Mad Max: Fury Road-2015
Director George Miller
Starring Tom Hardy, Charlize Theron
Scott’s Review #287
Reviewed November 20, 2015
Grade: C-
Having almost nothing to do with the original (and far superior) 1979 version of Mad Max, the 2015 Mad Max, sub-titled Fury Road (presumably for the endless car chases across the desert), looks great from a visual perspective.
The charisma of Tom Hardy and Charlize Theron is appealing, the story is non-existent and the film grows tedious after the initial admiration I first felt for the camera work and the dream-like vision the film possesses.
Initially, and admittedly, I was quite impressed with the film- a dreamlike, glossy look makes it a fantasy that one can escape into.
However, after some time, I began growing tired of the visuals, viewing it as a somewhat video game, instead of noticing the lack of story, which glared.
Sure, the thinly laid plot-line involved a rebel, Max Rockatansky (Tom Hardy), escaping the War Boys, where he has been kept as a blood donor against his will, joined by Furiosa (Charlize Theron) and a group of young, beautiful females escaping a life of breeding.
The group joins forces to allude, Immortan Joe, who chases them throughout the barren desert as they strive to reach safety in the beautiful “Green Place”, a land of prosperity that Furiosa remembers from childhood.
But this synopsis is similar to countless other action or adventure tales that have come and gone without distinction.
Again, compared to the original, I was expecting more from Mad Max: Fury Road and did not receive it.
The story fails because there is no rooting value. Since the film is a fantasy, per se, I did not find much investment in the characters getting to the “Green Place”.
The sweltering heat of the post-apocalyptic desert gives the film a roasting, tense look, and the action is almost non-stop.
Cartoon-like characters come and go, writhing on tops of cars or simply looking sinister with sneers and evil smirks, adding little to the story. Who are they? What is their purpose other than to look menacing?
I did admire the character of Furiosa. With a buzz-cut and a bad-ass swagger, the character is no-nonsense and in control throughout the film.
Certainly an inspirational female character, she adds zest to the film, which, on the surface, seems male-dominated. A female who can inspire and impress in this day and age is reasoning enough to mention.
Inexplicably, the reviews for Mad Max: Fury Road were positive and I do not get that. My overall perspective disagrees with these findings. I do not mean to imply that the film is “run of the mill” in an overall critique. It’s not.
There are fits and starts of creativity, as the glossy look of the film is admittedly a treat and a spectacle, but, alas, without a compelling story, this only goes so far before it begins to wear thin as an overall production.
Little chemistry or much dialogue between Hardy and Theron exists. Both are top-notch talents in their own right. Rather, grunts and facial expressions run rampant between the pair.
If the film was going for any sexual connection between the two, especially given the hot, steamy desert atmosphere, this intention fell flat as I noticed none.
To admire visually, the latest Mad Max (2015) may be worth a glimmer, but as a film that contains the entire package, this one is not worth its salt.
Oscar Nominations: 6 wins-Best Picture, Best Director-George Miller, Best Sound Editing (won), Best Sound Mixing (won), Best Production Design (won), Best Cinematography, Best Makeup and Hairstyling (won), Best Costume Design (won), Best Film Editing (won), Best Visual Effects