The Innocents-1961
Director Jack Clayton
Starring Deborah Kerr
Top 100 Films #98 Top 20 Horror Films #19
Scott’s Review #639
Reviewed April 29, 2017
Grade: A
The Innocents is a 1961 British psychological horror film that is a ghost story of sorts and based on the novella, The Turn of the Screw by Henry James.
Though horror, it contains few traditional elements, such as contrived frights, jumps, and blood. Instead, the film succeeds by using lighting and magnificent cinematography by Freddie Francis.
And, of course, fantastic storytelling and direction from Jack Clayton.
Deborah Kerr gives an excellent turn as a beleaguered governess hired by a wealthy bachelor (Michael Redgrave) to tend to his young niece and nephew- Flora and Miles.
The setting is a lavish, yet creepy, mansion outside London. As the Uncle goes away to India on business, Miss Giddens, with no previous experience, is left to tend to Flora and Miles, who both begin acting strangely.
To complicate matters, Miss Giddens sees sinister ghosts lurking around the property. The ghosts are former household servants who have died, whom Miss Giddens has never met.
Miss Giddens is assisted only by the kindly housekeeper, Mrs. Grose, who tells her about the servant’s tragic deaths.
The Innocents, shot in black and white, uses sound to its advantage. This, combined with the interesting camera angles and focus shots—mainly of the ghosts Miss Giddens sees—makes the film unique and scary.
When she hears strange voices, she becomes convinced that Miles and Flora are playing tricks on her, engaging in games. The whispers’ sounds are haunting and do wonders for the effects and chill the viewer will undoubtedly feel as the film progresses.
Is Miss Giddens imagining the voices and visions, or is this an actual reality? Could the children be sinister and playing a vicious prank on her? Could Mrs. Grose be evil?
Nobody else within the household sees or hears anything amiss- or admits to it.
Kerr, a treasured actress, plays the part with emotional facial expressions and genuine fear, so much so that she will win the audience over as we side and empathize with her character. Still, is she a woman on the verge of a mental breakdown? Does she have past mental problems?
Like the uncle, we know nothing of her past, only that she claims to be a minister’s daughter. How, then, does she have stylish, expensive clothes? Could she only be pretending to be a governess? Has she run away from her past?
The Turn of the Screw is a true ghost story, but The Innocents is a bit different- it relies upon, successfully, as more of a character-driven story.
As Miss Giddens becomes convinced that both children have become possessed by the servants’ spirits, she makes it her mission to rescue them from the spirits. We have an ominous feeling that events will not end well, and they do not.
Several scenes will frighten the viewer- as Miss Giddens sees a haggard ghost (the female servant) quietly standing in the distance near a lake as Flora dances chirpily, the image of the faraway ghost figure is eerie and well-shot.
The film draws comparisons to the classic Hitchcock film Rebecca (1940). Each is British, takes place in large mansions, and features dead characters as complex villains.
Also, the sanity of the main character is in question.
With a compelling story and the nuts and bolts surrounding the tale to add clever effects and a chilling conclusion, the film succeeds as an excellent and intelligent horror film.
With great acting all around, including fantastic performances by child actors, The Innocents (1961) scares the daylights out of any horror fan and uses exterior and interior scenes to make the film an all-around marvel.
