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Unbreakable-2000

Unbreakable-2000

Director M. Night Shyamalan

Starring Bruce Willis, Samuel L. Jackson

Scott’s Review #1,260

Reviewed May 29, 2022

Grade: A-

Following the brilliant and massive critical and commercial success of The Sixth Sense (1999), M. Night Shyamalan hit his stride and became a household name for blending supernatural and psychological elements into a web of compelling storytelling.

Following 2002’s Signs, credibility tapered a bit, but Unbreakable (2000) is an overlooked gem falling in the shadows of The Sixth Sense, which everyone remembers best when they talk about the director.

The Sixth Sense and Unbreakable are also strong counterparts because they both star Hollywood legend Bruce Willis, who, it can be argued, began to gain respectability within the industry with the former.

He continues his superior acting and calm character approach.

Unbreakable is part thriller, science fiction, and superhero film, so I have categorized it accordingly.

It’s part of an Unbreakable film series and was followed by Split (2016) and Glass (2019), which took years to develop and were decent if underwhelming projects.

Unbreakable is by far the best of the bunch.

David Dunn (Willis) is a regular guy who works as a security guard at a college football stadium. He is a former star college quarterback whose dreams of stardom never materialized because of a car accident.

He lives a somewhat melancholy yet decent life with his wife, Audrey (Robin Wright), and son Joseph.

One day, David boards a train. The train experienced a devastating derailment with an enormous casualty number. David awakes in the hospital to find that he is the sole survivor of the wreck. He is left unscathed.

Elijah Price (Samuel L. Jackson) arrives on the scene as a mysterious comic book expert who takes a liking to David and his experience. He offers a bizarre explanation as to why David escaped without a single scratch that counters Elijah’s health- he is a frail man who is constantly at risk of breaking his bones.

Elijah and Joseph begin to believe that David is a superhero. At first, David rebuffs this notion but slowly begins to realize he has extrasensory perception.

What is the link between David and Elijah?

I’m not always a big superhero fan, and sometimes the storylines are riddled with cliches, stereotypes, and predictability.

But Unbreakable is fascinating and unpredictable. It’s also dark and cerebral, with a surprise ending, leaving me to summarize it as a different sort of superhero film with layers of cool elements.

It’s a non-traditional superhero film, and I love that quality.

There’s a suspension of disbelief, of course. The idea that one character can rig a train accident and other crimes is a bit of a stretch. Still, the characters David and Elijah are compelling enough that I forget those pesky little plot holes and enjoy the experience.

If the story sometimes falters, the riveting train sequence more than makes up for it. We see David quietly enjoying the train ride until all hell breaks loose.

The shattered glass, derailment, and chaos are fabulous entertainment, as well as a source of wonder about what comes next and what the sequence means for the rest of the story.

There are plenty of twists and turns in Unbreakable.

Almost as riveting, though in a different way, is the opening scene of Unbreakable, which will immediately grab the viewer.

It is 1961, and an African American woman is told that her baby’s arms and legs are broken. This is later a key to the story, but at this time, we know not what this intrigue has to do with anything.

Unbreakable (2000) is incredibly fresh and original. It can easily be watched as a double feature with The Sixth Sense, but it is nothing like that film except for its director and actor.

But, they are M. Night Shyamalan’s best films, and Unbreakable provides tremendous thought and conceptualization while creating daring camera work long remembered after the first viewing.

Dawn of the Dead-2004

Dawn of the Dead-2004

Director Zack Snyder

Starring Sarah Polley

Scott’s Review #956

Reviewed November 8, 2019

Grade: C+

Dawn of the Dead (2004) is a remake of the original horror-comedy-satire film by legendary George Romero.

What the original provided in intrigue and concept is lacking in the much bloodier remake- the freshness is not there.

The film was made pre-television phenomenon The Walking Dead, but watching it now, with the zombie obsession in a steady decline, it feels tired and dated.

The film feels patterned after the successful and fresh 28 Days Later (2002).

Now set in Wisconsin (the original was in Pittsburgh, Pennsylvania), Ana (Sarah Polley) returns from a shift at the local hospital, where she works as a nurse.

She soon learns that massive bulletins alert to a sudden zombie plague, where former human beings have turned into cannibalistic corpses.

Her husband a victim, Ana joins a small group of survivors at the local shopping mall and attempts to stay alive while being encircled by the creatures and other not-so-nice people.

The main group includes a grizzled police sergeant, Kenneth (Ving Rhames); electronics salesman Michael; petty criminal Andre and his pregnant wife, Luda; and three guards, C.J., Bart, and Terry.

They are later joined by others who arrive via delivery truck.

The large group befriends another survivor, Andy, who is stranded in his gun store across the zombie-infested parking lot.

The rest of the film off the characters one by one in traditional horror style, while the remaining few try to figure out an escape route.

The main problem with Dawn of the Dead is that the characters are poorly written, making them one-note, not particularly interesting, and quite stereotypical.

Examples of this are the angry and defiant guards, who make trouble for the rest of the group for no other reason than to serve as a weak plot device to create drama beyond the zombies.

Kenneth is an angry cop, a lone-wolf type of character who frequently postures and preaches. Again, there is no interesting reason behind his personality.

Finally, Steve is an oversexed playboy who keeps recordings of his sexual shenanigans for repeated viewings.

The character meant to root for is Ana. We sympathize with her for her husband’s gruesome death and her struggle to stay alive, so she is the film’s hero. Her character is likable, and Polley is a worthy actress, but I wonder if a name star would have been better in this circumstance.

Polley did not last long in Hollywood, acting anyway, which only makes the film feel more dated than it already does. Many viewers will not know who the actress is.

Another irritant is the decision to make the zombies move faster. Part of the beauty of the zombies is that they are slow and brooding, unable to think, just existing in a mummy-like haze.

Suddenly, they are fast, making them harder to escape. This attempt at a modern approach, by changing too much, does not work.

Dawn of the Dead is not all dour.

Props must be given to the mall setting, updated for 2004 shopping inclusiveness. Trendy and timely stores are added, and it feels like a mall of its time. This is one aspect of the film that works and feels interesting.

Eagle-eyed viewers may spot some of their favorite stores from this decade.

The strongest part of an otherwise mediocre film is the brilliant incorporation of the heavy-metal band Disturbed’s aggressive song “Down with the Sickness” from 1999.

The song is incorporated over the stylistic end credits, and a summary of what happens to the survivors is provided over the lyrically brutal song.

Unfortunately, it is at the very end of the film where it finally hits a home run.

Since this is a remake, it is impossible not to compare it to the 1978 version in many ways.

The characters in the original had more salt, and a romance added a bit of complexity. The original also felt fun, whereas the 2004 version seems hardened and angry.

The originality that made the original fresh is lacking in this retread, limiting the unique social context and thought-provoking nature it contained.

With little reason to watch Dawn of the Dead (2004), unless it was still 2004, the original 1978 Romero version is far superior. A fun tip might be to watch them in sequence to notice differences in style and pacing, and for general comparison’s sake.

The final musical score is a win, but much of the rest is dull and dated.