Tag Archives: Bruce Gray

My Big Fat Greek Wedding-2002

My Big Fat Greek Wedding-2002

Director Joel Zwick

Starring Nia Vardalos, John Corbett

Scott’s Review #806

Reviewed August 28, 2018

Grade: B+

My Big Fat Greek Wedding is a 2002 romantic comedy that became a surprising sleeper hit at the time of its release.

A novel story idea, the film was even recognized with a Best Original Screenplay Oscar nomination.

The film achieved success the old-fashioned way by garnering word-of-mouth buzz despite little promotion.

Good-natured, earnest, and tender, the film was nonetheless marred by an abysmal sequel and short-lived television series- a lesson learned in leaving well enough alone.

Comedian Nia Vardalos reportedly wrote the story as a one-woman play, and word of mouth among Hollywood A-list celebrities led to a film version starring Vardalos herself.

This casting choice adds enormous authenticity, as the writer’s vision shines through on screen.

The film has a fresh, modern feel. Otherwise, the supporting cast is brilliant and perfectly selected. From handsome love interest John Corbett to veterans like Lainie Kazan and Andrea Martin, everyone plays their part to the hilt and seems to be having a ball with the comic elements.

Dowdy Toula Portokalos is a lonely thirty-year-old Greek woman, considered the black sheep of her family. Of traditional roots, she is expected to marry and bear children as quickly as possible.

Toula still lives at home and works in the family restaurant in bustling Chicago, yearning for something more out of life.

When she sees dashing school teacher Ian Miller (Corbett) in the restaurant one day, she makes an embarrassing attempt to catch his attention.

Through a computer class, Toula blossoms and finally lands her man, but the drama is just beginning as the couples and their individual families’ differing cultures collide.

My Big Fat Greek Wedding is very well written, and, again, the authenticity shines through in each scene. Admittedly, it often feels like a television sitcom, and many scenes play for obvious laughs, but the laughs work.

The funniest of these scenes is when Toula and Ian (now engaged) decide to invite his parents to dinner at her parents’ house.

Predictably, events go awry as his parents, conservative and reserved, do not mesh well with hers-festive and bombastic.

Vardalos and Corbett may not have the greatest chemistry in film history, but the build-up and the romance are so charming that we can overlook the lack of lustful vigor or the sexual tension between the pair.

The film feels more like a PG-rated Cinderella story than anything heavier. Predictably, the couple shares a happily-ever-after ending.

As much of a jewel as My Big Fat Greek Wedding was in 2002, the risk with a film of this nature is to hold up well over time. Specifically, in the romantic comedy genre, films of this ilk have a short shelf life (if they are deemed relevant at all).

The humorous Windex references may be lost on audiences over time or grow stale.

Some may deem My Big Fat Greek Wedding (2002) fluff, largely because of the romantic comedy genre it falls into.

But it’s worth more than that, mainly because of the fresh, genuine use of culture and diverse backgrounds.

The film has a quality most standard “rom coms” lack: authenticity. Yes, it contains Greek stereotypes, but the overall vibe of the film is that of a sunny, fun, happy experience.

An uplifting film can sometimes be just what the doctor ordered.

Oscar Nominations: Best Original Screenplay

Independent Spirit Award Nominations: 1 win-Best Debut Performance- Nia Vardalos (won)

Cake-2014

Cake-2014

Director Daniel Barnz

Starring Jennifer Aniston

Scott’s Review #257

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Reviewed July 14, 2015

Grade: B+

Cake (2014) is a film about a woman suffering from chronic physical pain and depression that she constantly battles after a terrible accident that she was involved in.

Jennifer Aniston gives a wonderful performance as Claire Simmons, a grumpy, sarcastic, bitter victim of unimaginable loss. Aniston’s performance is the best part by far.

It is interesting to note that Aniston Executive produced this film.

Similarly, and somewhat sadly, Reese Witherspoon had to produce her own 2014 film (Wild) centered on a female role for both women to showcase their powerful acting chops.

Too few films about women are made these days unless they use female star power, which is too bad.

Claire has been through hell and back.

As the story opens, Claire sits angrily in a support group filled with other women with problems. One of the women, Nina, (played by Anna Kendrick) has just jumped off of a freeway overpass to her death—a giant photo of her glares jarringly at the other women.

When Claire probes the details of the death and uses a sarcastic tone, the lead counselor, Annette (played by Felicity Huffman), politely asks her not to return to the group.

Claire returns to her well-maintained Los Angeles home, where the audience meets her well-meaning housekeeper and confidant, Silvana, played by Adriana Barraza. Barraza herself gives a powerful performance.

Nina appears throughout the remainder of the film in visions as Claire debates suicide.

Let me discuss Jennifer Aniston’s performance in particular. I thought it was amazing and she was shamefully overlooked for an Oscar nomination.

She was superior to at least a couple of the other Best Actress nominees from 2014 (Felicity Jones immediately comes to mind).

Her character, Claire, starts as a bit of a shrew but gradually becomes sympathetic as the story layers out and the audience learns what makes her tick.

We don’t know how she ended up in her predicament at first. We know she was in a terrible accident, but it slowly takes time for all of the details to emerge. We only know she is in pain and angry.

Claire’s relationship with Silvana is interesting.

They spar; Claire takes Silvana for granted at times, but throughout the film, a close friendship emerges between the women. In a touching scene, they hold hands as they sleep.

Two scenes in particular are heartbreaking and honest. A man played by William H. Macy emerges on the doorstep of Claire’s house, and she is engulfed in rage at his appearance.

The power that Aniston emits in this scene is unrivaled. In another scene, she sees a portrait hanging on her living room fireplace mantel, given to her by a friend; she bursts into tears and sobs.

At this point, the plot makes more sense, and we feel Claire’s raw pain.

The subject matter of depression and suicide is not a cheery one, and Cake delves deeply into this territory.

The film is a bit of a downer, slow, and, at moments, drags a bit, and teeters on the verge of a lifetime television movie (yikes!), but MUCH better than that thanks to Aniston’s compelling portrayal.

With a lesser actress, the film might have felt watered down and safe.

Some light moments fail. For instance, when Claire “blackmails” Annette and bribes her with vodka for Nina’s address, it feels trivial and silly.

Thanks in large part to a gripping performance by one of Hollywood’s underrated talents, Cake (2014) takes a film on the border of being one-dimensional to a more dynamic level through its leading lady.

A supporting cast of similar talents helps the film rise above the mediocrity it might have been with lesser casting choices.