Mother! -2017
Director Darren Aronofsky
Starring Jennifer Lawrence, Javier Bardem, Ed Harris, Michelle Pfeiffer
Scott’s Review #687
Reviewed October 4, 2017
Grade: A
Mother! is an intense, disturbing, and brilliant 2017 work by acclaimed director Darren Aronofsky.
Having crafted left-of-center works such as 2000’s Requiem for a Dream, 2008’s The Wrestler, and 2010’s Black Swan, I shudder to think this film rivals the other in the insanity department.
With four principal characters portrayed by Hollywood mainstays, this film generated much buzz upon its release.
The film is thought-provoking and analytical, and we will discuss it after the conclusion. I appreciate the complex watches and Mother! succeeds in spades.
The film is set entirely within the confines of one enormous house in the middle of a vast field of land. Aronofsky never reveals the location, adding mystery to the already intriguing premise.
A young couple known only as Him (Javier Bardem) and Mother (Jennifer Lawrence) cheerfully enjoy married life together and seem very much in love. He is a renowned author suffering from writer’s block, and his mother fixed the house after it had burned long ago.
One day, a Man (Ed Harris) arrives looking for a place to stay. While Him is delighted by the visitor and encourages Man to stay, the mother is not as pleased.
When Man’s wife, Woman (Michelle Pfeiffer) arrives, the houseguests turn Him and mother’s lives upside down. This is merely the beginning of a complex puzzle.
As the plot unfolds, Mother! is oozing with one bizarre event after the other. Mother witnesses unsettling images such as a beating heart within the walls and a bloodstain on the floor that will not go away.
When relatives of a Man and a Woman overtake the house, and a violent event occurs, things go from dark to downright chaotic.
Giving too many plot points away would ruin the element of surprise, making Mother! a difficult film to review. The film is polarizing and mesmerizing, and each of the principal characters’ motivations can be analyzed and questioned.
Why do he and his mother react differently to the visitors? What manifests their resentment towards the mother?
Each actor gives a compelling turn, and Aronofsky admits that the mother’s character is the one he most relates to. Logically, one might assume that Bardem’s Him might receive that honor since the character is a famous writer. How strange, and this revelation by the director will only result in more character analysis.
How wonderful to see Michelle Pfeifer back in the forefront of a Hollywood film—it seems eons have passed since we last saw her grace the silver screen, and she is back with a vengeance.
Her bitchy portrayal is purely delicious, and she encompasses Woman with the perfect amount of venom, toughness, and mystery. As she icily quizzes mother about her intentions of starting a family, she slowly immerses herself in mother’s life without missing a beat.
The film is unconventional and layered with symbolism and differing interpretations. Is Aronofsky’s message biblical? Is it political? Or could it reference the obsessions everyday folk have with celebrities?
After much pondering, all three possibilities came to mind. The biblical message seems the most solid and plausible explanation, but with Aronofsky films, the pleasure is in the analysis.
The film’s final act is particularly macabre, as the action has exclusively focused on the four principal characters until this point, and the setting is mainly bright.
A slow burn, if you will, suddenly, all hell breaks loose as mobs, blood, fire, death, and darkness take over. The brutality and cannibalism involved will churn anyone’s stomach.
Quickly note the lurid closeups of Jennifer Lawrence’s face during most scenes. Indeed, the camera loves her, but more is happening here. Is the intention to make the viewer focus more on her character or to sympathize more with her character?
Mother! has stirred controversy among film-goers. Some have ravished its elements and themes, while others have reviled and revolted against it.
Time will tell if Mother! (2017) holds up well, but my hope and guess would be that it will become a film studied in film schools everywhere.
