Tag Archives: Campbell Scott

Saint Ralph-2004

Saint Ralph-2004

Director Michael McGowan

Starring Adam Butcher, Campbell Scott

Scott’s Review #1,118

Reviewed March 3, 2021

Grade: C

Saint Ralph (2004) is an indie drama that is overly sentimental with too many added standard plot points.  This makes the film ho-hum and extremely cliched. It feels like the attempt was to create a major studio film in independent clothes but without the grit afforded most indies.

There are plenty of ordinary setups and by the numbers, follow-through over anything different or fresh.

The film is too charming and safe for my tastes and is too feel-good. Maybe there are just too many similar types of movies made that it doesn’t stand out very well.

And since it’s an indie shouldn’t it strive for more edginess?

The message is meant to inspire and in a way it does but that only goes so far.

Saint Ralph is a story of a young man triumphing over insurmountable odds- wonderful but unrealistic. The religious elements of faith, miracles, and the Catholic high school are lost on me but some may champion those elements better.

I did enjoy the 1950s time-period and its share of decade trimmings and set pieces yet too often they feel stagey and any authenticity doesn’t feel fresh. Rather, like actors clad in period clothing.

The lead kid who plays Ralph (Adam Butcher) isn’t impressive enough though Campbell Scott who plays a priest with more wisdom than he probably should have is the best thing about Saint Ralph.

If I’m being harsh it’s unintentional but Saint Ralph is a film I’ve forgotten about a day or so after seeing it. I like a film that sticks with me and makes me think about and Saint Ralph just ain’t it.

It’s classified as a tear-jerker and I didn’t shed one.

Ralph is a troubled kid. His father has died in World War II and his mother lies ill in a coma. He smokes and masturbates resulting in adult intervention by way of strict Father Fitzpatrick (Gordon Pinsent) and kindly Father Hibbert (Campbell Scott).

He is encouraged to run in the upcoming Boston Marathon and he trains mightily with the right encouragement.

He feels if he trains hard and wins the marathon his mother will be granted a miracle by God, wake up from her coma, and live happily ever after. I won’t spoil the ending but the conclusion will satisfy pious audiences.

I embrace films that feature a character championing certain hardships and Saint Ralph does contain a youthful innocence and earnestness that holds some appeal. I felt myself rooting for him to overcome his problems. No kid deserves those hardships.

The weakness is that I felt manipulated. Since the intention was to root for Ralph it was clear what direction the film was going in and the predictability was at an all-time high.

The training sequences are reminiscent of any sports film. Think of a young Rocky Balboa training for an upcoming fight. And the saccharine ending is riddled with predictability.

Saint Ralph (2004) will ruffle no feathers and only appeal to mainstream audiences seeking safe cinema. Most people will not remember it very well.

Big Night-1996

Big Night-1996

Director Stanley Tucci, Campbell Scott

Starring Stanley Tucci, Tony Shalhoub

Scott’s Review #300

305300

Reviewed December 16, 2015

Grade: B+

Big Night (1996) is a sweet, whimsical little film that is a food lover’s dream come true since that is the focal point of the story with more than one dish being prepared on-screen giving it realism.

It centers on the restaurant business and, specifically, how two brothers struggle to keep their failing restaurant afloat through their love and passion for food.

The story tells of two Italian immigrant brothers, Primo and Secondo, played by Tony Shalhoub and Stanley Tucci, respectively.

The time is the 1950s and they reside in blue-collar New Jersey. Times are tough for them as they try to succeed in the difficult restaurant business- they specialize in Italian food of course.

Secondo is a playboy of sorts- suave and handsome, he dates Phyllis (Minnie Driver) while galavanting with a sophisticated older woman named Gabriela, the wife of a competitor.

Primo, on the other hand, is quiet, and serious, yet an all-star chef. The food he prepares is wonderful and his talent is evident.

But how can they market themselves to be successful?

At this point, their restaurant is dying and they risk being reduced to returning to Italy or eke out a meager existence working for someone else.

An idea is announced to have a celebrity singer (Louis Prima) perform for a one-night extravaganza at their restaurant, where they will make the meal of their lives and impress the town, thus achieving success.

The film is charming and my favorite parts are on the “big night”. As the duo prepared the liquor order and shopped for flowers and other decorations in preparation, the mood and spirit left me with a warm feeling.

What a sense of togetherness Primo and Secondo, along with friends, felt to achieve this challenging goal. Inevitably, there is tension between the brothers, and between Secondo and Phyllis, but truthfully, these are merely sub-plots, and the heart of the film is in the food.

The scenes that take place in the kitchen left my mouth watering. As Secondo prepares a baked pasta dish (Timpano), the meal oozes with love and tastiness. The entire story arc is grand and magnificent.

The group of diners revels in the dining room of the restaurant enjoying spirits and dancing the night away. By morning everyone is full and drunk, both with love and alcohol, but most are happy. They get merry as they eat the night away.

I could almost taste the main course!

A subplot that works for me is the burgeoning romance between reserved Primo and equally reserved flower shop owner, Ann. Both very timid, they finally muster the courage to admit their feelings for each other while enjoying (what else?) wine and food- what better way to begin a romance?

The tenderness and chemistry between these two are very innocent and captivated me while watching the film.

The final scene of the brothers making an omelet is also wonderful and a fitting way to stress togetherness and perseverance, which is what the small film is really about.

For lovers of food, Big Night (1996) is a shining moment.

Independent Spirit Award Nominations: 1 win-Best Male Lead-Tony Shalhoub, Stanley Tucci, Best First Screenplay (won), Best First Feature