Girls Trip-2017
Director Malcolm D. Lee
Starring Regina Hall, Queen Latifah, Jada Pinkett Smith
Scott’s Review #760
Reviewed May 18, 2018
Grade: D-
I am genuinely baffled by some of the positive reviews of the film Girls Trip (2017) by viewers and respected critics.
Attempts to make females as raunchy as the guys in R-rated comedies never work, in my opinion (good writing does!), and the result is a largely unfunny, crude piece of drivel.
The fact that the film, which goes for a “female empowerment” theme, is directed by a man is as disappointing as disrespectful, especially given the fact that the writers are female- they couldn’t find a black female director?
At the risk of giving a testimonial, I fully know the importance of creating good female roles in cinema-perfect female black roles.
Unfortunately, the roles in Girls Trip do nothing to further the cause as tried and true, standardized parts commence with no well-written character to be found.
Modern films look to Black Panther (2018) or Hidden Figures (2016) as examples of positive black female role models- they exist!
The weak plot involves four forty-something lifelong friends who regroup for a reunion after years apart. Famous lifestyle guru Ryan Pierce (Regina Hall) decides to take her “Flossy Posse” to a music festival in New Orleans, where they will spend the weekend partying like it’s the 1990s once again.
Ryan is married to a man who cheats on her, Sasha (Queen Latifah) runs a failing gossip site, Lisa (Jada Pinkett Smith) is a divorced, overbearing nurse, and slutty, aggressive Dina (Tiffany Haddish), who has just been fired from her job.
In predictable form- think 2009’s The Hangover or a multitude of other raunchy comedies since then, the girls get into trouble, drink too much, have sex, and partake in other hi-jinks throughout the weekend.
The central plot is Ryan’s potential investment deal with rigid and uptight Bethany (Lara Grice) and a wisecracking agent. As events unfold, Ryan’s female nemesis shows up to cause trouble and stir up drama, testing the group’s patience.
Girls Trip is a typical American comedy film (not a compliment!) that offers weak writing and instead promotes stereotypical stock characters.
Many similar comedies have come before it, and many more will come after it. Since I disliked the film so much, I decided to ask myself a few rhetorical questions as I observed the mess.
In films with a group of women, why is there always a slutty one (Dina)? Why is there always a mousy one (Lisa)? Why is there always a fat one (Sasha)? Why is it deemed funny to watch women pee or suffer bathroom issues?
The only positives to Girls Trip come in one humorous scene when Dina mixes absinthe into the girls’ drinks before a meeting, causing them to hallucinate. As the girls begin to imagine themselves talking in deep baritone voices and Ryan imagines a waitress is her arch-enemy, the hilarity briefly ensues.
A quick wrap-up speech by Ryan after the film does send a nice message about being yourself and staying true to your loved ones, but why we have to suffer through two-plus hours of crap to get to the inspiration and point of the film is beyond me.
The success of Girls Trip (2017), which will inevitably produce a sequel, leads me to believe that the masses prefer their films idiotic, redundant, and fraught with cheap, crude laughs.
The film seems to be intended to push the envelope—not to create great art, but just to make the film as crass as possible. This is presumably to prove that girls can be as nasty as boys, which the film succeeds at portraying.
