Category Archives: Drama

3 Women-1977

3 Women-1977

Director Robert Altman

Starring Shelley Duvall, Sissy Spacek

Scott’s Review #578

Reviewed January 1, 2017

Grade: A

Robert Altman is one of my all-time favorite directors and what a pleasure it is to uncover additional gems that he has directed over the years.

I have seen 3 Women (1977) before but some films (the true greats) are like fine wines and get better and better over time, in addition to being appreciated more and more with each passing viewing.

3 Women is a prime example of this. The level of psychology and the changing personalities of the characters make it a unique and brilliant experience.

3 Women is a psychological feast and the study of three complex characters, hence the title.

How fantastic how Altman claimed to have dreamed the entire film, complete with Duvall and Spacek in the roles, and then attempted to recreate the dream on film- he has done a masterful job.

The film is dream-like with an interpretive element that will leave the viewer pondering not only the relationships between the three women but who exactly each woman is- consciously and sub-consciously. Lots of questions will abound as the film concludes.

The main relationship is between the characters portrayed by Duvall and Spacek.

Duvall plays Millie Lamoreaux, a chatty and confident woman, who works at a California health spa for elderly clientele. She is statuesque and gorgeous, but surprisingly not well-liked by her colleagues, two of whom are mysterious identical twins.

New employee Pinky Rose is a shy and vulnerable mousy type, who takes an immediate liking to Millie, becoming somewhat obsessed with her. The pair eventually move in together and begin to engage in a mysterious and sometimes volatile friendship dripping in jealousy and lust.

Eventually, they switch personalities, only adding to the mystique of the film. They reside in the Purple Sage Apartments, run by Edgar and Willie Hart.

Willie is the third woman referenced in the title and is a pregnant painter, creating unsettling murals marveled at by Pinky.

It has been argued that 3 Women was an influence on the David Lynch masterpiece, Mulholland Drive (1992), and the more I ponder this the more that I agree with it.

The dream-like, surrealistic qualities are prevalent in both films.

Peculiar, strong-willed women are the central characters in both films and psychology and amnesia are the main themes. The southern California setting is identical as are the interpretive elements, and the fantastically odd characters- both lead and supporting.

When Pinky’s elderly parents are introduced, this is uncanny to a pair of grandparents featured in Mulholland Drive. Both are superior films so the comparisons are a joy to think about and ponder the complexities.

Ingmar Bergman’s 1966 psychological film Persona is most certainly a large influence on 3 Women. That film dared to explore merging personalities among women.

The final scene of 3 Women is intense and thought-provoking. The lives of the women carry on following a tragic event, but each takes on a certain persona and role within the family unit that they have forged.

Among other qualities, I view 3 Women as a feminist film, despite being directed by a male. Altman was famous for allowing his actor’s free reign in dialogue and development and this most certainly had to be the case with 3 Women.

One of Altman’s masterpieces.

Altman is a genius in nearly every film that he creates, but 3 Women is probably his most cerebral, and the film that can be talked about and analyzed more than the others.

What a pure treat for a complex film lover to explore. 3 Women (1977) is not for mainstream audiences nor is it meant to be.

A Single Man-2009

A Single Man-2009

Director Tom Ford

Starring Colin Firth, Julianne Moore

Scott’s Review #577

Reviewed January 1, 2017

Grade: B+

A Single Man (2009) is a dark film fraught with meaning and honesty-it is a very good movie. It is a melancholy film and a bit surreal, but worth seeing.

The acting, especially from star Colin Firth, is first-rate.

The subject matter involves being gay in the 1950s and 1960s and the ramifications of living a forbidden and secretive life.

The intelligent film is based on the novel of the same name, written by Christopher Isherwood.

The film is written as a sad tale of a day in the life of a gay man living in the 1960s.

Firth portrays George Falconer, a British college professor living in liberal-minded Los Angeles. When his much younger lover (presumably a student) dies, George plans to commit suicide.

Moore plays his best friend and confidante, Charley, who is dealing with her demons.

Through flashbacks, we learn about George and his lover Jim’s secret life together and the challenges that ensued. George also had a strange relationship with a male prostitute.

We learn the path of life George leads following Jim’s tragic death- we also see them happy at one time.

A Single Man (2009) is a bit of a downer containing a definite dream-like feel and is heavy on the flashbacks, but this is intriguing to the picture and not a complaint.

A very good, but not an uplifting film.

Oscar Nominations: Best Actor-Colin Firth

Independent Spirit Award Nominations: Best Male Lead-Colin Firth, Best First Screenplay, Best First Feature

Jackie-2016

Jackie-2016

Director-Pablo Larrain

Starring-Natalie Portman

Scott’s Review #576

Reviewed January 1, 2017

Grade: A-

Natalie Portman carries the 2016 biographical-drama film based on the life of Jackie Kennedy, and the events directly following the assassination of John F. Kennedy in 1963.

The film is not a retread of conspiracy theories nor does it feature more than a few glimpses brief of JFK himself, but rather, it is Jackie’s story and what she faced throughout the ordeal.

The film wisely uses flashbacks to show the famous tour of the White House, which Jackie gave shortly before the President’s death. A bravura performance by Portman as Jackie.

Director Pablo Larrain, primarily known for achievements with foreign-language films (the Chilean film, No comes to mind), rather than the American History genre, is successful in his work with direction.

The film is a gloomy one, both in tone and with the terrific brooding musical score composed by Mica Levi, with its loud, abrupt sound effects.

The overall feel of the film is foreboding and dark.

The main activity is told through a famous Life interview that Jackie Kennedy gave a week after the assassination- the reporter was Theodore H. White, who was slightly less than sympathetic in demeanor toward the First Lady.

Held in Massachusetts, Jackie is away from the limelight in peaceful tranquility but is still pained.

Portman is very successful at revealing two sides of Jackie Kennedy to the audience. Not simply a smiling debutante that she always portrayed to the world publicly, Jackie was also a complex, feisty woman, who vehemently wanted the world to see how brutal the assassination was, how proud she was of her husband, and how she would not back down from holding a lavish and public funeral procession for her deceased husband.

Jackie was met with harsh criticisms and defiance for desiring to do so. A proud woman- she did not wish to run off and hide from the terrible events that occurred.

Jackie is mostly a quiet, introspective film. Much of the film is Jackie being interviewed, or flashbacks of her giving the White House tour.

Typically Portman plays Jackie as prim, proper, and demure- she is always filled with class and grace. In one riveting sequence though, we see Jackie walking through the White House, smoking cigarettes, and drinking vodka. She appears alone and vulnerable, having just lost her husband.

Portman embraces her pain and the audience grieves with her- she is alone in more ways than one. We see her not only as a First Lady but as a sad woman,  in her agony.

Portman is fantastic in her mannerisms and tone of voice.

I loved the continuous usage of flashbacks to tell the story, but the film does not delve into an unneeded history lesson- we all know what happened- the point of the film is to answer curiosity about Jackie.

What is most effective is the focus on Jackie’s reactions and how Jackie handled the events.

In a grotesque scene, rivaling any horror film, we are right there with Jackie in the car that fateful day as a shot rings out, blowing JFK’s head wide open. Sinking into Jackie’s lap, she later candidly describes to the Life magazine reporter, how she attempted to hold the remains of his head together.

We then see her wandering around, her beautiful pink suit smeared with blood.

A quiet yet compelling and mesmerizing film, Portman is the main draw. She channels emotions of heartbreak, sadness, and composure.

A fantastic First Lady, Jackie always was graceful and proper, but Portman shows another side to her, which very few people knew of.

In addition to this fine acting, Jackie is a dark, brooding film that successfully tells this woman’s story.

Oscar Nominations: Best Actress-Natalie Portman, Best Original Score, Best Costume Design

Independent Spirit Award Nominations: Best Feature, Best Director-Pablo Larrain, Best Female Lead-Natalie Portman, Best Editing

Up in the Air-2009

Up in the Air-2009

Director Jason Reitman

Starring George Clooney, Vera Farmiga, Anna Kendrick

Scott’s Review #573

Reviewed December 30, 2016

Grade: A

Up in the Air is a fantastic film, but for some odd reason, circa its release to theaters in 2009 it was categorized as a romantic comedy. While there is a bit of romance involved, the film is a dark romantic drama.

The content is perfect for this period in history- the terrible economy, and the unemployment rate rising sky-high.

The acting by the principles is excellent and is worth watching, but do not expect a happy, uplifting film.

George Clooney plays Ryan Bingham, a corporate “downsizer”, who travels the country firing employees from companies that hire him. Ryan has no qualms about what he does and enjoys traveling around the country.

He mentors a young employee, Natalie, played by Anna Kendrick, who is more sympathetic to the people whose lives she changes.

Ryan meets another frequent flyer, businesswoman Alex (Vera Farmiga), and they begin an affair. He becomes a more sympathetic character as he develops real feelings for Alex, but will Alex return the affections?

The tone of the film is sarcastic and sardonic, and Clooney is dynamic in the lead role- carrying the film. He is charismatic and energetic, performing his work duties in an emotionless way.

We slowly get to know him better and realize, through Alex, that he does have a heart. Alex is a more mysterious character, and Farmiga is equally as engaging in the role. When a big reveal is learned about Alex, the audience does not see it coming.

As the years go by, I hope that Up in the Air is remembered for being a film that was released at the perfect time, given the difficulties many were going through.

I love how the film carries smart dialogue- the characters questioning each other’s motivations and becoming intertwined.

Jason Reitman and the screenwriter craft an exceptional film.

Oscar Nominations: Best Picture, Best Director-Jason Reitman, Best Actor-George Clooney, Best Supporting Actress-Vera Farmiga, Anna Kendrick, Best Adapted Screenplay

Crazy Heart-2009

Crazy Heart-2009

Director Scott Cooper

Starring Jeff Bridges, Maggie Gyllenhaal

Scott’s Review #571

Reviewed December 29, 2016

Grade: A-

Crazy Heart (2009) is a film that is perfectly crafted for Jeff Bridge’s talents as an actor and the role seems written specifically for him.

To that end, it is a showcase for the actor, and as proof, he was awarded the Best Actor Oscar.

He plays surly, grizzled, and rode-hard to the hilt. His chemistry with co-star Maggie Gyllenhaal is fantastic- despite her character being much younger than his.

The first directorial effort by Scott Cooper, who does an outstanding job.

Gyllenhaal plays a reporter, Jean Craddock, who becomes attached and fascinated by Bad Blake (Bridges), a former country-western star turned alcoholic and now a washed-up old man.

He has mentored an upstart played by Colin Farrell, who has since usurped Bad Blake in popularity, leading Blake to depression and alcohol to relieve his pain. He still performs, but in dirty hotels or bowling alleys, for peanuts.

Bridge’s character reminds me so much of Mickey Rourke’s character “Randy the Ram” in The Wrestler, from 2008, so anyone who enjoyed the latter will enjoy the former.

One might watch the two exceptional films in tandem- and in both, there appears a younger female character who meshes well with the stories.

The story portrayed in Crazy Heart is gritty and depressing, yet also heartwarming and sentimental. We root for Blake and Jean to succeed, battling Blake’s many demons.

Crazy Heart is very well-acted and genuine.

The film is nice as it is a character-driven film instead of a story-dictated one.

Oscar Nominations: 2 wins-Best Actor-Jeff Bridges (won), Best Supporting Actress-Maggie Gyllenhaal, Best Original Song-“The Weary Kind” (won)

Independent Spirit Award Nominations: 2 wins-Best Male Lead-Jeff Bridges (won), Best First Screenplay, Best First Feature (won)

The Last Station-2009

The Last Station-2009

Director Michael Hoffman

Starring Christopher Plummer, Helen Mirren

Scott’s Review #569

Reviewed December 28, 2016

Grade: A-

The Last Station (2009) is a wonderful film.

It contains many worthwhile elements- history, culture, good drama, and great acting. Starring seasoned veterans such as Christopher Plummer and Helen Mirren, the fantastic acting is as good as it gets.

The film tells the story of the final year in the life of famous Russian author Tolstoy and the relationship he has with his family- specifically his wife, Sofya, and his disciples.

The year is 1910 and Tolstoy is ailing. He has had a stormy yet passionate relationship with his wife for decades, which is explored in the film.

The film’s main point is greed and in-fighting for control of a great literary figure’s legacy and money.

The main strong point of The Last Station is the relationship between Tolstoy and Sofya- both characters are headstrong and opinionated, but also madly in love, which leads to many sessions of battle.

This is a film of substance.

Director Michael Hoffman also mixes some humor with the heavy drama.

In conclusion, you might need to use some hankies.

Oscar Nominations: Best Actress-Helen Mirren, Best Supporting Actor-Christopher Plummer

Independent Spirit Award Nominations: Best Feature, Best Director-Michael Hoffman, Best Female Lead-Helen Mirren, Best Supporting Male-Christopher Plummer, Best Screenplay

The Kids Are All Right-2010

The Kids Are All Right-2010

Director Lisa Cholodenko

Starring Julianne Moore, Annette Bening

Scott’s Review #560

Reviewed December 24, 2016

Grade: A

The Kids Are All Right is a fantastic film!

In my opinion, the film is one of the best of the year 2010 and was rewarded with a deserving Best Picture nomination.

Annette Bening and Mark Ruffalo were also honored with acting nominations. Bening gives the best performance in the film.

Continuing the trend of more exposure to LGBT issues, The Kids Are All Right tells of a same-sex-centered family dealing with real issues.

Though not dark, the film is not light or played strictly for laughs. It is a family drama that shows how same-sex family units face problems like everyone else, and how they deal with them, never forgetting how much they love each other.

The writing is intelligent, deeply layered, and rich. The acting is superb, and the characters are complex.

The best scene is one where the entire family is eating dinner- suddenly the camera focuses on one person and goes in slow motion, the other voices become muffled and distant, and painful emotion is portrayed on one of the character’s faces as a revelation comes to the surface.

Brilliant.

Even the seemingly unimportant dialogue throughout the film is smart as it shows the bond of the family that cannot ultimately be broken.

The Kids Are All Right (2010) is a worthwhile and compelling film.

Oscar Nominations: Best Picture, Best Actress-Annette Bening, Best Supporting Actor-Mark Ruffalo, Best Original Screenplay

Independent Spirit Award Nominations: 1 win-Best Feature, Best Director-Lisa Cholodenko, Best Female Lead-Annette Bening, Best Supporting Male-Mark Ruffalo, Best Screenplay (won)

Get Low-2009

Get Low-2009

Director Aaron Schneider

Starring Robert Duvall, Sissy Spacek, Bill Murray

Scott’s Review #557

Reviewed December 22, 2016

Grade: B+

Get Low (2009) is an understated, gentle, sweet story set in Tennessee during the late 1930s.

The film is greatly enhanced by the stellar cast consisting of Robert Duvall, Sissy Spacek, and Bill Murray.

I dislike the title of the film as, to me, it feels dull.

Despite the very slow pace and the understated feel, the film is successful as one will become engaged with the character’s lives.

It tells the story of an elderly man named Felix Bush (DuVall), who decides to plan his living funeral for the small town to attend. Felix is a hermit who lives deep in the woods of Tennessee. He is despised, yet largely unknown by the townspeople, who only have past stories they have heard about him to formulate their opinions.

He hides a long ago, dark secret, which predictably is eventually revealed.

DuVall is the standout in this movie, but Sissy Spacek and Bill Murray are also very good- unsurprising based on their string of acting credits.

Enjoyable are the exterior scenes of rural Tennessee, giving an authentic look into the lives of small-town folks of that period.

I could have gone for a quicker pace, although I love slow-moving stories, as long as a pay-off is to be received. The reveal served satisfactorily, but I could have gone for some juicer scandals and revelations.

Get Low (2009) is a simple, yet moving story about life, regret, secrets, and religion.

Independent Spirit Award Nominations: 1 win-Best Supporting Male-Bill Murray, Best First Feature (won)

Bambi-1942

Bambi-1942

Director David Hand

Starring Various voices

Top 100 Films #88

Scott’s Review #556

Reviewed December 22, 2016

Grade: A

Bambi (1942) is one of my favorite classic Disney animated features. It is simply a lovely, endearing, and heartbreaking tale.

Gorgeous and flawless, the film sends a definite message of animals longing for peace in a world filled with hunters attempting to disturb and kill the graceful deer.

After all these years, this message still resonates loud and clear, sad, heartbreakingly. All deer hunters should watch this film and dare to hunt.

Bambi was released in the Golden Age of Disney films, led by Snow White, Dumbo, and Pinocchio, to name but a few.

We first meet baby Bambi as his dear mother nurtures and nestles him, fawning over him with pride and teaching him the joys of the forest. Bambi’s father is the Great Prince of the Forest- protector of all the creatures of the land.

Bambi’s mother (unnamed) warns an exuberant Bambi to be cautious of the gorgeous yet dangerous meadows, where the deer are vulnerable and unprotected.

During the film’s famous gut-wrenching scene, tragedy occurs, and violence disrupts the peaceful forest, leaving Bambi alone, lost, and devastated, forced into a cruel world of tragedy, realism, and responsibility.

The scene gets to me every time as we see the pain and the harshness of life for the sweet deer, to say nothing of the other animals in the forest- namely, Thumper (a rabbit) and Flower (a young Skunk).

These characters are Bambi’s best friends. The dripping teardrop that oozes from Bambi’s eye can never be forgotten.

To counterbalance the film’s darkness, Disney successfully adds cheerful scenes of the animals dancing and co-mingling with each other- as one community.

This is nice as it shows the power and bond between the creatures- they are united as a family and take care of one another. I love this message, especially as young people will watch the film for the first time.

There is also a sweet romance offered between Bambi and Faline.

Watching the film and listening to the musical score is a way to experience sheer beauty. The music makes the film powerful- its classical and operatic elements are gorgeous and will elicit emotions.

Visually, each frame is a drawing set against a still, and it is magical to watch and marvel at the amount of work that undoubtedly went into this preparation.

In the end, the circle of life completes itself. Bambi becomes the Great Prince of the Forest, replacing his father as the protector. Now, all grown up with two tiny babies of his own, he must protect his family and friends.

Life goes on. This is a sad yet realistic message. How brave Disney was in creating an excellent piece like Bambi.

Personal satisfaction is observing my beloved female feline friend, Thora, become mesmerized and attentive to the film each time I watch it.

Disney’s Bambi is a wonderful, cherished treasure that evokes emotion and teaches a valuable, painful message. It is a timeless masterpiece to be enjoyed for generations to come.

One will not escape the film with dry eyes, a testament to the marvelous filmmaking involved.

Oscar Nominations: Best Scoring of a Dramatic or Comedy Picture, Best Original Song-“Love Is a Song”, Best Sound Recording

Never Let Me Go-2010

Never Let Me Go-2010

Director Mark Romanek

Starring Carey Mulligan, Andrew Garfield, Keira Knightley

Scott’s Review #555

Reviewed December 21, 2016

Grade: A-

Offering a unique experience in creative story-telling, Never Let Me Go (2010) is an excellent film that I was happy to discover.

A mixture of romance and science-fiction, tells of young love and tragedy interestingly- sacrifice and science can lead to dire results.

Based on a 2005 novel of the same name.

A small British drama about a private school where the children are raised as typical children, but at a certain point are expected to donate organs to save other lives, the concept is quite fresh and original.

The film deals with both the moral and psychological effects of the chosen ones as they attempt to allude to ending their lives- if they can prove they are in love.

My initial reactions were multiple emotions-thought-provoking, touching, and sad is what I felt.

This film will make you think. It is equally evocative and thought-provoking- many times I imagined myself in a similar situation.

As Andrew Garfield’s character gets out of his car on the side of the road and screams up at the sky, it is the most powerful scene in the film.

Excellent acting by the three leads (Mulligan, Garfield, and Knightley), with special praise for Carey Mulligan.

Charlotte Rampling as the mysterious headmistress of the school is brilliant.

Independent Spirit Award Nominations: Best Cinematography

Women in Love-1969

Women in Love-1969

Director Ken Russell

Starring Glenda Jackson, Jennie Linden

Scott’s Review #553

Reviewed December 20, 2016

Grade: A

Women in Love is a shamefully, by and large, forgotten gem- except for the obscure cinema lover- made in 1969.

The film is a British art film and way ahead of its time. Despite the title, it is anything but a romantic comedy- quite dark in content. The film is adapted from a D.H. Lawrence novel of the same name.

The story is of two sisters, Gudrun and Ursula, living in a small mining town. They gather at the wedding of a friend and each becomes enamored with a member of the wedding party.

Later, at a swanky dinner party, the girls meet the men. The film tells of the sister’s relationships with each of the men (played by Alan Bates and Oliver Reed) as well as the men’s relationship with each other.

All of the relationships are very complex and filled with emotion tender and some are quite violent.

Women in Love is one of the first films to feature tons of nudity, but not so much in a gratuitous fashion.

The film’s themes are love, hatred, and the trials and tribulations of the English upper class are explored. The film is a love of mine since it is character-driven, told from each of the perspectives of the characters, and is quite an intense experience.

Glenda Jackson won the 1970 Best Actress Oscar- deservedly so.

Oscar Nominations: 1 win-Best Director-Ken Russell, Best Actress-Glenda Jackson (won), Best Screenplay Based on Material from Another Medium, Best Cinematography

Picnic-1955

Picnic-1955

Director Joshua Logan

Starring William Holden, Kim Novak

Scott’s Review #550

Reviewed December 19, 2016

Grade: A-

Picnic is a classic 1955 film that is wonderful to watch over Labor Day weekend or anytime during the humid summer season.

The film perfectly depicts summertime in a tiny town in Kansas. It is a slice-of-life story about life in middle America during the 1950s, trials and tribulations notwithstanding.

William Holden stars as a “wrong side of the tracks” type of guy who arrives in a quiet Kansas town on Labor Day weekend, disrupting the town events and causing scandals for the townspeople.

He is a hunky former college football player and exudes sexuality.

He then falls in love with his best friend’s girlfriend, Madge Owens, played by Kim Novak. The chemistry between the two stars is the film’s main appeal.

The supporting cast makes this film unique (Arthur O’Connell and Rosalind Russell star as townspeople who are in a relationship of their own).

Picnic also contains a gorgeous and lovely musical score, precisely “Theme from Picnic” and “Moonglow”.

It is shot on location in Kansas, mostly in and around Hutchinson, and is considered classic summer enjoyment.

Based on the Pulitzer-award-winning play.

Oscar Nominations: 2 wins-Best Motion Picture, Best Director-Joshua Logan, Best Supporting Actor-Arthur O’Connell, Best Scoring of a Dramatic or Comedy Picture, Best Art Direction, Color (won), Best Film Editing (won)

The Fighter-2010

The Fighter-2010

Director David O. Russell

Starring Mark Wahlberg, Christian Bale

Scott’s Review #546

Reviewed December 11, 2016

Grade: A-

The Fighter (2010) is an excellent film. Being a sports film there are the inevitable cliches, which make the entire sports film genre rather predictable.

But this film is a very well-done story and based on real-life figures (the Ward brothers).

Tremendous acting by Wahlberg, Bale, and Melissa Leo, in the role of Mama Ward- a role of a lifetime.

The telling is a true story of Mickey Ward, a boxer from Massachusetts, and his battle to stardom, dealings with family members, and his love life.

The characters may be ever slightly overdone in the rugged, rough, Bostonian way, almost appearing New Jersey-Soprano-ish instead of New England, but the message is clear- they are in the boxing world and are tough guys (and gals).

This film is much more character-driven than many similar sports movies, thank goodness and the casting is spot-on. There are the inevitable final boxing match and the standard reaction shots, but again sports films are riddled with cliches.

The real win is with the character’s layered, complexities as they love and hate each other.

Bale and Leo deserved their Oscars for their respective roles in The Fighter (2010), specifically Bale for the shocking weight loss and spot-on character imitation.

Oscar Nominations: 2 wins-Best Picture, Best Director-David O. Russell, Best Supporting Actor-Christian Bale (won), Best Supporting Actress-Melissa Leo (won), Amy Adams, Best Original Screenplay, Best Film Editing

I Am Love-2009

I Am Love-2009

Director Luca Guadagnino

Starring Tilda Swinton

Scott’s Review #545

Reviewed December 11, 2016

Grade: A

Tilda Swinton shines in I Am Love,  an amazing Italian film from 2009 that I wish received wider recognition, but alas, some of the best films do not receive their due.

Swinton stars as a matriarch of a wealthy Italian family, who owns a successful business. To make this film very authentic, it was shot in and around Milan and contains a highly stylish and exquisite appearance.

It is a grand film with high-class set pieces and a great look. I do not hesitate to categorize it as an artistic, female version of The Godfather because it is that good.

It focuses on the family as a whole but more so on Swinton’s character, who is bored and unhappy with her life and yearns for passion and feeling.

One day she meets a friend of her sons and drama ensues.

The boy is only half her age, but they share a passion that awakens her from her doldrums. The conflict in the film is how the affair looks to society and affects the family business- not to mention detrimental to her marriage.

I Am Love (2009) is a great film that should be discovered by those looking for a gorgeous film with great drama.

Oscar Nominations: Best Costume Design

Lovely, Still-2008

Lovely, Still-2008

Director Nik Fackler

Starring Ellen Burstyn, Martin Landau

Scott’s Review #543

Reviewed December 11, 2016

Grade: B+

Oh, how I wish this movie had gotten more attention! Lovely, Still (2008) is a small, independent venture, that is Christmas-themed, and set in Omaha, Nebraska.

It stars Martin Landau and Ellen Burstyn as an older couple who fall in love. Landau is Robert, a lonely older man interested in dating again. He meets and falls in love with Mary, the mother of his next-door neighbor.

Before you start thinking Lifetime television movie, the last thirty minutes of the film will shock and fascinate you. A guttural reveal takes this film to a completely different place during the climax, making it a heart-wrenching, and powerful experience.

Landau and Burstyn are wonderful actors who mesmerize scenes together. They have a sweet, innocence, and are in glee, like teenagers, experiencing first love.

My only criticism is the first half of Lovely, Still is a bit slow, but this can be forgotten as the film kicks into high gear.

Also, some wonderful camera shots from novice director Nik Fackler.

Manchester by the Sea-2016

Manchester by the Sea-2016

Director-Kenneth Lonergan

Starring-Casey Affleck, Michelle Williams

Scott’s Review #542

Reviewed December 11, 2016

Grade: A

Manchester by the Sea is a beautiful film.

Told from a slow build-up to a crescendo, and a big reveal mid-stream about one of the character’s pasts, it takes its time, and this is why it is so compelling.

The audience gets to slowly become familiar with the characters, making them rich with nuances- caring about them and their predicaments- just like good, solid story-telling should do.

The film is a slice of life, dark drama, but I did not find it to be a downer in the least bit. Rather, a film with rich writing and great characters. A good film makes you care for the characters as one would real people.

Casey Affleck is astoundingly good as the lead character, Lee Chandler, a janitor living a mundane life in Quincy, Massachusetts, and tending to a series of apartment buildings. He calmly goes about his work-dealing with indifferent, angry, or odd tenants.

Affleck portrays this man with quite a reserve and occasional outbursts of rage. His anger is confusing to us, but as the story unfolds we begin to understand what this man has been through and the reasoning behind his anger, even though he is a good person.

Lee receives a call one day with news that his brother, Joe, has died.

Through a myriad of flashbacks throughout the film, Joe is played by Kyle Chandler. Upon Joe’s death, Lee returns to Manchester (where he formerly resided) and is told he will be the guardian of his sixteen-year-old nephew, Patrick.

In the mix are the characters of Joe and Lee’s ex-wives- Elise and Randi (Michelle Williams), playing small, yet pivotal roles.

The film is dark, and many characters either suffer from emotional trauma, neurosis, or some other maladies, either physical or emotional. The slice of life analogy comes into play-everyone can relate to these characters in some way- most people have lived in towns like this, and/or have suffered crappy turns of events in life.

When Lee returns to Mansfield, he is a familiar face with a hint of mystery and lots of history. Mansfield is a small town- everyone knows each other’s business, and all of the characters are hardened, blue-collar, and tough individuals.

In addition to Affleck’s effective performance, Williams must be mentioned. She gives a tremendous, heart-wrenching performance as a good woman in pain, trying to carry on and do the right things, forging some sort of adequate existence, as is Lee.

Anyone who has gone through pain (which is everybody) can relate to these characters.

The supporting, and even the tiny characters, are perfectly cast and have hearty Boston-type accents that I loved. From Joe’s wife to Patrick’s girlfriend’s mother, to various other walk-on characters, each has a vulnerability mixed with toughness- as if life has been hard and they are wary of trust, yet they help each other and stick together.

The characters are a major positive to Manchester by the Sea.

Many reflective moments abound within the film- we often are given scenes of Lee driving down the highway- deep in thought. Or long shots of the vast Atlantic Ocean, where fishing is a large part of the character’s lives. Fishing boats and waves are monumental in the film.

These are not throwaway scenes, but rather interesting, compelling moments rich with meaning.

During the best sequence of the film, when a startling event occurs, the scenes are mixed with classical and operatic music, giving the scenes and the shocking revelations, power and meat.

It is heavy stuff, but also beautiful with an effective musical score.

Not to be drowned by the heavy drama, Manchester has some quirky, dry humor moments. When Joe is originally told about his heart condition, he and his father unintentionally call his female, Asian doctor by the wrong name.

When family friends host a party following awake, they awkwardly misunderstand each other when they attempt to fix Lee a plate of food. Finally, nobody can find the deceased Joe’s belongings at the hospital. These moments are awkward, but add some comic relief to the film.

I adore well-crafted, emotional, effective family dramas. Too often they are cliche-ridden and highly predictable.

In the case of Manchester by the Sea, the writing is brilliant, the acting top-notch, and the characters layered with intricate qualities.

This film has it all.

Oscar Nominations: Best Picture, Best Director-Kenneth Lonergan, Best Actor-Casey Affleck (won), Best Supporting Actor-Lucas Hedges, Best Supporting Actress-Michelle Williams, Best Original Screenplay (won)

Independent Spirit Award Nominations: Best Feature, Best Male Lead-Casey Affleck (won), Best Supporting Male-Lucas Hedges, Best Screenplay, Best Editing

JFK-1991

JFK-1991

Director Oliver Stone

Starring Kevin Costner, Tommy Lee Jones

Scott’s Review #536

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Reviewed December 4, 2016

Grade: B+

JFK (1991) is a very well-made film but must be taken with a grain of salt, as reportedly many liberties were taken by the director, Oliver Stone, and the film can be open to interpretation as to what is true and what is embellished.

At three hours and twenty-six minutes, the film is of epic proportions.

The film recounts the events leading up to the assassination of President John F. Kennedy through the eyes of a former District Attorney from New Orleans, James Garrison, played by Kevin Costner.

Garrison filed charges against New Orleans businessman, Clay Shaw (Tommy Lee Jones), and in his view, was in cahoots with Lee Harvey Oswald to kill the president.

Stone suggested that President Lyndon B. Johnson was involved in the coup, which led to much controversy indeed.

The plot is quite intricate and, at times, tough to follow, but the editing techniques alone are impressive. I loved the authentic, real-life, footage that Stone immerses throughout the film.

As we know, the assassination, in 1963, was tragic and fraught with controversy that still abounds today.

Stone was wise to make a film of this caliber despite the lack of clarity of what is true and not true. I guess we may never know.

Oscar Nominations: 2 wins-Best Picture, Best Director-Oliver Stone, Best Supporting Actor-Tommy Lee Jones, Best Screenplay Based on Material Previously Produced or Published, Best Original Score, Best Sound, Best Cinematography (won), Best Film Editing (won)

Fellini Satyricon-1969

Fellini Satyricon-1969

Director Federico Fellini

Starring Martin Potter, Hiram Keller

Scott’s Review #530

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Reviewed November 30, 2016

Grade: A

Fellini Satyricon (1969) is a fascinating experience and is a great film, but only for the very broad-minded and patient viewer- it is more of an “experience” than watching a conventional start-to-finish type finish.

It is nothing of that nature.

I both loved the trip and was fascinated by the creativity and depth of it- dreamlike is a word that immediately springs to mind.

The story does not make perfect sense, nor does it need to. The fact that it is set some two thousand years ago is fantastic in itself as the sets are filled with decadent imagination.

The film is certainly not for everyone and is a fairy tale for adults.

It tells of a journey through Ancient Rome and is divided into nine chapters. A scholar (Encolpius) and his friend (Ascyltus) traverse the land in the hopes of winning the heart of a young boy (Giton).

They are both in love with him and the topics of bisexuality, public sex, slavery, and brothels are explored.

I love Fellini films because they are wild, dream-like, fantasy-like, with odd characters.

Is Fellini Satyricon strange? Absolutely. But that is to its credit- this film is highly imaginative, and wild, and will leave one pondering its beauty afterward.

Oscar Nominations: Best Director-Federico Fellini

Loving-2016

Loving-2016

Director-Jeff Nichols

Starring-Joel Edgerton, Ruth Negga

Scott’s Review #527

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Reviewed November 26, 2016

Grade: A

Loving is a quiet film.

Subdued and poignant, it is an important, historic story to tell, and jarring to be transported back to the 1950’s southern style, where interracial marriage was not only illegal but children of interracial couples were barely considered human beings, to say nothing of the views of their parents, specifically by law enforcement.

Sadly, circa 2016, we all should be aware that racism is still alive and well in the United States and this film is a reminder of how much further we need to go. The true story of the landmark1967 Loving vs. Virginia Supreme Court case is the basis for this film.

The time is 1958 Virginia, and a sweet, working-class couple-Richard and Mildred-are very much in love. Richard-white, and Mildred-black, are met with some sideways glances around town, but generally have a strong supportive family and friend structure, although both families are quite poor. They enjoy spending time with friends in bars and racing cars.

When Mildred becomes pregnant, Richard purchases a plot of land for them and asks Mildred to marry him. Despite the challenges this will create, they are wed in Washington D.C. Once they return to Virginia, they are arrested for violating anti-miscegenation laws, prohibiting interracial marriage.

The couple eventually sue the state of Virginia, leading to a unanimous Supreme Court ruling a decade later.

As a film, Loving is thoughtful and introspective.

The audience questions who are we to decide who someone loves? This can apply to same-sex couples as easily as interracial couples.

The film, led by director Jeff Nichols, creates many quiet scenes of thoughtfulness on the faces of leads Edgerton and Negga.

Furthermore, several scenes of peril encompass the film.

The Loving’s are in constant threat of being discovered as they secretly return to their forbidden home state to give birth to their son- only wanting Richard’s mother to perform the birth. The tense scene where Mildred is dropped off on a deserted back road is well shot- the camera constantly focusing on the road and the threat of a car coming by at any moment.

Edgerton, a fantastic actor, and director gives a tremendous performance as a quiet, stoic, blue-collar man, madly in love with his wife and seeing nothing wrong with it, simply because it is not the norm.

He is poorly educated, but Edgerton gives him underlying intelligence and a basic understanding of cherished love and more than once calmly uttering “but I love my wife.”

To him, it is that simple. Richard will also use any measures necessary to protect his family, as any man surely would. Edgerton’s squinting blue eyes portray suspicion, warmth, and love.

Negga is equally compelling as calm and loyal Mildred.

One might expect Mildred to finally explode with rage as she has to put up with obstacle after obstacle, raising three kids in an environment she does not want, yet she never does.

Negga embodies the character with sweetness wide-eyed passion and longing for a better life. Mildred tries not to get her hopes up with each impending court date, but Negga successfully portrays the character with many different emotions and complexities.

My favorite scenes of hers simply involve Mildred gazing at her husband- her eyes filled with love and pride.

Nichols wisely does not spend very much time in the courtroom and this is positive with the film. Sure, we do get the occasional scene of Richard and Mildred facing the court, but the film does not go a different route than necessary.

Despite a landmark decision coming from Loving’s marriage, the film is a love story between a good man and a good woman, who just happen to be of different races.

What a lesson every viewer can learn from this film.

Oscar Nominations: Best Actress-Ruth Negga

Independent Spirit Award Nominations: Best Director-Jeff Nichols, Best Female Lead-Ruth Negga

Embrace of the Serpent-2015

Embrace of the Serpent-2015

Director Ciro Guerra

Starring Nilbio Torres, Antonio Bolivar

Scott’s Review #524

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Reviewed November 23, 2016

Grade: B+

Embrace of the Serpent (2015) is a cerebral experience of complex storytelling, weaving two parallel stories set forty years apart.

It is an immensely creative film crafting a black-and-white cinematic expressionism into its lurid walls.

Admittedly I found the stories tough to follow at times, and the film contains an impressionistic quality, but I knew I was watching something creative and brave.

That is worthy of a hefty thumbs up.

The setting is the Amazon jungle, along the vast Amazon River, deep in the heart of South America. The periods are 1909 and 1940, and both feature an Amazonian shaman who is the very last of his people and very resentful of white men.

In 1909, he traveled with a dying German scientist and in 1940, an American.

Both are looking for a sacred healing plant, which contains magical powers.

The parallel stories both feature a Spanish Catholic Mission by the side of an Amazon tributary.

In 1909, the leading priest was sadistic and abusive towards the young boys in his charge. Years later, the young boys are now hardened and grizzled. Both stories also feature the revelation of the plant, though in different ways and with vastly different outcomes.

The best part, much better than the storyline, is the use of black-and-white visuals. This gives the film a mysterious, old-world vibe that makes it feel like a film made in the 1940s, if not earlier.

In this way, it makes Embrace of the Serpent a visual spectacle, especially as countless scenes occur along the Amazon- we see the characters float, via canoe, and are treated to the beauty of the water and the surrounding luscious mountains.

It appears other-worldly, a part of the remote continent that few see or appreciate.

This is my favorite aspect of the film.

The stories are complex, sometimes not making complete sense, and I found myself a bit confused throughout, but this may have been due to the film’s clear art film persona, leading the film to be open to interpretation.

Both white men have different experiences with the sought-after plant.

I was left with some questions even having read the synopsis. One of the men has a dreamy, hallucinating experience with the magical plant, but what happens after?

The shaman is an interesting character as we see him as a young man and an old man, living as a lonely, resentful man.

Embrace of the Serpent (2015) is a perplexing, interpretative film, containing a magical quality and, if the story is muddy, one can whisk away to a fantastic experience just watching and enjoying the cinematic treats offered.

Oscar Nominations: Best Foreign Language Film

Independent Spirit Award Nominations: Best International Film

Lion-2016

Lion-2016

Director-Garth Davis

Starring-Dev Patel, Nicole Kidman

Scott’s Review #521

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Reviewed November 19, 2016

Grade: A-

Lion is an enthralling, humanistic, drama about family, lost loved ones, and the search to find them, as seen through the eyes of the same character as a child and as an adult.

It features fantastic acting- specifically from stars Dev Patel (Slumdog Millionaire) and Nicole Kidman and also features lavish cinematography of the Indian and Australian countryside.

The film is based on a non-fiction book named “A Long Way Home”.

Introduced to a poor neighborhood in India in 1986, we meet five-year-old Saroo, a wide-eyed boy, who idolizes his big brother. Their mother, a beautiful woman, carries rocks for a living and relies on the boys to watch their younger sister- the boys steal coal to help eliminate their mother’s hardships.

Their father is absent. When Saroo insists on accompanying his brother on a night job, he accidentally gets on an empty train and is transported thousands of miles away- losing his family in the process.

Twenty-five years later, and long since adopted by an Australian family, Saroo attempts to find his long-lost family, using new technology- Google Earth.

In a lesser film, this subject matter might have been a sappy affair, predictable, and contrived.

But Lion soars with humanistic, emotional flair, and heartfelt, without any manipulations.

The first third of the film is focused on the five-year-old Saroo. We witness the boy’s confusion, desperation, and scrapes with potential kidnappers, child molesters, and undesirables. We also see how resilient and intelligent the young boy is- wisely outmaneuvering foes and being savvy enough to avoid monstrous people.

As much as I enjoyed this segment of the film, it went on slightly too long and I was ready to see Saroo as an adult and the encompassing problems to come, but this is a very small gripe in an otherwise extraordinary film.

Lion takes off when Saroo, now all grown up, is played by Patel. Having been adopted by an Australian couple, John and Sue Brierley, he has lived a life of love, respect, and encouragement.

The Brierley’s are a selfless couple, who, in addition to Saroo, have adopted another Indian boy with deep emotional issues. This has caused hardship and issues in the household. Their reasoning for adopting is poignant; rather than bring their biological children into the world, why not save two children who need to be saved?

Patel and Kidman give emotional and raw performances. Patel is quite a find as he plays conflicted and haunted very well and is quite convincing in the lead role.

We witness his conflict as he struggles with not knowing what has become of his family in India- imagining their worry and the devastation of not knowing what has become of him. He also avoids telling Sue- his adoptive mother- who has her hands full with other emotional issues.

Kidman, who always delivers, is raw, emotional, and sympathetic.  Her facial expressions as Sue struggles to be strong, are subtle and contained, yet dying inside with underlying pain, is exceptionally relayed by Kidman in an award-worthy portrayal.

Director, Garth Davis, cleverly adds several scenes of Saroo, longingly looking out into the ocean or simply gazing in the distance, imagining and self-reflective.

What makes these simple scenes great is through Saroo’s imagination, he imagines being with his real mother, she still young, he now as an adult. Similarly, he imagines being with his brother- his brother is still age ten, but Saroo is now an adult.

These are quiet, beautiful scenes that add layers to this film.

Lion is a wonderful experience in great storytelling, led by effective acting performances and a compelling screenplay that gives honesty in film-making to the true story that the film is based on. The film is heartwarming and can be enjoyed by anyone.

Oscar Nominations: Best Picture, Best Supporting Actor-Dev Patel, Best Supporting Actress-Nicole Kidman, Best Adapted Screenplay, Best Original Score, Best Cinematography

Son of Saul-2015

Son of Saul-2015

Director Laszlo Nemes

Starring Geza Rohrig

Scott’s Review #520

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Reviewed November 16, 2016

Grade: A

Son of Saul, arguably the deserving winner of the 2015 Best Foreign Language Film Oscar, is a grim yet refreshing and inventive look at a subject matter that has been covered in great length in cinema.

The topic is a heavy one and to describe the film as a downer is justified, but there is also something brave and even heartwarming about this film, and the central character’s desire to do something decent in the face of death and hatred.

The film is Hungarian and takes place in 1944 when Saul is a prisoner in a Nazi extermination camp. He is given various duties,  considered a “glorified” prisoner, as he takes valuables from the belongings of those gassed, and scrubs the floors after the gassing has occurred.

He later must dump the dead bodies into a pit to be incinerated.

One day, after a group of Jews, are gassed, a young boy is miraculously still breathing. Soon after being discovered, the boy is suffocated. Convinced the boy is his son, Saul is determined to bury the boy properly for religious purposes.

I was immediately struck by two aspects of Son of Saul that separate it from the pack; the camera work, and the coloring.

The character of Saul is immediately shoved in our faces from scene one allowing us to see things from his point of view. Extreme closeups of Hungarian actor Geza Rohrig overwhelm the viewer as suffocation is apparent.

When close-ups are not used, we are treated to the camera following Saul around as he performs his duties without emotion,  clearly having done them on multiple occasions.

We become Saul and experience activities solely as he sees or hears them. This is understated yet compelling.

Secondly, the film contains a rustic, beige color, mixed with sickly greens and yellows- muted almost, which is highly effective given the amount of death involved.

Not glossy, the color scheme portrays a sense of ruin and discourse without overwhelming or going for total bleakness. The style is a dusty, smoky variety, nauseating at times. I found this to separate Son of Saul from other films with the same subject matter, making it quite distinctive.

Not a happy film and neither is the piece a complete downer that will leave one entirely depressed. Saul’s intentions to give his son a decent burial (and it is unclear if the boy is Saul’s son or hoped to be) is admirable and a small glimmer of goodness in a world that contains evil.

Other prisoners aid Saul in his efforts, telling us that their world is not without hope.

Still, despite the goodness of some of the prisoners, a couple of scenes are tough to take. Early on, dozens of people are huddled-naked, into a small room. They are promised coffee, jobs, and most importantly, hope.

Sadly, the viewer quickly realizes that the intention is to exterminate them, though the film wisely does not visually show this. A brilliant distinction to Son of Saul is the background sound and what is happening near Saul.

We hear the gasping, the pleading, and the screaming of the victims, while the camera stays on Saul and his stoic reactions.

We realize this is a typical day in his life.

Deserving of its accolades in a year of exceptional foreign language films, Son of Saul (2015) takes a familiar subject matter and gives new and unique elements to it.

The film also departs on a cliffhanger involving a second young boy, a clever moment in an already superior film.

Oscar Nominations: 1 win-Best Foreign Language Film (won)

Independent Spirit Award Nominations: 1 win-Best International Film (won)

Animal Kingdom-2010

Animal Kingdom-2010

Director David Michod

Starring Ben Mendelsohn, Joel Edgerton

Scott’s Review #519

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Reviewed November 15, 2016

Grade: A-

Animal Kingdom (2010) is an excellent Australian crime drama movie that is in the same vein as Goodfellas (1990), The Godfather (1972), or a myriad of other mafia/mob-type films- only Aussie style, which in itself piques interest.

The film has an indie feel, is raw and not slickly produced, and is not over-dramatized with explosions, CGI effects, and various other bells and whistles, making it character-driven.

It is simply a well-made drama about a seventeen-year-old boy named Joshua, who is taken in by his extended family of criminals.

Starting like an innocent, he slowly becomes entangled in the family’s web of corruption. This is similar to Al Pacino’s Michael Corleone from The Godfather.

Making the plot even more compelling, is the arrival of a goodhearted detective (Guy Pearce) who tries to steer Joshua on the straight and narrow.

The acting is topnotch (Jacki Weaver in particular is amazing as the diabolical leader of the family), shocking events happen out of the blue, and operatic music mixed in with dramatic events is well done.

Animal Kingdom (2010) is a diamond in the rough.

Oscar Nominations: Best Supporting Actress-Jacki Weaver

Straight Outta Compton-2015

Straight Outta Compton-2015

Director F. Gary Gray

Starring O’Shea Jackson Jr., Paul Giamatti

Scott’s Review #517

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Reviewed November 12, 2016

Grade: B-

The rap group N.W.A. was a highly influential and controversial unit to emerge from Compton, California in the late 1980s and featured soon-to-be solo rap artists Ice Cube and Dr. Dre.

Another member, Eazy-E, rounds out the trio featured in this film along with their manager Jerry, played by Paul Giamatti.

Straight Outta Compton (2015) tells their story.

Ice Cube and Dr. Dre produced the film along with Eazy-E’s widow, Tomica Woods-Wright, and Ice Cube’s real-life son, O’Shea Jackson, Jr. portray Ice Cube.

The film is interesting as a way of learning about the rap group and their rise to and fall from stardom, but the film has a very slick and glossy style that detracts from the grittiness of the subject matter.

It feels very Hollywood and overly produced.

Especially, since the language is atrocious- almost overly, as if the point was being shoved down our throats.

Additionally, the acting, except for Giamatti, is not too impressive.

Lastly, the violence portrayed and the gang stuff seems a bit stereotypical for my tastes.

The film begins in 1986 and we meet a trio of friends. Determined to provide a raw, honest style of poetry to their music, they eventually meet their manager, Jerry, who takes them under his wing and leads them to their success.

Predictably, with success comes jealousy and contract disputes. The film delves into this subject matter as the partying and drug use, womanizing, and violence, all lead to the rap group’s constant struggles with the police force, especially since one of their top songs is anti-police.

Impressive is the real-life footage used of the 1991 beating of taxi driver Rodney King by the Los Angeles Police Department and the subsequent riots that occurred after the officers were found not guilty of any wrongdoing.

The racial tension in this city was interesting to revisit and palpable to the film’s subject matter.

The acting was noticeable to me and not in a good way. The young actor who plays Dr. Dre (Corey Hawkins) was fine, but the others (Jackson) and Jason Mitchell as Eazy-E were average at best. In any of their dramatic scenes where they appear to be angry, it just does not work, and the scenes lack grizzle and intensity.

Conversely, any dramatic scene that held any gusto belonged to Giamatti, who was excellent in his part. He makes the others seem better, but in other ways, their inexperience is evident compared to his.

In any event, he only makes the scenes he appears in more genuine. Early in the film, when Jerry lashes out at police officers, it is a meaty scene and forceful.

The filmmakers go for a message of violence and swearing in this film, but despite this, Straight Outta Compton still seems safe and overly produced. This may have had to do with the bright, slick cameras used.

It has a studio, high-budget appearance that does not completely work. I wanted it to look grittier and dirtier and see more of the seedy side of the business instead of merely being explained to me.

Women in this film are not treated very well and the characters who are the girlfriends are written sympathetically, but not given much substance to sink their teeth into.

Contrasting, Death Row Records CEO “Suge” Knight is portrayed as a maniacal, violent man.

Straight Outta Compton is a guy’s film.

I had difficulty relating to any of the central characters except perhaps Giamatti’s and it becomes unclear if Jerry had been ripping off the members of the rap group or if that is merely their perception. He seems to care about the members so that part is undefined.

Perhaps this film might hold more appeal for fans of N.W.A., which I never was, and rap is not my preferred style of music. I can appreciate the biographical way the film explains the trio’s story, ups and downs, reunions, death, and violence, but this film could have been much better and is flawed by its over-stylized filming.

Oscar Nominations: Best Original Screenplay

Dogtooth-2009

Dogtooth-2009

Director Yorgos Lanthimos

Starring Christos Stergioglou, Angeliki Papoulia

Top 10 Disturbing Films #9

Scott’s Review #515

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Reviewed November 11, 2016

Grade: A-

Dogtooth is a Greek drama nominated for the 2010 Best Foreign film academy award. The film is not for the weak at heart and is most bizarre and disturbing- troubling even.

But upon digestion afterward, I realized how much I appreciated its creativity.

It tells the story of three siblings who are homeschooled and shut out from the rest of the world by their overprotective parents. The teenage kids are curious, damaged, and sad.

They know no other world besides the one their parents created for them.

Certain words mean certain things to them- a language of their own. It challenges the art of parental control as the kid’s curiosity builds and builds.

The movie itself is very difficult to follow (non-linear) yet is mesmerizing and perverse.

Warning: Some subject matters can be hard to take for some (incest, cruelty to animals, full-frontal nudity).

I thought it was a fascinating and bravely made film.

Oscar Nominations: Best Foreign Language Film