Tag Archives: Bill Murray

Fantastic Mr. Fox-2009

Fantastic Mr. Fox-2009

Director Wes Anderson

Voices George Clooney, Meryl Streep, Bill Murray

Scott’s Review #1,329

Reviewed December 30, 2022

Grade: B+

I have fond memories of, either reading or being read, Roald Dahl’s famous 1970 children’s novel entitled Fantastic Mr. Fox. The story involves the clever and hungry Mr. Fox and how he outwits his farmer neighbors to steal food from under their noses.

In 2009, it was adapted into a stop-motion animated film by Wes Anderson and includes the voice of George Clooney and Meryl Streep as Mr. and Mrs. Fox.  Anyone familiar with Anderson’s work knows well that an added dose of eccentricity will inevitably be included as well as a unique narrative.

I confess to either being in the mood for an Anderson film or not but at least I know to know what I’m in store for.

Anderson co-wrote the screenplay with Noah Baumbach known for making witty and intellectual comedies like The Squid and the Whale (2005) and Greenberg (2010).

Fantastic Mr. Fox pairs well with 2018’s Isles of Dogs if we are talking about Anderson films. Both include the thoughts and peculiarities of animals, similar stop motion, and a story about trickery and revenge pitting man against animals.

There is an eerie and prominent comparison to Animal Farm, a 1950s George Orwell novel and film adaptation, that I noticed.

The farm, animals, class system, and desire for power and authority.

When Mr. Fox’s nightly raids on three nearby farms raise the tempers of three selfish farmers who are losing their chickens, he must outwit the outrageous plans to catch him.

After all, in his mind, he is merely trying to feed his hungry family and neighbors, and Mr. Fox must find a new way to get his paws on the bounty.

Billed as a children’s film probably because it’s based on a children’s novel, Fantastic Mr. Fox contains aspects that will go way over kids’ heads. This suits me well however because I have a fascination for animation that pushes the envelope or moves beyond the overdone ‘safe genre’.

Think of it as a kid’s film for adults.

It would appear difficult to side solely with Mr. Fox since he is a thief. We are all taught at a young age not to steal but it’s difficult not to root for Mr. Fox. He steals not to gorge himself but to feed his family and community.

Of course, he is addicted to being a cad and quickly returns to his thieving ways finding his calling and strong satisfaction.

A good lesson for kids and adults is the neighborly aspect of Fantastic Mr. Fox. There is a camaraderie amongst the animals that I find lovely and inspiring. They band together and cohabitate in an underground community and later the sewer always having each other’s backs.

The farmers are portrayed as the villains though we can certainly understand their hardships at having their animals stolen and eaten. But Anderson hits home that the farmers are greedy and obsessed with their wealth, happy to kill any animals they see fit.

It’s satisfying to see them get defeated.

The story is outshined by the visuals though. It’s difficult not to focus on the technique and stunning attention to detail, especially in the tunnel sequences. The character performances and shadowy framework make one realize just how far stop motion has come.

The autumnal colors of red, orange, and yellow, perfectly enhance the visual style and season that Anderson and team create. Even the cue card titles between scenes are meticulous art that harkens back to sophisticated cartoons of yesteryear.

Fantastic Mr. Fox (2009) is a creative, edgy, and intelligently written and scored production. Multi generations are featured with means young kids, parents, and grandparents with a hunger for a left-of-center and thought-provoking approach will be well satisfied.

Oscar Nominations: Best Animated Feature, Best Original Score

Zombieland-2009

Zombieland-2009

Director Ruben Fleischer

Starring Jesse Eisenberg, Woody Harrelson

Scott’s Review #586

Reviewed January 6, 2017

Grade: B

Zombieland (2009) is a fun, entertaining, popcorn-style flick. The film is not designed to be taken very seriously given the subject matter of zombies- nor should it.

Rather, the film goes over the top frequently to elicit a good time and plays for laughs. Sometimes it is successful, adding dark comedy to the story, other times the film comes across as silly.

The story takes place during a time when zombies have overtaken the world, and humans are left to fend for themselves and survive.

The film is a more cartoon version of the popular television series, The Walking Dead, despite pre-dating it. It lacks the heavy drama of the series.

Still, for 2009, the film is a novel idea and the movie works more often than not.

Woody Harrelson is amusing and charismatic. Jesse Eisenberg is falling into the Ben Stiller and Will Farrell trap of playing the same character over and over again, and I am personally a big fan of Abigail Breslin and she does not disappoint in this film.

Zombieland (2009) will likely only be remembered as a fun midnight, Saturday night fluff film if that.

Get Low-2009

Get Low-2009

Director Aaron Schneider

Starring Robert Duvall, Sissy Spacek, Bill Murray

Scott’s Review #557

Reviewed December 22, 2016

Grade: B+

Get Low (2009) is an understated, gentle, sweet story set in Tennessee during the late 1930s.

The film is greatly enhanced by the stellar cast consisting of Robert Duvall, Sissy Spacek, and Bill Murray.

I dislike the title of the film as, to me, it feels dull.

Despite the very slow pace and the understated feel, the film is successful as one will become engaged with the character’s lives.

It tells the story of an elderly man named Felix Bush (DuVall), who decides to plan his living funeral for the small town to attend. Felix is a hermit who lives deep in the woods of Tennessee. He is despised, yet largely unknown by the townspeople, who only have past stories they have heard about him to formulate their opinions.

He hides a long ago, dark secret, which predictably is eventually revealed.

DuVall is the standout in this movie, but Sissy Spacek and Bill Murray are also very good- unsurprising based on their string of acting credits.

Enjoyable are the exterior scenes of rural Tennessee, giving an authentic look into the lives of small-town folks of that period.

I could have gone for a quicker pace, although I love slow-moving stories, as long as a pay-off is to be received. The reveal served satisfactorily, but I could have gone for some juicer scandals and revelations.

Get Low (2009) is a simple, yet moving story about life, regret, secrets, and religion.

Independent Spirit Award Nominations: 1 win-Best Supporting Male-Bill Murray, Best First Feature (won)

Caddyshack-1980

Caddyshack-1980

Director Harold Ramis

Starring Chevy Chase, Rodney Dangerfield, Bill Murray

Scott’s Review #353

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Reviewed January 9, 2016

Grade: A

Caddyshack is one of the funniest slapstick comedy films of the 1980s, arguably the decade of the “mindless comedy”.

Made in 1980, the cusp of the decade, it led the pack during a time when one after the other, comedy films were churned out out-cookie cutter style- based largely on the success of Caddyshack.

While not every aspect of the film works, the parts that do are hysterical and its influence in film history is unquestionable. More than merely a “dumb comedy”, Caddyshack features funnymen of the day (Bill Murray, Chevy Chase, and Rodney Dangerfield), and the talent and timing are well.

Clean-cut teenager Danny Noonan works as a caddy at a posh resort named Bushwood Country Club. An “underachiever”, he lacks direction in life while being pressured by his parents to attend college.

While spending the summer at work pondering his future, high jinks ensue as a rivalry develops between the club co-founder, Judge Smails (Ted Knight), and the outrageous Al Czervik (Rodney Dangerfield), who is a nouveau riche real estate developer.

Meanwhile, bordering on psychotic, Bill Murray as groundskeeper Carl Spackler is engrossed in his feud with a gopher running rampant on the golf course.

Mixed in with all of this are the standard teen romance themes, bathroom gags, and sexual jokes.

Caddyshack is not high art nor does it need to, or intend to be. It is simply pure juvenile fun. It is not even that well written, but it works. The portions that work so well do not even involve the caddies featured in the film- originally set to be the focal point.

Rather, the real scene-stealers are the two oldest members of the cast- Rodney Dangerfield and Ted Knight. The bickering and barbs traded between the two characters are delicious and downright funny.

When Al mocks Smail’s hat, or dances with his snobbish wife, or crashes into his new boat, each scene is rich with goofy comic timing.

Without a doubt, my favorite scene is the “doody” scene in the resort pool. It is laugh-out-loud raucous as a candy bar tossed into the water is thought to be something else.

The star of this scene is Lois Kibbee, who plays Judge Smail’s wife.

Her comic mannerisms and upper-crust looks make her a perfect choice for the role and she arguably steals the show in her limited appearances.

When Al jokes that she must have been something before electricity, her facial expressions perfectly emit comic horror.

There are points of the film that really are unnecessary and do not work well- I have never understood Bill Murray’s character of Carl. Bordering on silly, with a stuffed animal as the gopher, Murray himself is fantastic- improvising, but the role does not seem necessary to the rest of the film.

More scenes between the Judge and Al, or more from Chevy Chase’s character of Ty, and of the Judge’s wife would have been preferable.

Also, the attempted teen triangle between Danny, Maggie, and Lacey is dullsville- plain Maggie cannot compete with gorgeous and slutty Lacey.

These criticisms, however, are small gripes when compared to the hilarity and perfect timing of the rest of the film and that is why it ranks among one of my favorites.

Caddyshack, along with Animal House, paved the way for the plethora of slapstick comedies to follow- a few good, most bad, but must be recognized as the influence that it was, and a must-see for fans of golf, sports, and good, clean fun.

The elements of Caddyshack (1980) come together and work so well.