Pennies from Heaven-1981

Director Herbert Ross

Starring Steve Martin, Bernadette Peters

Scott’s Review #1,480

Reviewed May 10, 2025

Grade: A

Pennies from Heaven (1981) may be Steve Martin’s best film role and Bernadette Peters’s most excellent cinematic performance. Audiences did not receive the film well upon release, but many of the best movies are not.

Critics, however, applauded the film, which earned writer Dennis Potter an Academy Award nomination for Best Adapted Screenplay.

Watching (for the first time) in 2025, the film doesn’t feel dated, as many 1980s films do. Furthermore, Pennies from Heaven doesn’t feel like a 1930s set film in the 1980s either.

The opening sequence features credits amid clouds, later dances on the tops of bars, and kids in a schoolhouse playing white pianos, which is fresh and authentic.

These aspects enhance the dazzling musical production numbers. The songs are lip-synced, which strangely works after a brief period of adjustment, given that they are popular songs of the 1920s–30s, such as ‘Let’s Misbehave,’ ‘Life Is Just a Bowl of Cherries,’ ‘Let’s Face the Music and Dance,’ and the terrific ‘Pennies from Heaven’.

Unconventional in film, sometimes the action in a scene suddenly stops, and a musical number begins. The songs reflect the times with an overpowering sadness.

The story follows Arthur Parker (Steve Martin), a Depression-era sheet-music salesman with dreams of becoming a big success. When Arthur faces relationship problems with his wife, Joan (Jessica Harper), he begins an affair with a shy and beautiful teacher, Eileen (Bernadette Peters).

Though Arthur and Eileen connect, societal and financial obstacles threaten their happiness.

The film is highly stylized and looks stunning. The darker lighting, especially during musical numbers, looks muted to reflect the bleak nature of the Depression period.

I was continually surprised by this film. Situations arose that threw me for a loop, especially Eileen’s pregnancy and subsequent journey into the world of prostitution. At first meek and virginal, she becomes a savvy and more demanding character as the film progresses.

Eileen is my favorite character.

Peters was robbed of an Oscar nomination, which is surprising because she is emotionally invested in the character. Although she expects to hate sleeping with men for money, she doesn’t find it so bad, and it’s an easy way to make money during a time when most had no resources.

I adore Peter’s facial expressions as she embarrassingly looks away or her eyes well with tears.

A shocking death devastated me towards the film’s end, even though the character was minor.

I wasn’t as enamored with Arthur’s character as with Martin’s performance. Arthur, horny and a bit of a cad, disappoints me when he is mean to troubled and struggling accordion player (played wonderfully by Vernal Bagneris). He also doesn’t treat his wife very well.

Nonetheless, his dramatic turn is refreshing compared with his typical slapstick roles, and he and Peters have great chemistry.

Christopher Walken, in a small role as Tom a stylish pimp, brings down the house with a wacky dance.

The rich and complex writing showcases an anti-hero with layers of complexities and supporting characters looking to survive. The 1930s setting is crucial as characters scramble like mice to find a bit of cheese and navigate a complex maze.

Pennies from Heaven (1981) is not a film for mainstream moviegoers. Instead, the film will be a surprising treat for those eager to peel back an onion and immerse themselves in good cinema.

Oscar Nominations: Best Adapted Screenplay