Category Archives: John Carroll Lynch

Zodiac-2007

Zodiac-2007

Director David Fincher

Starring Jake Gyllenhaal, Mark Ruffalo, Robert Downey Jr. 

Scott’s Review #1,134

Reviewed April 16, 2021

Grade: A

Zodiac (2007) is a great film in its mood alone. The attention to detail circa the 1960s and 1970s is spot on and adds to the flavor of the entire experience. The locale of San Francisco is moody and lurking with the antics of the self-professed zodiac killer.

With excellent acting, the sum of its parts adds up to a wonderful film experience.

The film is incredibly well-paced, character-driven, and layered in rich texture. What more can be asked of a cinematic production? It simply has it all and will engage any viewer craving mystery and intrigue.

David Fincher, as the director’s chair, creates a world unto itself with carefully crafted sets, artistic nuances, and of course a superb story. A lesson learned is that sometimes evil exists and cannot be caught despite best efforts and the ramifications are endless.

Painfully, the characters in Zodiac slowly realize this.

Zodiac is based on the best-selling non-fiction book by Robert Graysmith, a pivotal character in the film. The novel is very similar to James Elroy’s 1987 novel The Black Dahlia, another unsolved case set in California.

The film tells the story of the manhunt for the Zodiac Killer, a serial killer who terrorized the foggy San Francisco Bay Area during the late 1960s and early 1970s.

Investigators (Mark Ruffalo, Anthony Edwards) and reporters (Jake Gyllenhaal, Robert Downey Jr.) become obsessed with learning the killer’s identity and bringing him to justice.

Meanwhile, Zodiac claims victim after victim and taunts the authorities with endless and specifically graphic letters, bloodstained clothing, and cryptic messages shrouded in menacing phone calls.

The case remains one of the United States’ most infamous unsolved crimes.

Much of the acclaim must go to the three actors cast in the central roles and Gyllenhaal is top of his game in the leading role. As cartoonist Robert Graysmith he is the main hero and the person who spearheads the investigation, prompting disbelievers to listen to him.

Gyllenhaal is sensitive, sympathetic, and obsessed and at first, perceived to be a laughing stock, but audiences will immediately get behind the man and this is thanks to Gyllenhaal’s powerful acting.

The character-driven approach continues as Mark Ruffalo gives a wonderful portrayal of Inspector David Toschi. The tough-as-nails and no-nonsense approach led Toschi into obsession and fudging evidence.

Finally, Robert Downey Jr. provides energetic gusto as Paul Avery, a journalist who turns to drugs and alcohol because of the intensity and emotional investment in the case.

Plenty of red herrings make the film fun and the prime suspect of Arthur Leigh Allen, played by character actor John Carroll Lynch may or may not be the assailant.

It’s breathtaking watching all the twists and turns in this ferociously complex film.

Zodiac is based on real events and reportedly is extremely historically accurate. Fincher and others spent eighteen months conducting their investigation and research into the Zodiac murders.

So, authenticity is everywhere in this film.

Watching a film beginning in 1969 and ending in 1983 is a joy for someone who grew up in that era. Fincher drizzles the film with timely automobiles, clothes, and other sets so it appears to be walking into a time capsule.

I’m sure this only will add to the viewer’s enjoyment.

For fans of films based on the Zodiac Killers, the 1971 film Dirty Harry, starring Clint Eastwood delivers an exceptional experience based on the real-life case.

But Fincher’s Zodiac is just as good.

Despite the behemoth running time- two hours and thirty-seven minutes, Zodiac (2007) is an edge-of-your-seat thriller. The pulsating yet prowling pace is worth several viewings to appreciate the juiciness of all of the elements David Fincher offers.

A hefty round of applause is deserved.

Shutter Island-2010

Shutter Island-2010

Director Martin Scorsese

Starring Leonardo DiCaprio

Scott’s Review #567

Reviewed December 27, 2016

Grade: A-

Shutter Island (2010) is a great, psychological thriller, that being a Scorsese film, I had high expectations for. Lo and behold, I was not disappointed in the slightest.

Scorsese has a knack for making taut films, very violent, and with an edge. This film does not have the gore nor the blood that some of his other films have- especially since the subject matter is not mafia-related.

After Teddy Daniels (DiCaprio), a World War II veteran, turned U.S. Marshall investigates the disappearance of a female patient at a local psychiatric hospital, the case develops unforeseen layers.

The time is the 1950s.

Shutter Island is not your typical, run-of-the-mill thriller- it is much more than that and the complexities build and build. Not to be secondary to the interesting web of plot, but the art and set designs and visual effects are quite impressive- particularly during the storm scenes.

Leonardo DiCaprio is quite the gem, carrying the film in a demanding role, and working so well with Scorsese, as proven by his being a repeat player in his films.

All the performances (even tiny roles) were played with perfection- with flawless nuances- I mainly mean the hospital staff and patients.

The unpleasant violent images may upset some as well as the ending, but I found it to be an edge-of-your-seat, extremely well-made film. I hope that it is remembered for some time.

Fargo-1996

Fargo-1996

Director Joel Coen and Ethan Coen

Starring Frances McDormand, William H. Macy

Top 100 Films #79

Scott’s Review #366

493387

Reviewed January 9, 2016

Grade: A

Fargo (1996) is a treasure as far as I’m concerned and the role that deservedly propelled Frances McDormand to the forefront of the film audience’s minds- not to mention a gold statue for Best Actress.

The film epitomizes dark humor, and zany freshness, during a time in cinema when originality was emerging, and independent films were growing in popularity.

Fargo led the pack.

The film suffers from some derision by locals in and around the upper mid-west U.S.A. for its depiction of accents- perhaps overdone, but hysterical all the same.

Mixed with the snowy and icy locales, the film perfectly presents a harsh and small-town feeling.

The introduction of a crime- initially done innocently, escalates out of control.

Fargo is a part caper, part thriller, and part adventure and is a layered, cool film.

The fact that the time is 1987 is great. The cars, the Oldsmobile dealership, all work particularly.

McDormand plays a local Police Chief- Marge Gunderson, very pregnant, who stumbles upon the crime and slowly unravels the mystery.

All the while, the character keeps her cool, cracks jokes, and emits witty one-liner after another, presenting a slightly dim-witted image, but brilliantly deducing the aspects of the crime.

William H. Macy, in 1996 largely unknown, is perfectly cast as a car salesman, Jerry Lundegaard. Nervous, and shaky, yet with down-home respectability, he hatches a plot to have his wife kidnapped, the ransom to be paid by her wealthy father, enabling Jerry to pay off an enormous embezzling debt, and splitting the money with the kidnappers.

Predictably, things go awry and spiral out of control.

I love how the film crosses genres and is tough to label- is it a crime drama, a thriller, or a comedy? A bit of each which is the brilliance of it.

Fargo (1996) is an odd, little piece of art, and is remembered as one of the best films of the 1990s, making a star out of Frances McDormand.

Oscar Nominations: 2 wins-Best Picture, Best Director-Joel Coen, Best Actress-Frances McDormand (won), Best Supporting Actor-William H. Macy, Best Screenplay Written Directly for the Screen (won), Best Cinematography, Best Film Editing

Independent Spirit Award Nominations: 6 wins-Best Feature (won), Best Director-Joel Coen (won), Best Male Lead-William H. Macy (won), Best Female Lead-Frances McDormand (won), Best Screenplay (won), Best Cinematography (won)