Tag Archives: Tony Shalhoub

1408-2007

1408-2007

Director Mikael Hafstrom

Starring John Cusack, Samuel L. Jackson

Scott’s Review #983

Reviewed January 23, 2020

Grade: C+

A bundle of film adaptations of Stephen King novels has been birthed over the years. 1408 (2007) is one of many and while suspenseful, the project might have been better served as a quick fifty-minute episodic television event rather than a big-screen effort.

The content seems displaced and disjointed, stretched too thin.

Nonetheless, big stars like John Cusack and Samuel L. Jackson provide some stamina to a film that slowly teeters into nonsense and a confusing conclusion.

Based on Stephen King’s 1999 short story of the same name, the film follows Mike Enslin (Cusack), an author who investigates allegedly haunted houses, and rents the titular room 1408 at the Dolphin, a New York City hotel, to see what all the fuss is about.

Although skeptical of the paranormal, he is soon unable to leave the room as he experiences bizarre events.

The hotel manager, Gerald Owen (Jackson) attempts to convince Mike not to inhabit the notorious room, and intriguing is why?

The film has key success when it focuses on the atmospheric and the tense moments. The lighting and the camera techniques elicit a closed-in and claustrophobic aura because the set is mostly a hotel room.

The use of psychological tension works better than a slice-’em, dice-’em approach.

During Mike’s examination of his room, the clock radio suddenly starts playing “We’ve Only Just Begun”, a hit song by The Carpenters. Mike assumes that Olin is pulling a prank to scare him.

At 8:07, the song plays again, and the clock’s digital display changes to a countdown starting from “60:00.”

This is creepy, and the viewer is intrigued by what will happen next.

The window slams down and wounds Mike’s hand. He begins to see ghosts of the room’s past victims, followed by flashbacks of his dead daughter Katie, and his sick father. This catapults Mike into terror and he attempts to escape the room, fearing for his life.

He is unsuccessful in his escape and the room appears to have him prisoner until his wife, Lily (Mary McCormack) comes to the rescue.

What does Olin have to do with the events? Is Lily sinister or benevolent?

When Mike is out of the hotel room the film falls apart. Containing too many weird circumstances to make much sense- a surfing event on the beach, a Molotov cocktail, a fire alarm, and a return to the hotel room spin the viewer in too many directions as a hallucinogenic experience is created.

Before long the viewer will stop caring. I know I did. On paper, these oddities sound intriguing, but they did not translate to screen well.

Hafstrom directs the activity adequately and uses actors that viewers are familiar with, adding to the credibility. With fewer talents or unknowns, the film may have felt low-budget or independent, and I think the film, while not great, needs these actors to add professionalism.

The star is naturally Cusack, who enjoys the most screen time as a man who only believes what his eyes and ears tell him, and not the silliness of spirits and ghosts. The actor possesses an offbeat look which adds to the film.

From a storyline perspective, 1408 never really catches fire. The film is not pitiful, nor is it a great adaptation of a Stephen King novel. The novel is hardly a household name, which does the film a few favors.

The result is fair to middling, with a promising first half followed by a dour second. 1408 (2007) will be forgotten five years after its release.

Big Night-1996

Big Night-1996

Director Stanley Tucci, Campbell Scott

Starring Stanley Tucci, Tony Shalhoub

Scott’s Review #300

305300

Reviewed December 16, 2015

Grade: B+

Big Night (1996) is a sweet, whimsical little film that is a food lover’s dream come true since that is the focal point of the story with more than one dish being prepared on-screen giving it realism.

It centers on the restaurant business and, specifically, how two brothers struggle to keep their failing restaurant afloat through their love and passion for food.

The story tells of two Italian immigrant brothers, Primo and Secondo, played by Tony Shalhoub and Stanley Tucci, respectively.

The time is the 1950s and they reside in blue-collar New Jersey. Times are tough for them as they try to succeed in the difficult restaurant business- they specialize in Italian food of course.

Secondo is a playboy of sorts- suave and handsome, he dates Phyllis (Minnie Driver) while galavanting with a sophisticated older woman named Gabriela, the wife of a competitor.

Primo, on the other hand, is quiet, and serious, yet an all-star chef. The food he prepares is wonderful and his talent is evident.

But how can they market themselves to be successful?

At this point, their restaurant is dying and they risk being reduced to returning to Italy or eke out a meager existence working for someone else.

An idea is announced to have a celebrity singer (Louis Prima) perform for a one-night extravaganza at their restaurant, where they will make the meal of their lives and impress the town, thus achieving success.

The film is charming and my favorite parts are on the “big night”. As the duo prepared the liquor order and shopped for flowers and other decorations in preparation, the mood and spirit left me with a warm feeling.

What a sense of togetherness Primo and Secondo, along with friends, felt to achieve this challenging goal. Inevitably, there is tension between the brothers, and between Secondo and Phyllis, but truthfully, these are merely sub-plots, and the heart of the film is in the food.

The scenes that take place in the kitchen left my mouth watering. As Secondo prepares a baked pasta dish (Timpano), the meal oozes with love and tastiness. The entire story arc is grand and magnificent.

The group of diners revels in the dining room of the restaurant enjoying spirits and dancing the night away. By morning everyone is full and drunk, both with love and alcohol, but most are happy. They get merry as they eat the night away.

I could almost taste the main course!

A subplot that works for me is the burgeoning romance between reserved Primo and equally reserved flower shop owner, Ann. Both very timid, they finally muster the courage to admit their feelings for each other while enjoying (what else?) wine and food- what better way to begin a romance?

The tenderness and chemistry between these two are very innocent and captivated me while watching the film.

The final scene of the brothers making an omelet is also wonderful and a fitting way to stress togetherness and perseverance, which is what the small film is really about.

For lovers of food, Big Night (1996) is a shining moment.

Independent Spirit Award Nominations: 1 win-Best Male Lead-Tony Shalhoub, Stanley Tucci, Best First Screenplay (won), Best First Feature