Tag Archives: Josh Hutcherson

The Polar Express-2004

The Polar Express-2004

Director Robert Zemeckis

Starring Tom Hanks

Scott’s Review #800

Reviewed August 8, 2018

Grade: B+

The Polar Express (2004) is a modern entry into the annals of holiday film history. Along with treasures like Rudolph, Frosty, the Grinch, and all the other standards, this film has become a popular one to watch throughout the season.

The film is not exactly like the others, since it is the first of its kind to incorporate live human characters animated using live-action motion capture animation.

The mood of the film is mysterious, edgy, and with a dark tint, so jolly it isn’t, but compelling it is, and visually is a marvel.

The story is as follows- on a snowy (naturally!) Christmas Eve, a young boy living in Grand Rapids, Michigan, is doubtful of the existence of Santa Claus. When a steam locomotive suddenly appears outside of his house, he curiously boards the train to find a mysterious conductor (Tom Hanks) manning the train.

As the train rolls away the boy meets two other children on board and stops for another one, also reluctant to get on. They begin a dazzling, frozen adventure to the North Pole with the promise of receiving the first gift of Christmas from Santa Claus himself.

The main reason to recommend The Polar Express is simply for the gorgeous visual treats offered. In 2004 the film was a unique experience and I fondly recall sitting in a dark movie theater observing the film for the first time.

There was a magical element to the surroundings, combining intrigue and fantasy that still holds up well.

For adults, I do not think the film is at all scary, but I have heard some reviewers complain that the moody ingredients are a bit frightening for children so there is that concern. 

A major component is the mixture of human beings and animated tools. The familiar actor who everybody knows is Tom Hanks as the conductor. Therefore, to sit back and observe the character is a wonderful thing- is it Tom Hanks or is it an animation?

It is ultimately both, but the fun is in the observation and wondering how the filmmakers created this experience.

And listen for Hanks in other voice performances throughout the film. 

The story (or fable) itself is warm and fairly predictable. But, of course, being largely made with kids in mind, this is to be expected. There is never a doubt that the boy (interestingly never given a name) will ultimately believe in Santa after all and live happily ever after.

The magic is in the details, though- the boy’s journey to this realization is peppered with fun and creative richness- the little girl’s floating ticket and an ornament falling off a Christmas tree are good particulars. 

Director, Robert Zemeckis, and Hanks worked closely together in Forrest Gump (1994) so the pair are familiar with each other, creatively speaking. Hanks undoubtedly had much input into the decision making and it shows. 

I do not personally rank The Polar Express (2004) among the best of the best holiday film offerings, but I support an occasional dusting off of this work for viewing pleasure.

Perhaps over time the animations may become dated or seem less dazzling, but the film is still to be appreciated for its creative elements. The story is nothing spectacular (in a way Scrooge for kids) but makes for a pleasant family viewing experience. 

Oscar Nominations: Best Song-“Believe”, Best Sound Editing, Best Sound Mixing

The Disaster Artist-2017

The Disaster Artist-2017

Director James Franco

Starring James Franco, Dave Franco

Scott’s Review #781

Reviewed July 2, 2018

Grade: B

The Disaster Artist (2017) is a biography-comedy that I found to be middle of the road to primarily good if I’m judging in overall terms- most I liked with a bit of criticism.

Due to the many accolades, I confess to having anticipated a bit more from the finished product and hardly finding it a masterpiece.

Still, I was both impressed and unimpressed by James Franco’s performance in the lead role. I was awed at the actor’s emergence as a director, and the Los Angeles setting is great.

At times the film teeters almost into bad slapstick or shtick, and a bit silly, and as much as I respect his performance, this criticism is directed at Franco. Nobody can deny his acting talent if he chooses the right films.

His attempt to make his character peculiar is noticeable within seconds, so it seems Franco also makes him a bit of a goof, and I was not able to take the character seriously all of the time.

And the weird accent threw me.

This film is based on the nonfiction book The Disaster Artist. The book chronicles the making of 2003’s The Room, not to be confused with the 2015 film Room. The Room was considered amateurish and one of the worst movies ever made.

Told repeatedly that his acting stinks, oddball Tommie Wiseau (James Franco), a European-American aspiring actor, decided to screw Hollywood and produce, direct, and star in his film.

Wiseau has an endless amount of bank funds, which he uses towards the film. Roommate and friend Greg Sestero (Dave Franco) stars in the movie and thus gets his big break. The duo and various others pitch in to create the project, which suffers from ineptness on the part of Wiseau.

The Los Angeles setting resonates with me, as does the recurring theme of struggle in the Hollywood scene. These are significant pluses of the film as a whole.

Los Angeles can appear to be a sunny and glamorous town, but beneath its shiny exterior, it always has a gloomy, dark underbelly.

The film realistically depicts struggle and success, from the central characters to the supporting players, making it resemble an ensemble.

Thousands struggle daily for a break, and no respect or appreciation is given. The Disaster Artist scores a win by focusing on this.

When Tommie brazenly approaches an influential producer in a restaurant, he is unceremoniously dismissed for having no talent and told he will never get anywhere. In addition to Tommie, several actors associated with the film struggle.

In a fantastic scene, an older actress states that being on a bad movie set beats any other job by miles. The message here is that people in Hollywood are there because they genuinely love it.

The sweet, empowering theme of friendship and empowerment is also to be celebrated, especially given the cutthroat backdrop. Tommie and Greg are best friends and have each other’s backs through thick and thin.

Neither gives up on the other, even during the initial audience reaction to The Room premiere.

Could the film have been slightly darker? Yes, indeed, as very few scenes of drug destruction or the porn that many hopeful talents turn to are mentioned. But the film is not about that. It’s an enchanting tale of hope and fun.

It is interesting to note, and not evident to me while watching the film, that brothers James and Dave Franco play opposite one another. While there is somewhat of a physical resemblance, the chemistry works between the two actors as best friends.

James delivers a worthy portrayal of an unusual character with a strange dialect, long, stringy brown hair, and seemingly cross-eyed. The role is comedic and ideally suited for an unusual actor like Franco- he must have had a ball with the part.

Movies about movie-making always fascinate me. What goes on behind the scenes?

The Disaster Artist (2017) provides enough good film meat to make it an overall good experience. It stays true to some fine Hollywood history—the famous James Dean is referenced, and the spot where he died is even visited—nice touch! Franco is both good and disappointing in the main role.

All in all, this one is worth watching for those who enjoy filmmaking, Hollywood, or L.A.-set films.

Oscar Nominations: Best Adapted Screenplay

Independent Spirit Award Nominations: Best Male Lead-James Franco

The Kids Are All Right-2010

The Kids Are All Right-2010

Director Lisa Cholodenko

Starring Julianne Moore, Annette Bening

Scott’s Review #560

Reviewed December 24, 2016

Grade: A

The Kids Are All Right is a fantastic film!

In my opinion, the film is one of the best of the year 2010 and was rewarded with a deserving Best Picture nomination.

Annette Bening and Mark Ruffalo were also honored with acting nominations. Bening gives the best performance in the film.

Continuing the trend of more exposure to LGBT issues, The Kids Are All Right tells of a same-sex-centered family dealing with real issues.

Though not dark, the film is not light or played strictly for laughs. It is a family drama that shows how same-sex family units face problems like everyone else, and how they deal with them, never forgetting how much they love each other.

The writing is intelligent, deeply layered, and rich. The acting is superb, and the characters are complex.

The best scene is one where the entire family is eating dinner- suddenly the camera focuses on one person and goes in slow motion, the other voices become muffled and distant, and painful emotion is portrayed on one of the character’s faces as a revelation comes to the surface.

Brilliant.

Even the seemingly unimportant dialogue throughout the film is smart as it shows the bond of the family that cannot ultimately be broken.

The Kids Are All Right (2010) is a worthwhile and compelling film.

Oscar Nominations: Best Picture, Best Actress-Annette Bening, Best Supporting Actor-Mark Ruffalo, Best Original Screenplay

Independent Spirit Award Nominations: 1 win-Best Feature, Best Director-Lisa Cholodenko, Best Female Lead-Annette Bening, Best Supporting Male-Mark Ruffalo, Best Screenplay (won)

The Hunger Games: Catching Fire-2013

The Hunger Games: Catching Fire-2013

Director Francis Lawrence

Starring Jennifer Lawrence, Josh Hutcherson

Scott’s Review #1

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Reviewed June 16, 2014

Grade: B-

I confess to not having read any of the Hunger Games books, so I am critiquing the film on its film merits only with no knowledge of the books.

Interestingly, I graded the first Hunger Games (2012) film a B- and that is what I am giving this one, almost for the same reason.

The first hour sets up the second hour, but it is unnecessarily drawn out. At times it’s slightly dull.

The meat of the film then takes off and the film is quite good though the film still does not completely hold my attention throughout.

First and foremost, Jennifer Lawrence is the best part. She has the charisma and likability to carry it off.

The chemistry between the two leads (Lawrence and Hutcherson) is there so there is rooting value for the couple.

The third part of the triangle is weak (Liam Hemsworth has far too little screen time to make him a viable rooting factor).

Donald Sutherland is wonderful as the evil President, but Philip Seymour Hoffman seems to phone in his performance and the character is not all that intriguing.

The mood of the film and visuals (fog, train sequences) are great because there is modern darkness, and the premise and wondering who will die next during the games are interesting.

The somewhat twist at the end was effective.

To summarize nice characters/acting, great looking film, mediocre story, and slow pacing in the first act.