Category Archives: Glenn Close

Air Force One-1997

Air Force One-1997

Director Wolfgang Petersen

Starring Harrison Ford, Gary Oldman, Glenn Close

Scott’s Review #1,085

Reviewed November 21, 2020

Grade: B+

If ever a straight-ahead, summer blockbuster, popcorn flick existed, Air Force One (1997) is it. Surprisingly, this is not a bad thing. It’s not cerebral, but it’s never dull.

The film has hooks and muscle and assembles a thrill ride, edge-of-your-seat action fest. Some would say this is just what the doctor ordered, and they’d be right, provided the mood is for a mind-escaping, meat-and-potatoes affair.

Air Force One is pure Americana. With a patriotic musical score and a clear hero and villain, it’s easy to know who to root for. Suspension of disbelief is mandatory since some scenes are as implausible as Santa Claus shimmying down a chimney on Christmas Eve, but the film is entertaining.

The action is non-stop.

At the tail end of his prime action star years (the 1980s and 1990s), Harrison Ford stars as the president of the United States of America, James Marshall.

After making a bombastic speech in Moscow vowing never to negotiate with terrorists, a group of them led by the dastardly Ivan (Gary Oldman) hijacked Air Force One with the president and his family on board.

Marshall, a former soldier, hides in the cabin of the plane and races against time to save his family and those aboard the flight from the terrorists.

The plot is implausible and hokey and reeks of plot points to carry the story along, but surprisingly, the film works. There is no way a president would ever race around performing stunts aboard an airplane, conquering the villains like clockwork.

But Ford has the charisma to make us believe it could happen, and his character is a family man, a Vietnam veteran, and a Medal of Honor recipient. Can this guy be any more perfect?

Oldman, always reliable as a villain, is perfectly cast. His character’s motivations are simplistic and nationalistic. Ivan believes that the collapse of the Soviet Union has ruined his country and somehow it’s the fault of the United States.

The reasoning is silly, but it’s in keeping with the patriotic nature of Air Force One- the ‘us versus them’ mentality. The United States is good; Russia is bad. It’s what middle America wants, and the target audience of this film is clear. Back to the Cold War.

Wolfgang Petersen, who directs the film, knows his way around the action genre. After all, he crafted the memorable Das Boot (1981) and Outbreak (1995). The film has a Tom Clancy-Patriot Games meets Die Hard (1988) style.

Petersen meshes the score with the quick editing style to layer the film with more action than slowed-down conversational scenes. We know how it’s going to end but enjoy the ride.

Looking closely, the film is not just for the guys.

Glenn Close is cast as a female Vice President and a strong gender-twisting presence. Kathryn Bennett is a bold, careful woman and the implication is that she is more than capable of taking over should anything happen to the president.

Her scenes mostly take place in the White House Situation Room and provide a nice calm as she is pressured by the Defense Secretary (Dean Stockwell) to declare the president incapable.

The scenes between Stockwell and Close are very strong.

Air Force One (1997) is a cliché-riddled and mainstream Hollywood creation to the max. Both the pacing and the pulsating style make the film a guilty pleasure and quite enjoyable.

When the mood strikes to kick back and relax with a fun, action-packed affair, this one is your choice. Just don’t dissect the details too much or expect real-life to mimic art.

Oscar Nominations: Best Sound, Best Film Editing

101 Dalmatians-1996

101 Dalmatians-1996

Director Stephen Herek

Starring Glenn Close, Jeff Daniels, Joely Richardson

Scott’s Review #989

Reviewed February 13, 2020

Grade: C+

The classic animated Disney film 101 Dalmatians (1961) is brought to life in a live-action format thirty-five years later to create a fresh spin on the revered original film.

Unfortunately, the result is nothing special save for Glenn Close’s brilliant performance as the dastardly Cruella De Vil. Otherwise, the reworking is too amateurish and largely unnecessary, especially as compared to the brilliance and charm of the original.

Thankfully not modifying the London setting, American video game designer Roger Dearly (Jeff Daniels) lives with his pet dalmatian, Pong.

Lonely, Roger trudges along through life without a love interest. During a walk, Pongo sets his eyes on a beautiful female dalmatian named Perdy. After a chase through the streets of London that ends in St. James’s Park, Roger discovers that Pongo likes Perdy.

Her owner, Anita Campbell-Green (Joely Richardson) immediately falls in love with Roger and the duo are inseparable.

They get married along with Perdy and Pongo. Anita works as a fashion designer at the House of de Vil. Her boss, the pampered and glamorous Cruella de Vil (Close), has a passion for fur.

Anita, inspired by her Dalmatian, designs a coat made with spotted fur, and Cruella is intrigued by the idea of wearing Anita’s dog. She hatches a plot to steal and kill the puppies for her lavish gain.

The scenes between the dogs are cute and work better than the intended romance relationship between the humans. A darling pursuit in the animated feature that does not shine through with real actors.

Either the chemistry between Daniels and Richardson does not exist or the scene is too forced, or perhaps both. I did not buy the love, at first sight, stars aligning moments.

I bet most audiences didn’t either. The result is a banal and stale connection between Roger and Anita, meant to be the core of the story.

Enough cannot be said for what Close brings to the role. The actress gives a tremendous performance and sinks her teeth into the most prominent and interesting part of the film.

With a sinister sneer, a flowing red and white coat, and a token cigarette holder, she infuses Cruella with dazzling menace.

Careful not to overact and result in a juvenile character, she relishes the role, providing just enough comedy without being too scary. The performance is perfect.

A negative is that, unlike the animated version, none of the animals have speaking voices. This detracts from the earnest quality of expressive, talking animals.

What pet owner does not imagine what their cat or dog would sound like if they talked?

Instead, the puppies sniff and look cute, making themselves distracted and unclear about what feelings they have. One wonders why the decision was made in this way, but it does little to provide texture.

101 Dalmatians are too cute for their good, limiting any sophistication. The original had British intelligence and a cultural voice, with small, yet important details, like falling rain, that live-action cannot mimic.

The 1996 version is kid-friendly, but brings little to the table, lacking interesting flair. Why not teach a lesson about the dalmatian dog breed rather than settle for simply an adorable slant?

Rumors abound that parents adopted dalmatians for their children after seeing the film and were forced to return them, rather than invest time in study, realizing that raising a dalmatian is hard work.

The idea to remake an adorable and cozy Walt Disney classic from the 1960s with a fresh approach is admirable. The live-action detail could add a new twist or an inventive spin that could appeal to a new generation of youngsters.

Unfortunately, 101 Dalmatians (1996) works unwell, barely rising above mediocrity, with an aura of fluff and gimmicks that feel forced and trite. The saving grace is Glenn Close, a tremendous talent who gives it her all despite sub-par material.

Stick to the original 1961 version.

Fatal Attraction-1987

Fatal Attraction-1987

Director Adrian Lyne

Starring Michael Douglas, Glenn Close

Top 100 Films #45

Scott’s Review #329

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Reviewed January 8, 2016

Grade: A

Fatal Attraction is a film that was a monster smash hit at its time of release (1987) and has all the makings of a trashy, forgettable, slick Hollywood film from a disastrous time in the film.

Guess what? It is a fantastic, gripping, thriller that still holds up well after all of these years.

Say what you will about Anne Archer, who is very good, but this film truly belongs to Michael Douglas and Glenn Close, who made it the believable thrill ride that Fatal Attraction is.

The subject matter is adultery, which made it the water-cooler topic of its day.

The plot is quite simple- Douglas plays Dan Gallagher, a successful New York City attorney, happily married to Beth (Archer), and raising a cute young daughter, Ellen.

When Beth and Ellen are away looking at new houses one rainy weekend, Dan embarks on a torrid affair with sexy, successful businesswoman, Alex (Close), not realizing that she is an unbalanced, needy woman, who is not about to let Dan out of her life.

I adore this film in large part because it’s a film that can be debated.

Many seem to blame either (mostly) Dan or Alex, but the question of monogamy can always be a topic of conversation after viewing this film, so in that regard, it is multi-faceted, rather than solely a well-acted Hollywood potboiler.

Was it okay for Dan to cheat? Does Beth overreact or does she forgive too easily? Do we sympathize with Alex? Is she a victim?

The film is unique in that many folks were rooting for Dan and Alex, despite her being the other woman.

So many memorable lines or scenes contribute to this film- who can forget the infamous “boiling pet rabbit” scene or the wonderful line that Alex utters to Dan, “I will not be ignored, Dan”.

They are so ingrained in pop culture that it brings a smile to think of these aspects of Fatal Attraction.

The real selling point, though, is the natural and honest chemistry that Douglas and Close share. Their scenes, mainly the romantic weekend they spend together, flow so nicely that they have real rooting value and I instantly bought them as a couple.

Without this undeniable chemistry, Fatal Attraction would be a standard romantic thriller- and not much else. And the smoldering sexuality during their love scenes is erotic and intense.

Surely not suffering from the dreaded “1980s look”, Fatal Attraction is a gem that holds up very well and is a slick thrill-ride, easily watched and enjoyed time and again.

Dozens upon dozens of carbon copy films cropped up in the years to follow, but none were ever as fantastic as Fatal Attraction (1987).

Oscar Nominations: Best Picture, Best Director-Adrian Lyne, Best Actress-Glenn Close, Best Supporting Actress-Anne Archer, Best Screenplay Based on Material from Another Medium