaults like this are perceived and handled differently in Africa.

Rape is a subject that comes up numerous times in the film, mostly against women.

Throughout the film, I noticed the beauty of the cinematography, as most scenes are set outside. Lush, green forests and tranquil villages contrast starkly with the violence.

Agu does some terrible things- in one brutal scene, an innocent student is hacked to bits by Agu and Strika at the commander’s coaching as a sort of initiation.

Agu sees the student as responsible for his family’s fate and goes berserk.

Agu then tearfully mistakes a village woman for his mother and angrily shoots her dead as his cohorts are raping her. The film isn’t soft and contains a lot of violence.

But again, this is a world unknown to most viewers.

At times we despise Agu and the violent rage he emits, but then we remember he is a young boy being turned into a warrior by savages.

He talks to God and his mother and knows what he does (and what is happening to his country) is wrong.

I would have liked to learn more about Elba’s background. What makes him tick? Has he lost loved ones long ago as Agu has?

I surmised that the answer is yes. He is brutal, but a calm, calculating, and thoughtful, always in control.

As war rages on, Agu and his fellow tribe question what they are doing. Such smarts for a young boy, and the audience admires his views. He is intellectual and worldly, way beyond his years.

That is what makes Beasts of No Nation a compelling character study.

I more than once thought that I had seen this type of film before (Last King of Scotland, 2006, comes to mind in recent times), but never to the extent of what a character-driven story it was, especially in the eyes of a child.

Beasts of No Nation (2015) takes the viewer into an unpleasant world of brutality and a world where there is no rulebook.

We witness a once-innocent child’s experiences and conflicted feelings in the face of danger and heartbreak, and learn about its complications.

Independent Spirit Award Nominations: 2 wins-Best Feature, Best Director-Cary Joji Fukunaga, Best Male Lead-Abraham Attah (won), Best Supporting Male-Idris Elba (won), Best Cinematography

Skyfall-2012

Skyfall-2012

Director Sam Mendes

Starring Daniel Craig

Scott’s Review #136

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Reviewed July 26, 2014

Grade: B+

Skyfall is the latest (and twenty-third) installment in the decades-long-running James Bond franchise (1962’s Dr. No was the first one), and this one receives major kudos from me.

When you look back at all the Bond films, they have had to adjust to keep up with the times, and Skyfall does it very successfully.

In addition, Skyfall brings a good, old-fashioned, compelling story to the table.

A former agent, Raoul Silva, beautifully portrayed by Javier Bardem, launches an attack on MI6, driven by a personal vendetta against M, played by Judi Dench.

Bardem delivers a complex, powerful villain who isn’t overly cartoonish.

He appears crazy!

James Bond, of course, must come to the rescue and save the day.

The story finally gives M. a chance to shine as the main plot revolves around her. The relationship between M. and Raoul is interesting and layered with history, which makes for a compelling story.

As with Bond films, the film uses exotic locales. This time we get Shanghai, London, Scotland, and Macau.

James Bond’s past is also explored- he grew up in Scotland. The Bond family estate is a major backdrop for the action.

The reintroduction of two famous Bond characters- Moneypenny and Q is like a breath of fresh air added to the franchise, although I was not crazy about the casting choice of Q.

Also, one minor flaw with this film is that there is no clear “Bond girl” to root for.

Skyfall (2012) provides a successful return to its Bond roots and will hopefully allow the Bond franchise to continue for many films to come.

Oscar Nominations: 2 wins-Best Original Score, Best Original Song “Skyfall” (won), Best Sound Editing (won), Best Sound Mixing, Best Cinematography