Tag Archives: James Whitmore

Planet of the Apes-1968

Planet of the Apes-1968

Director Franklin J. Shaffner

Starring Charlton Heston

Top 250 Films #109

Scott’s Review #363

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Reviewed January 9, 2016

Grade: A

Planet of the Apes is a 1968 science fiction film starring one of the greats, Charlton Heston.

At the time of release, the film was a great film and quite visionary- and the message still holds up well today. Since certainly everyone on the “planet” must know the “surprise” ending, the film speaks volumes about the destruction of the world we know and love.

Intelligently written, Planet of the Apes is memorable and was followed by a bunch of not-so-compelling or strong sequels, remakes, and reboots.

A group of astronauts crash-lands on a strange planet in the distant future. The men have no idea where they are or what period it is.

The planet is inhabited by apes, who are highly intelligent and speak and act just like human beings. They are dominant, and the real humans are largely mute and incapable of doing much- they are kept imprisoned.

George Taylor (played by Heston) is the lead astronaut who, the apes realize, can speak and is assumed to be brilliant. The ape leader wants him killed, but sympathetic scientist and archaeologist apes Cornelius and Zira (played by Roddy McDowell and Kim Hunter) are curious about Taylor and wish to experiment further.

To say nothing of the story, the prosthetic makeup and costumes are dynamic. Human actors play the apes, but they do not look fake or phony.

Furthermore, the sets look genuine and grand and hold up well nearly fifty years later. Nothing about the film appears to be remotely dated or losing its original appeal, as some movies inevitably do.

Planet of the Apes is a political film, and this message also holds up well in the present times.

How human beings have ruined their planet is the main point of the film, but this is wisely not revealed until the very end, with the now-famous scene of an escaped Taylor running along the beach, only to realize, in terror, that the submerged, tattered Statue of Liberty is there.

With horror, he realizes that human beings have destroyed planet Earth, and the astronauts never actually left their planet!

Fun and serious to watch all rolled into one, Planet of the Apes (1968) is a film for the ages, with a distinct message and a story that audiences everywhere can absorb and relate to.

Oscar Nominations: Best Original Score for a Motion Picture (Not a Musical), Best Costume Design

Oklahoma!-1955

Oklahoma! -1955

Director Fred Zinneman

Starring Gordon MacRae, Shirley Jones

Top 250 Films #184

Scott’s Review #51

Reviewed June 20, 2014

Grade: A-

Oklahoma! (1955) is one of a slew of memorable Rodgers and Hammerstein musicals to emerge from Hollywood in the 1950s and 1960s and to be based on a popular stage version.

The film has an old-west, homespun, comfortable appeal. It is best enjoyed during the summer months.

While Oklahoma! seems a bit too hokey and is not my favorite musical compared to other, more sophisticated stalwarts such as My Fair Lady (1964), An American in Paris (1951), or The Sound of Music (1965); it conveys a Western flavor and a tasteful appeal.

The plot focuses on a love triangle between a good old boy, Curly, a good girl, Laurey Williams, and brooding Jud, though the real rooting couple is Curly and Laurey.

The trio is supported by many townspeople who gossip about them and help Curly and Laurey admit their true feelings and unite as a couple.

Of course, Jud is the villain, and conflicts arise throughout the production.

A lesser couple, Will Parker and Ado Annie, also find each other amid traditional small-town events such as a lively summer fair.

Stars Gordon MacRae (Curly) and Shirley Jones (Laurey) are very handsome and likable in the lead roles, making for a nice pairing.

Gloria Grahame is as appealing and comical as Ado Annie, especially in her rousing turn bellowing out, “I can’t Say No.” Charlotte Greenwood is the moral voice of reason as Aunt Eller.

What works best in the film is the Oklahoma setting, as the viewer experiences a sense of life in the heartland long ago (though the exteriors were shot in Arizona).

It’s pure fantasy enjoyment with a magical Wizard of Oz feel, though no cyclone or munchkins are anywhere in sight. The film version closely follows the original stage version.

The musical numbers are pretty catchy (“Oh What a Beautiful Morning,” “I Can’t Say No,” and “Oklahoma” are my favorites).

The controversial mid-number “Dream Ballet” is provocative, artistically enjoyable, and jarringly different from the rest of the traditional tale.

This jaw-dropping number mirrors a similar spectacle in An American in Paris.

Perhaps Oklahoma! is not entirely on par with other musicals of its day, but darned close.

Oscar Nominations: 2 wins-Best Scoring of a Musical Picture (won), Best Sound Recording (won), Best Cinematography, Color, Best Film Editing