Category Archives: J.K. Simmons

2009 Films, Andy Samberg, Comedy, J.K. Simmons, Jane Curtin, Jason Segel, John Hamburg, Paul Rudd, Rashida Jones, Rush

I Love You, Man-2009

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I Love You, Man-2009

Director John Hamburg

Starring Paul Rudd, Jason Segal, Rashida Jones

Scott’s Review #1,311

Reviewed October 24, 2022

Grade: B

I Love You, Man (2009) is another one of these ‘feel-good’ types of ‘bromance’ comedies to grace the silver screen in the 2000s. It takes a familiar storyline of two male friends bonding, usually involving a female in the mix to complicate matters, with hilariously awkward moments thrown in.

It’s nothing groundbreaking or overly severe but rather a mildly satisfying ‘guy film’ that a female audience can also enjoy too because there exists a romance and a happily ever after.

I’m simplifying the specific gender tastes quite a bit but what I mean is the film is light and there can be something for everyone to enjoy.

While there are some innocent homoerotic playful moments between the men, for laughs, of course, the genre avoids anything LGBTQ+ related other than a gay supporting character who cleverly teaches the straight male how to ‘meet’ men.

Director, John Hamburg, is involved in similarly themed projects like Meet the Parents (2000) and Along Came Polly (2004) so he knows the common premise required for a film like I Love You, Man as well as what the audience wants.

As his wedding day approaches, nerdy Peter Klaven (Paul Rudd) realizes he has no one to serve as his best man. Through a series of “man-dates,” he finds abrasive Sydney Fife (Jason Segel), and the pair become instant friends.

But as Peter’s “bromance” with Sydney grows stronger, it threatens his relationship with his intended, Zooey (Rashida Jones), forcing Peter to make a choice.

It’s not a bad effort and Rudd and Segal have good chemistry as polar opposite characters. The differences are a big part of the laughs but Jones is somewhat unnecessary to the plot other than the required female component to satisfy the formula.

She dutifully plays her role as the straight woman immersed between two goofballs but has very little to do other than get in the way and be a roadblock to the guy’s fun.

It’s not a great role for her and the chemistry is lacking between her and Rudd but maybe that’s just the point. I’m not too sure but I found the humorous moments entirely left to the boys to provide.

My favorite section of the film is one that many may dismiss or deem secondary. The legendary progressive rock band Rush makes an appearance as a way that Peter and Sydney ultimately bond.

Any fan of music, especially a thinking man’s band like Rush, can attest to the genuine bond that can be created between followers of a specific group.

Rush is legendary for just that and it makes I Love You, Man feel fresher than it otherwise would have. Besides, other than Led Zeppelin is there a better example of a ‘guy’s band’?

Otherwise, the film is particularly run-of-the-mill. There are familiar arguments, misunderstandings, breakups, and makeup to be endured.

Events start with a marriage proposal and unsurprisingly end with a wedding ceremony so anything in between is rather superfluous since we can see the outcome a mile away.

Naturally, as much as Zooey wants Peter to have more male friends she becomes suspicious and otherwise threatened by the new blood, feeling left out.

There is a hint that Sydney may be trying to manipulate and pull the wool over Peter’s eyes over a financial loan but things work themselves out just fine.

As predictable as I Love You, Man (2009) is there is a sentimental, even heartwarming sensation to be left with, and a few good chuckles along the way.

2011 Films, Charlize Theron, Comedy, Dark Comedy, Independent, Independent Comedy, J.K. Simmons, Jason Reitman, Jill Eikenberry, Mary Beth Hurt, Patrick Wilson, Patton Oswalt

Young Adult-2011

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Young Adult-2011

Director Jason Reitman 

Starring Charlize Theron, Patrick Wilson, Patton Oswalt

Scott’s Review #1,267

Reviewed June 17, 2022

Grade: A-

I am a big fan of Jason Reitman films.

Though classified as comedies, they lack the qualities I most dislike in many mainstream comedies: slapstick, formulaic, gag setups, and potty jokes, that feel completely staged and redundant.

Instead, he incorporates wry, sardonic humor, cynicism, and intelligence into his films that enhance the writing and make the characters’ motivations clear.

Most of his characters are damaged and unhappy, suffering from inner conflict or instability, but the result is witty humor providing laughs to those able to think outside the box and immerse themselves into the character’s heads.

Thanks to a brilliant screenplay by Diablo Cody the thoughts and conflicts of a female character take center stage.

Reitman’s best films are Juno (2007), Up in the Air (2009), and Young Adult (2011) right up there with the others providing a darker tone than especially Juno contained.

Along with Reitman and Cody is a terrific performance by Charlize Theron who rightfully should have received an Oscar nomination. This is tough to achieve with a comedy performance and she had to settle for a Golden Globe nomination instead.

Just looking at the movie poster for Young Adult reveals a lot about her character. With an annoyed and flabbergasted look, wearing pajamas, she immediately gives off the vibe of being slovenly, fed up, and looking for a fight.

Theron is great at playing take-no-prisoners, tough characters with a bit of edge and a no-bullshit attitude.

Mavis Gary (Theron) is a successful but frustrated writer of teen literature who realizes that her high school sweetheart Buddy Slade (Patrick Wilson) has just become a father with his wife Beth (Elizabeth Reaser).

Mavis decides to return to her small hometown and cause trouble.

She feels her life is getting away from her and she’d love to steal Buddy away from Beth and ride off into the sunset for presumed happiness. She also knows that life usually doesn’t work this way.

Mavis forms an unusual bond with a former classmate Matt (Patton Oswalt), who has also found it difficult to move past high school.

The two connect in the unlikeliest of ways since they didn’t exactly travel in the same circles during high school. Matt has his own powerful story since he was gay-bashed causing him to be permanently disabled.

Matt and Mavis are both relatable characters to most of the audience. Who hasn’t ruminated over their past life in high school? For some high schools are glorious years filled with memories of pep rallies, parties, and graduation.

For others, the mere thought conjures up memories of insecurity, moodiness, and awkward experiences. There can also be some of both for most people.

Mavis, Matt, and Buddy have each not closed out their high school chapters in different ways so the fun is seeing the feelings of each character come to the surface shrouded in conflict. With Matt and Mavis turning to all-night drinking binges eases their pain.

The best scene that showcases Mavis’s anger and Theron’s exceptional acting skills occurs at an outdoor party in celebration of naming Buddy’s daughter.

As the entire town is gathered on the front lawn Beth spills punch on Mavis’s dress causing Mavis to fly into a rage, insulting Beth, and finally confessing that she was once pregnant with Buddy’s child but had a miscarriage.

The hateful Mavis, the hurt Beth, and the embarrassment of the townspeople are on full display. The scene is wonderful and shows the cohesive value of the events to the rest of the story.

Reitman brings complexity to his characters in Young Adult (2011) and proves that dark comedy, especially character-driven, provides emotional power amid the laughs.

I love that the ending is ambiguous rather than wrapped up in a nice bow like too many comedies.

Thanks to wonderful acting, insightful writing, and wise direction, the film is well-remembered and undoubtedly a source of inspiration for upcoming comedy writers and directors.

2009 Films, Anna Kendrick, Drama, George Clooney, J.K. Simmons, Jason Bateman, Jason Reitman, Romantic Drama, Sam Elliott, Vera Farmiga, Zach Galifianakis

Up in the Air-2009

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Up in the Air-2009

Director Jason Reitman

Starring George Clooney, Vera Farmiga, Anna Kendrick

Scott’s Review #573

Reviewed December 30, 2016

Grade: A

Up in the Air is a fantastic film, but for some odd reason, circa its release to theaters in 2009 it was categorized as a romantic comedy. While there is a bit of romance involved, the film is a dark romantic drama.

The content is perfect for this period in history- the terrible economy, and the unemployment rate rising sky-high.

The acting by the principles is excellent and is worth watching, but do not expect a happy, uplifting film.

George Clooney plays Ryan Bingham, a corporate “downsizer”, who travels the country firing employees from companies that hire him. Ryan has no qualms about what he does and enjoys traveling around the country.

He mentors a young employee, Natalie, played by Anna Kendrick, who is more sympathetic to the people whose lives she changes.

Ryan meets another frequent flyer, businesswoman Alex (Vera Farmiga), and they begin an affair. He becomes a more sympathetic character as he develops real feelings for Alex, but will Alex return the affections?

The tone of the film is sarcastic and sardonic, and Clooney is dynamic in the lead role- carrying the film. He is charismatic and energetic, performing his work duties in an emotionless way.

We slowly get to know him better and realize, through Alex, that he does have a heart. Alex is a more mysterious character, and Farmiga is equally as engaging in the role. When a big reveal is learned about Alex, the audience does not see it coming.

As the years go by, I hope that Up in the Air is remembered for being a film that was released at the perfect time, given the difficulties many were going through.

I love how the film carries smart dialogue- the characters questioning each other’s motivations and becoming intertwined.

Jason Reitman and the screenwriter craft an exceptional film.

Oscar Nominations: Best Picture, Best Director-Jason Reitman, Best Actor-George Clooney, Best Supporting Actress-Vera Farmiga, Anna Kendrick, Best Adapted Screenplay

2010 Films, Coen Brothers, J.K. Simmons, Jeff Bridges, Josh Brolin, Matt Damon, Western

True Grit-2010

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True Grit-2010

Director Ethan Coen, Joel Coen

Starring Jeff Bridges, Matt Damon, Josh Brolin

Scott’s Review #525

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Reviewed November 24, 2016

Grade: A-

Having not seen the original, 1969 version of True Grit,  starring John Wayne,  I cannot compare the two, but the remake in 2010  is excellent.

I do not profess to be the greatest fan of the western genre as the stereotypes are usually peppered throughout and the good versus bad cliches done to death, but True Grit is a different, contemporary western.

Fantastic looking with numerous big, current stars, humor, and quirkiness.

True Grit is a mainstream (in camera and style) Hollywood Western (the Coen Bros. usually are more gritty in their stories), but a well-made one.

The odd supporting characters make this film fantastic and there is an edge to it that enamored me. The film also contains some Quentin Tarantino elements making it left of center in some ways.

It tells the story of a tomboy-like fourteen-year-old girl, Mattie Ross (Hailee Steinfeld), also the narrator of the film, who hires an aging U.S. Marshal to avenge her father’s death.

The story is well told, and the cinematography and attention to detail are great, giving off a crisp feel of really being in the Wild West.

Oscar Nominations: Best Picture, Best Director-Ethan Coen and Joel Coen, Best Actor-Jeff Bridges, Best Supporting Actress-Hailee Steinfeld, Best Adapted Screenplay, Best Sound Editing, Best Sound Mixing, Best Art Direction, Best Cinematography, Best Costume Design

2013 Films, Drama, Gattlin Griffith, Independent, Independent Drama, J.K. Simmons, James Van Der Beek, Jason Reitman, Josh Brolin, Kate Winslet, Lucas Hedges, Tobey Maguire

Labor Day-2013

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Labor Day-2013

Director Jason Reitman

Starring Kate Winslet, Josh Brolin

Scott’s Review #116

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Reviewed July 17, 2014 

Grade: B+

Labor Day (2013) is quite simply a modern love story.

Set in 1987 on a hot Labor Day weekend in New Hampshire, a boy and his mother are approached by an escaped convict pleading for help.

They reluctantly agree and what follows is a weekend of mixed emotions and bonding between the three individuals.

Kate Winslet and Josh Brolin have nice chemistry as the two leads, and although the film felt like it was decorated to be 1987, it looks quite modern.

The woman is divorced and insecure and bordering on being a shut-in. The son is more like the parent, taking care of her, and running errands.

The film is narrated by an older version of the son (played by Tobey Maguire). Questions run through the viewer’s mind throughout the film, which is a major positive.

Can the convict be trusted? Is he guilty or is there more to the story? Is the mother falling for him or pretending to escape?

All the action plays out over one weekend while the town is on high alert and everyone is searching for the escaped con and most of the action takes place in the family home, lending a stage production feel to the film.

There are some tense moments and flashbacks of both the convict and the woman and their lives before meeting so we, as viewers, get to know them well.

Despite their differences, the couple has a rooting value to them thanks to Brolin’s and Winslet’s talents.

Labor Day (2013) is a well-made film that received little recognition.