Tag Archives: Elizabeth Wilson

Picnic-1955

Picnic-1955

Director Joshua Logan

Starring William Holden, Kim Novak

Scott’s Review #550

Reviewed December 19, 2016

Grade: A-

Picnic is a dear, classic film, from 1955 that is just wonderful to watch over the Labor Day weekend holiday, or anytime throughout the humid summer season.

The film perfectly depicts summertime in a tiny town. Set in Kansas, it is a slice-of-life story that tells what life was like in middle America during the 1950s, trials, and tribulations notwithstanding.

William Holden stars as a “wrong side of the tracks” type of guy who arrives in a quiet Kansas town on Labor Day weekend, disrupting the town events and causing scandals for the townspeople.

He is a hunky former college football player and exudes sexuality.

He then falls in love with his best friend’s girlfriend, Madge Owens, played by Kim Novak. The chemistry between the two stars is the film’s main appeal.

The supporting cast makes this film special (Arthur O’Connell and Rosalind Russell star as townspeople, who are in a relationship of their own).

Picnic also contains a gorgeous and lovely musical score, precisely “Theme from Picnic” and “Moonglow”.

It is shot on location in Kansas, mostly in and around Hutchinson, and is considered classic summer enjoyment.

Based on the Pulitzer-award-winning play.

Oscar Nominations: 2 wins-Best Motion Picture, Best Director-Joshua Logan, Best Supporting Actor-Arthur O’Connell, Best Scoring of a Dramatic or Comedy Picture, Best Art Direction, Color (won), Best Film Editing (won)

The Graduate-1967

The Graduate-1967

Director Mike Nichols

Starring Dustin Hoffman, Anne Bancroft

Top 100 Films #48

Scott’s Review #335

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Reviewed January 9, 2016

Grade: A

The Graduate is an immeasurable success and highly influential comedy from 1967- a time when films were gaining creative freedoms and pushing the envelope in new, edgy ideas and risqué subject matters.

Almost scandalous at the time of release, the film holds up exceptionally well after all these years and remains fresh and cutting edge.

It is slick, sophisticated, and quite funny, though peppered with dark humor.

Thanks to Dustin Hoffman and Anne Bancroft, the film works and is among my favorites of all time.

Hoffman plays Benjamin Braddock, a nervous, insecure recent college graduate, who returns home to sunny California unsure of what his future will hold.

His overbearing parents throw a lavish celebration at their home where Benjamin is flocked by well-wishers, most of whom have a materialistic edge to them. His parents live in a very affluent community where wealth and items are of great importance.

All Benjamin wants to do is be by himself. At the party, Benjamin is pursued by the much older and glamorous Mrs. Robinson (Bancroft), who lives nearby and asks Benjamin for a ride home.

Her attempted seduction of him kicks off the meat of the film and how their relationship progresses, especially when Mrs. Robinson’s daughter, Elaine (Katharine Ross), enters the picture and steals Benjamin’s heart.

Director Mike Nichols successfully sets the right tone for the film and we see the style and the sophistication of wealthy California in the 1960s.

Fashion, style, and glamour are prevalent, but they go against what Benjamin and Elaine, stand for.

The film is also an exploration of generations. Benjamin’s parents and all of their friends are into material things cars, houses, and parties.

The triangle between Benjamin, Mrs. Robinson, and Elaine is the heart of the film. At first, we find ourselves rooting for Benjamin and Mrs. Robinson. There is a sweet nature to their romance. She is the aggressor- mature, in control, and confident whereas Benjamin is insecure and shy, yet enamored with Mrs. Robinson.

Their awkward exchange in the hotel bar and their liaison in the hotel room are fantastic scenes.

Slowly, once Elaine emerges, Mrs. Robinson becomes manipulative, more of a villain-type character, as the youngster’s love blooms and we begin to root for their happiness.

A fantastic aspect of The Graduate is its musical soundtrack- completely done by Simon and Garfunkel, a major musical duo of the late 1960s. From the opening chords of ‘The Sound of Silence’, to the appropriate ‘Mrs. Robinson’, music adds much life and energy to the film and was successful at attracting young viewers at the time.

The featured soundtrack was highly influential to other films released after The Graduate.

Still fresh today, The Graduate (1967) launched the very successful career of Dustin Hoffman and emerged as an inspirational film that, controversial in its day, seems tame now, but the writing is as crisp as it ever was.

A film to watch over and over again.  

Oscar Nominations: 1 win– Best Picture, Best Director-Mike Nichols (won), Best Actor-Dustin Hoffman, Best Actress-Anne Bancroft, Best Supporting Actress-Katharine Ross, Best Screenplay Based on Material from Another Medium, Best Cinematography

The Birds-1963

The Birds-1963

Director Alfred Hitchcock

Starring Tippi Hedren, Rod Taylor

Top 100 Films #2     Top 20 Horror Films #2     

Scott’s Review #173

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Reviewed September 22, 2014

Grade: A

The Birds is one of director Alfred Hitchcock’s finest works.

Made in 1963, following Psycho, it continues Hitchcock’s run of successes, both commercially and critically.

Set in northern California (in San Francisco and Bodega Bay) it tells the story of unexplained bird attacks in a peaceful small bay town.

Tippi Hedren plays Melanie Daniels, a wealthy socialite, from San Francisco, who drives to Bodega Bay to pursue a love interest, Mitch Brenner.

Mitch, played by Rod Taylor, is a successful attorney who meets and shares a flirtation with Melanie the day before at a San Francisco pet store. He regularly visits his mother (Jessica Tandy) and sister (Veronica Cartwright) in Bodega Bay.

Once Melanie arrives in town birds begin periodically attacking the locals living in the sleepy community.

The Birds is a film that holds up incredibly well and is as exciting and horrifying today as it has ever been in the past.

One intriguing aspect of the film is that it offers no rhyme or reason for the bird attacks, which keeps the viewer guessing when a gull swoops down and attacks innocent Melanie.

It is completely mysterious and open to interpretation- are birds fed up with being caged?

Are the love birds that Melanie purchased the cause of the attacks? Do the birds hate humans? Why do they attack the children? Why do they peck the eyes of their victims out?

One could spend hours debating these questions.

A major creative success of the film is its elimination of a musical score. The eerie silence mixed with the loud sounds of the birds attacking is a haunting dynamic.

My favorite scene of The Birds features Melanie sitting on a wooden bench in the schoolyard enjoying a cigarette. Behind her is a deserted jungle gym. She barely notices a tiny bird innocently fly past her and land on the jungle gym.

She continues smoking her cigarette. The viewer sees what Melanie cannot- as slowly hundreds of birds land on the jungle gym behind her.

Without music, this scene is deadly silent and very dramatic as it switches from close-ups of Melanie to long shots of the birds gravitating behind her.

Another interesting aspect of The Birds is the character relationships- Mitch’s mother Lydia is afraid of losing her son so she initially despises Melanie; Mitch’s ex-girlfriend, schoolteacher Annie Hayworth strikes up a close friendship with Melanie- one might expect them to be rivals.

A hysterical mother lashes out at Melanie, calling her evil, and blaming her for the attacks.

One wonders, amid the long periods of calm, when the next attack will occur- and we know it will. We look for clues as to what triggers the attacks and we find none.

This makes for brilliant and suspenseful filmmaking. They hardly come better than the masterpiece The Birds (1963).

Oscar Nominations: Best Special Effects