Sentimental Value-2025

Sentimental Value-2025

Director Joachim Trier

Starring Renate Reinsve, Stellan Skarsgård, Elle Fanning

Scott’s Review #1,506

Reviewed December 22, 2025

Grade: A

Sentimental Value (2025) is a Norwegian art film with powerful themes of love and loss, suicide, intergenerational connections, family relationships, and cinema. The intertwining of the components makes the film both dark and hopeful, thanks to beautiful, layered performances.

It is brooding, thought-provoking, and relatable in many ways, mostly showcasing quality writing and excellent acting. Not as much of Norway’s majestic countryside is shown, especially in Oslo, where the film is set, as I had hoped.

Right off the bat, the audience receives narration about a house and the generations of events, some happy and some tragic, that have occurred over the years. The house, while changed, has persevered and has become a character in the film.

One could correlate the struggles of the house with those of life; in the film, the characters are deeply flawed and troubled, suffering from alcoholism and paranoia.

After their mother dies, two sisters, Nora (Renate Reinsve) and Agnes (Inga Ibsdotter Lilleaas), reunite with their estranged father, the charismatic Gustav (Stellan Skarsgård), a once-renowned director who offers stage actress Nora a role in what he hopes will be his comeback film.

The film is personal about Gustav’s frailty following his mother’s death by suicide.

When Nora turns it down, she soon discovers Gustav has given her part to an eager, yet cerebral, young Hollywood star played by Elle Fanning, who is a new fan of Gustav’s older work.

The past and deeply harbored secrets come to the surface as the characters struggle to maintain balance between their emotions and their interpretations of various life events.

An early sequence set in a theater sets the tone. Nora, a fabulous stage actor, suffers from severe stage fright, nearly rendering her unable to perform. The crew backstage scurries to calm her nerves and convince her to perform seconds before her cue. They’ve been through this before.

Nora is neurotic and, in fact, attempted suicide, which worries Agnes whenever there is a lapse in communication with her sister.

Other complexities, such as Gustav’s return, an unsuccessful relationship, and insecurities, affect Nora, especially when Rachel, the starlet, enters the picture.

But the winning formula is that Sentimental Value is not ‘the Nora show’. Agnes, Gustav, and Rachel are equally showcased and explored, making the film an ensemble piece.

Agnes, who starred in one of Gustav’s films as a young girl, is now married with a child and has left the industry far behind. Does she harbor regrets?

An aging Gustav has seen the cinematic world shift from grand, theater-style film work to television-style streaming platforms like Netflix, which are taking over. Has the world left him behind?

And young Rachel is frustrated by her limited acting roles, which have made her a star but don’t showcase her true talent or love of her craft. Does she even have talent, she wonders?

As a cinemaphile, Sentimental Value left me pondering the state of cinema in a time of limited theatergoers and the popularity of watching films at home on a television, or worse, on a mobile phone.

But the success and emotion of Sentimental Value come through its characters, Nora, Agnes, Gustav, and Rachel.

The house’s importance also amazed me. As in life, things constantly evolve and change; setbacks are experienced; life and death come and go; and the cycle of life continues.

Sentimental Value (2025) is a fantastic film with main themes about life and forgiveness. It is also a stark reminder, without being preachy, about the monumental importance of mental wellness and the crippling effects mental illness can have on people.

Oscar Nominations: 1 win-Best Picture, Best Director-Joachim Trier, Best Actress-Renate Reinsve, Best Supporting Actor-Stellan Skarsgård, Best Supporting Actress-Elle Fanning, Inga Ibsdotter Lilleaas, Best Original Screenplay, Best International Feature (won), Best Film Editing

Hamnet-2025

Hamnet-2025

Director Chloé Zhao

Starring Jessie Buckley, Paul Mescal

Scott’s Review #1,505

Reviewed December 8, 2025

Grade: A

For lovers of William Shakespeare, the famous sixteenth-century playwright, poet, and actor, Hamnet (2025) is highly recommended for its recognition of his renowned tragedy, Hamlet, written in 1599 or 1600.

Any literature nut will ooze with pleasure, since the tragic play is the basis for the entire film, and its creation is grounded in the movie’s events. This allows viewers to understand the reason for it, despite some fictionalization.

A bonus is a portion of it being performed on stage late in the movie.

And for cinephiles, Hamnet features gorgeous cinematography, raw, emotionally charged performances, and a believable love story mired in heartbreak and ultimately hopefulness.

The film’s story dramatizes the marriage between Anne Hathaway (Agnes in the movie), played by Jessie Buckley, and William Shakespeare (Paul Mescal), and the impact of the tragic death of their eleven-year-old son, Hamnet, on their relationship, which inspired Shakespeare’s play, Hamlet.

Sam Mendes and Steven Spielberg produced the film, which ensured it was made, and Chloé Zhao directed it. The financial help undoubtedly ensured (hopefully) that Zhao could make the film she wanted, and the final product reflects her vision.

Zhao is well known for directing Nomadland (2021), a movie with powerful landscapes, and Hamnet is no different in its exterior riches, though it is set in the late 1500s rather than the present.

She includes peaceful green forests, lush with quiet, thoughtful sequences, leading the viewer to enjoy the tranquility and mystique rather than to incorporate a storyline purpose.

It’s an overall vibe.

As characters wander along a path or a garden, the audio enhancement of birds chirping pairs well with greenery or flowers lit with golden sunshine.

A colder, grey vibe enshrouds the interior scenes of humble cottages, where characters peel boiled eggs, perform tedious household tasks, or share a modest meal.

I totally bought the authenticity of the 16th and 17th-century locales, costumes, sets, and characters. This buy-in did wonders to reflect the believability of everything else.

The leading actors get an A+ for chemistry and connection, with powerfully acted, sometimes guttural scenes, scene after scene.

From the first garden scene, when Buckley and Mescal, strangers, meet amid instant attraction and infatuation, the scene smolders with fiery romance. How the actors conjured that amount of intensity is remarkable.

They are forever linked when they give in to their attraction, shortly after which results in a pregnancy, much to the chagrin of his family.

Separately, Agnes is intriguing and spiritual, rumored to be the daughter of a forest witch. Before her death, Agnes’ mother taught her herbal lore, which Agnes later uses to heal a cut on William’s forehead.

William is thoughtful, bookish, and very introspective. His intensity towards his writing and art is inspiring.

The characters get along, and Agnes even insists he go to London, where he can work in a proper environment and better understand his creative mindset.

Buckley especially delivers the goods with ferocious acting and startling realism.

Equally noteworthy are Jacobi and Noah Jupe, who play the real Hamlet and the stage Hamlet. Brothers in real life, both look similar and possess top-notch acting skills.

And can Emily Watson (playing Mary Shakespeare) not be great in anything?

A minor gripe is why Buckley is positioned as the lead actress while Mescal is deemed the supporting actor. As equals, it’s not her story versus his; together, they share the depth of the storyline as a pair. And Shakespeare as a supporting character doesn’t sound right.

Destined to be rewarded for its artistic merit, humanistic integrity, and truthful approach, Hamnet (2025) is a beautifully slow-building film. It elicits heartwarming cinematic perfection.

Oscar Nominations: 1 win-Best Picture, Best Director-Chloé Zhao, Best Actress-Jessie Buckley (won), Best Adapted Screenplay, Best Casting, Best Costume Design, Best Original Score, Best Production Design