Tag Archives: Stephen Frears

The Queen-2006

The Queen-2006

Director Stephen Frears

Starring Helen Mirren, Michael Sheen

Scott’s Review #1,253

Reviewed May 8, 2022

Grade: A

Before the Netflix series, The Crown (2016-2023), loudly stomped into existence and took the world on a historical journey through the trials and tribulations of British royalty there was The Queen (2006).

Starring Helen Mirren, the film is a quiet telling of the life and times of Queen Elizabeth II, especially immediately after the death of Princess Diana and the conflict and contention that took place.

Ironically, The Crown was created and primarily written by Peter Morgan, who also wrote The Queen. He created The Crown because of The Queen so there is an instant correlation between the two brilliant projects and the handwriting is very similar.

Stephen Frears, who also directed Judi Dench to an Oscar nomination for Philomena (2013) is at the helm and won himself an Oscar nomination for directing as well as scoring a win for Mirren.

The Queen is a terrific film across the board and Mirren is phenomenal in her portrayal of the grand dame. She cleverly fuses stiffness and stoicism with subtle warmth and humanity few see from the queen, at least publicly.

Layers of complexity are provided to an already mysterious public figure.

Following the death of Princess Diana in a fiery auto accident, Great Britain’s Queen Elizabeth II (Mirren) and Prime Minister Tony Blair (Michael Sheen) struggled to reach a compromise on how the royal family should publicly respond to the tragedy.

The family’s need for privacy and the public’s demand for an outward show of mourning are in the balance. This causes mayhem and drama behind the sacred walls of Buckingham Palace.

The acting of Mirren and the direction are what make The Queen pure magic and a standout among the many royalty-themed films to emerge since the beginning of motion pictures.

First of all, Mirren looks like the part of Queen Elizabeth II and this goes way beyond wearing glasses and a sweater or having the same hairdo. She encompasses the role and this is no small feat.

The mannerisms, the speech patterns, and the lowkey attitude are the amazing nuances that the actress can somehow channel.

It feels more than Mirren dressing up like royalty and showing up scene after scene. She does something much more with the unspoken looks and inner workings of the queen that become apparent to the viewer.

Frears chooses to include many closeups of characters, mainly of Mirren, which only encircles what each character is thinking and pondering.

The film is very subdued with a lovely musical score adding texture and appeal to each frame. The inclusion of archival footage is powerful realism.

Merely nine years after the real-life death of the uber-popular Diana the event was still so fresh in the minds of viewers that releasing The Queen at this time was a stroke of genius.

It’s no secret that while Queen Elizabeth II is respected she is worlds away from wildly popular Diana and emits a coolness that baffles the public.

Thanks to Mirren, the public gets a glimpse into the heart and soul of a mysterious person and that’s a good feeling indeed.

However, Mirren couldn’t have delivered fully if not for the talents of Michael Sheen as Prime Minister Tony Blair. Generations apart and with differing views they spar and respect each other, slowly forging a friendship of sorts.

The Queen (2006) hardly needs bombs, bombast, or quick editing to get its point across, though speaking of editing, a fantastic job of it with family scenes of Diana.

The film lures the viewer into its web and makes them feel like an insider amongst the walls of royalty.

Oscar Nominations: 1 win-Best Picture, Best Director-Stephen Frears, Best Actress-Helen Mirren (won), Best Original Screenplay, Best Costume Design, Best Original Score

The Grifters-1990

The Grifters-1990

Director Stephen Frears

Starring John Cusack, Anjelica Huston, Annette Bening

Scott’s Review #597

Reviewed January 9, 2017

Grade: B-

The Grifters (1990) is a film that has witty writing and an overall appeal. It is unique and quirky and is in the style of a charismatic film noir from one of the golden ages of film, the 1930s, and the 1940s.

Additionally, the film has a very sharp, clean look to it.

The performances, especially Anjelica Houston, are excellent. All three principles, (John Cusack and Annette Bening) give fantastic performances and feed off each other so that the chemistry works quite well.

Cusack plays a small-time crook named Roy Dillon, inept in ways, and estranged from his mother (Huston). When she returns to town, she along with his girlfriend (Bening), all attempt to con and outmaneuver each other for their gain.

The film is set in sunny Los Angeles.

As compelling as the film sounds on paper, I did not find myself completely captured by it. It took me a while to get into the film and by the time I finally did, it had ended.

Overall, well made, and respectable, and I can see how some people would love it, but for me, there remained something missing.

Oscar Nominations: Best Director-Stephen Frears, Best Actress-Anjelica Huston, Best Supporting Actress-Annette Bening, Best Screenplay Based on Material from Another Medium

Independent Spirit Award Nominations: 2 wins-Best Feature (won), Best Female Lead-Anjelica Huston (won)

Philomena-2013

Philomena-2013

Director Stephen Frears

Starring Judi Dench, Steve Coogan

Scott’s Review #50

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Reviewed June 20, 2014

Grade: A-

I am thrilled to see anything starring Judi Dench (although don’t get me started on my disdain of Shakespeare in Love from 1998).

I could listen to her read the phone book as she has that voice that soothes and makes one content.

Philomena (2013) is thankfully a starring role for Ms. Dench after supporting turns in the James Bond films as M.

She plays a woman in search of her son who was taken from her by the Catholic Church fifty years ago.

I respect a film that challenges an institution, especially if it is based on a true story.

In addition to her wonderful performance, the film is quite layered with a few twists and turns thrown in.

Dench’s self-titled character begins an adventure, along with an author talking into championing her cause, to find the whereabouts of her child.

It raises important questions about faith, religion, and the Catholic Church.

It will leave you pondering after the credits roll.

The main draw is Judi Dench who is so simplistic yet effective in her performances.

Well done.

Oscar Nominations: Best Picture, Best Actress-Judi Dench, Best Adapted Screenplay, Best Original Score