Category Archives: Adam Scott

The Disaster Artist-2017

The Disaster Artist-2017

Director-James Franco

Starring-James Franco, Dave Franco

Scott’s Review #781

Reviewed July 2, 2018

Grade: B

The Disaster Artist (2017) is a biography-comedy that I found to be middle of the road to mostly good if I’m judging in overall terms- most I liked with a little criticism.

Due to the many accolades, I confess to having anticipated a bit more from the finished product and hardly found it any sort of masterpiece.

Still, I was both impressed and unimpressed by the performance of James Franco in the lead role, awed at the emergence of the actor as a director, and the Los Angeles setting is great.

At times the film teeters almost into bad slapstick or shtick, and a bit silly, and as much as I respect his performance, this criticism is directed at Franco. Nobody can deny his acting talent if he chooses the right films.

His attempt at making his character peculiar is noticeable within seconds so it seems Franco also makes him a bit of a goof and I was not able to take the character seriously all of the time.

And the weird accent threw me.

This film is based on the non-fiction book called The Disaster Artist. The work chronicles the making of 2003’s The Room, not to be confused with the 2015 film, Room. The Room was considered amateurish and one of the worst movies to ever have been made.

Told repeatedly that his acting stinks, oddball Tommie Wiseau (James Franco), a European-American aspiring actor decide to screw Hollywood and produce, direct, and star in his own film.

Mysteriously, Wiseau has an endless amount of bank funds, which he uses towards the film. Roommate and friend, Greg Sestero (Dave Franco), stars in the film and thus gets his big break. The duo, and various others, pitch in to create the project, which suffers from a level of ineptness on the part of Wiseau.

The Los Angeles setting really resonates with me as did the recurring theme of struggle within the Hollywood scene. These are major pluses to the film as a whole.

Los Angeles can appear to be a sunny and glamorous town but always contains a gloomy dark underbelly beneath the shiny exterior.

The film realistically depicts struggle and success- from the central characters to the supporting players making the film resemble an ensemble.

Thousands struggle daily for a break with no respect or appreciation given and The Disaster Artist scores a win focusing on this.

When Tommie brazenly approaches a powerful producer in a restaurant, he is unceremoniously dismissed for having no talent and told he will never get anywhere. In addition to Tommie, several actors associated with the film struggle.

In a wonderful scene, an older actress states that being on a bad movie set beats any other job by miles. The message here is that people in Hollywood are there because they truly love it.

The sweet, empowering theme of friendship and empowerment are also to be celebrated, nice especially given the cut-throat backdrop. Tommie and Greg are best friends and have each other’s backs through thick and thin. Neither gives up on the other, even during the tortuous initial audience reaction to The Room premiere.

Could the film have been slightly darker? Yes, certainly, as very few scenes of drug destruction or the porn that many hopeful talents turn to are mentioned. But the film is not really about that, it’s an enchanting tale of hope and fun.

Interesting to note and not evident to me while watching the film is that brothers James and Dave Franco play opposite one another. While there is somewhat of a physical resemblance, the chemistry works between the two actors as best friends.

James delivers a worthy portrayal of an unusual character with a strange dialect and long, stringy brown hair, and seemingly cross-eyed. The role is comedic and perfectly suited for an unusual actor such as Franco- he must have had a ball with the part.

Movies about movie-making always fascinate me. What goes on behind the scenes?

The Disaster Artist (2017) provides enough good film meat to make it an overall good experience. Staying true to some fine Hollywood history- the famous James Dean is referenced and the spot where he died even visited- nice touch! Franco is both good and disappointing in the main role.

All-in-all, for those who enjoy film making, Hollywood, or L.A. set films, give this one a chance.

Oscar Nominations: Best Adapted Screenplay

Independent Spirit Award Nominations: Best Male Lead-James Franco

Lovely, Still-2008

Lovely, Still-2008

Director Nik Fackler

Starring Ellen Burstyn, Martin Landau

Scott’s Review #543

Reviewed December 11, 2016

Grade: B+

Oh, how I wish this movie had gotten more attention! Lovely, Still (2008) is a small, independent venture, that is Christmas-themed, and set in Omaha, Nebraska.

It stars Martin Landau and Ellen Burstyn as an older couple who fall in love. Landau is Robert, a lonely older man interested in dating again. He meets and falls in love with Mary, the mother of his next-door neighbor.

Before you start thinking Lifetime television movie, the last thirty minutes of the film will shock and fascinate you. A guttural reveal takes this film to a completely different place during the climax, making it a heart-wrenching, and powerful experience.

Landau and Burstyn are wonderful actors who mesmerize scenes together. They have a sweet, innocence, and are in glee, like teenagers, experiencing first love.

My only criticism is the first half of Lovely, Still is a bit slow, but this can be forgotten as the film kicks into high gear.

Also, some wonderful camera shots from novice director Nik Fackler.

Piranha 3D-2010

Piranha 3D-2010

Director Alexandre Aja

Starring Richard Dreyfuss, Elisabeth Shue, Ving Rhames

Scott’s Review #529

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Reviewed November 29, 2016

Grade: C-

2010’s Piranha 3D is a tongue-in-cheek horror comedy that saves itself from being a complete drivel by having some sense of humor.

Remarkably, it stars some decent talents- Richard Dreyfuss, Ving Rhames, and Elisabeth Shue.

The film is pure fluff- not high art in the least, with no message or purpose to be found.

The film is terrible, but kind of fun at the same time. It’s camp and not to be taken at all seriously.

The plot is simplistic and standard horror fare- a school of piranhas are unleashed after an underwater earthquake, kill a fisherman, and ravage a college vacation party on a lake.

The college kids come to Lake Victoria to party and lounge on the beach, and typically, are dressed precariously. They are unceremoniously ripped to shreds by the angry and hungry killer fish.

Shue and Rhames must have hit rough times, and have required a paycheck to star in this. They play a Sheriff and Deputy- laughably unbelievable- as they try to protect the beach-goers from a grisly fate.

Dreyfuss plays a ridiculous and unnecessary role as the aforementioned fisherman.

On a serious (and sour) note, the objectifying of women is shocking in this day and age. Haven’t we seen enough stereotypes in one lifetime?

A few cool kills and humor, but Piranha 3D (2010) is a dumb, popcorn horror film.

Black Mass-2015

Black Mass-2015

Director Scott Cooper

Starring Johnny Depp, Joel Edgerton

Scott’s Review #278

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Reviewed September 28, 2015

Grade: B+

A dark tale of crime, corruption, and Irish mob ties encompass Black Mass (2015), a drama based on the life and times of infamous Boston crime lord Whitey Bulger.

Set primarily in Boston, with a segue to sunny Miami during the 1970s and 1980s, the film mainly focuses on the intricate dealings between Bulger and childhood friend John Connelly. Now FBI, he uses Bulger as an “informant” to secretly bring down an Italian mafia figure, but slowly becomes more involved in Bulger’s sinister world.

Beginning in 1975, the film is authentic in its use of the styles, cars, and looks of the times in Boston during that period. Plausibility is apparent, and powerful acting is shown from top to bottom.

The stellar cast of Black Mass and the hefty cast features an array of well-known and capable actors, adding realism.

Led by Johnny Depp as Whitey, Depp gives an eerie, hypnotic performance as his bright blue eyes sparkle in a devious way.

Whitey is ruthless and will do whatever is needed to keep power and control. Like Connelly, Joel Edgerton is arguably the film’s lead character, though Depp gets top billing. Edgerton, in real life handsome, appears frumpy, and as a regular Joe type.

Supporting turns by Benedict Cumberbatch, as Whitey’s powerful Senator brother, is crafty and sleek, but corruption shrouds him.

Kevin Bacon, Dakota Johnson, Peter Sarsgaard, and Julianne Nicholson portray smaller yet pivotal roles and all do a fine job.

The screenplay is intelligently written. The story is quite dark and there are no laughs or light moments.

There are numerous deaths, the victims shot at point-blank range, but also two deaths in particular, where the victim’s suffering is prolonged and the scenes are cringe-worthy. The film is very violent and given the subject matter, is riddled with foul language.

One impressive aspect of Black Mass is the character-driven tale and that it is based on a real-life person adds to this.

Not only is Bulger fleshed out, but John Connelly is written very well. Gradually becoming immersed in the crime world as opposed to the world of law, we see Connelly sink deeper and deeper into Bulger’s world, and not so unwillingly either.

He loses his wife Marianne (Nicholson) along the way as she tires of the danger and corruption surrounding her. A chilling scene occurs when Bulger confronts Marianne in her bedroom, after observing negative vibes from her, and warns her in a flirtatious way, never to cross him.

As he caresses her face and slowly firms his grip, it is a rather frightening scene.

The dialogue is crisp. When Bulger is invited to a steak dinner at Connelly’s house, there is awkward tension at the dinner table. Jovial small talk over the preparation of the delicious marinated steak everyone is eating comes to the forefront as Bulger asks Connelly’s partner to reveal his family secret recipe for the favorite steak he has ever eaten.

When the partner eagerly confesses the recipe, he is coldly quizzed whether he would give up Bulger’s secrets as easily.

This is one of the best scenes in the film.

Comparisons to Goodfellas (1990) are evident but without the fun. I thought of The Departed (2006) throughout the viewing as well.

I think director Scott Cooper goes for and successfully achieves, good straight-forward, dark story-telling. Take the number of killings. The organized crime world is dirty, intense, and unkind and Black Mass portrays this well.

Black Mass (2015) is a success on many levels. The superior acting, detailed writing, and truthfulness create a good film. Just be sure to remember it’s a heavy one.

The Guilt Trip-2012

The Guilt Trip-2012

Director Anne Fletcher

Starring Seth Rogan, Barbra Streisand

Scott’s Review #89

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Reviewed July 3, 2014

Grade: C+

The Guilt Trip (2012) is a lightweight, fun piece of fluff.

It stars Seth Rogan as a thirty-something single guy from New Jersey with a Jewish (in every clichéd way) overbearing mother played by Barbra Streisand.

Through circumstances from his job, they are forced to take a road trip cross country to California where they are to meet a long-lost beau of hers.

If not for the talents and humor of Barbra Streisand, this movie would have been a dud. It’s a dumb movie, but Streisand plays her overbearing, annoying character to the hilt and makes her loveable.

There is nice chemistry between Streisand and Rogan, though frankly, I wonder why Streisand has turned to mindless comedy over more highbrow film work.

Rogan plays a character he has played time and time again in these types of films.

The film screams predictable throughout as with similar road trip comedies, they encounter all of the United States’ geographical stereotypes (cowboys, steakhouses, bull-riding, etc.).

A dumb film made somewhat enjoyable by the two leads.

Bachelorette-2012

Bachelorette-2012

Director Leslye Headland

Starring Kirsten Dunst, Isla Fisher

Scott’s Review #22

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Reviewed June 17, 2014

Grade: D

I’m not sure how to pinpoint exactly what is wrong with Bachelorette (2012) except for just about everything.

It tries to be a Bridesmaids (2011) meets Hangover (2009) copycat but fails miserably. What made those films entertaining was that they were funny.

This film attempts many jokes and falls flat almost every time. The set-ups are there, but there is no follow-through.

Almost every character is unlikable and hateful to everyone else and there is nobody to root for.

Worse yet, the film is bland. Dumb comedies are not my favorite genre, but this was lackluster.

I adore Kirsten Dunst, but sadly she picked a dud she’s likely soon to forget. Isla Fisher seems to always be in films like this and the male actors (James Marsden, Adam Scott) have little to do.

The talented cast is wasted and Bachelorette (2012) is not worth seeing.