Category Archives: Comedy

1951 Films, Best Picture Oscar Winners, Comedy, Gene Kelly, Leslie Caron, Madge Blake, Musical, Nina Foch, Oscar Levant, Romantic Comedy, Vincente Minnelli

An American in Paris-1951

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An American in Paris-1951

Director Vincente Minnelli

Starring Gene Kelly, Leslie Caron

Scott’s Review #120

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Reviewed July 19, 2014

Grade: B+

A classic film directed by Vincente Minnelli, An American in Paris is a musical from 1951 set in marvelous Paris- though, to be fair, the entire movie, save for the opening scenes of Paris, is shot exclusively on a sound stage.

Gene Kelly stars as Jerry Mulligan, a struggling American artist who lives in a quiet neighborhood with his best friend, Adam Cook.

Jerry optimistically sings and tap dances his way through life, befriending neighbors and school kids and spending time in the local cafe until he is finally noticed by wealthy art buyer Milo, played by Nina Foch.

This sets off a quadrangle when Jerry falls for youthful Lise (Leslie Caron), already dating a suave French singer, Georges Guetary.

An American in Paris is a cheerful fantasy film. It is bright and colorful and filled with musical numbers and dancing.

Highlights in this department are “‘S Wonderful” and “I Got Rhythm”.

The brilliance is the incredible eighteen-minute epic finale, which involves Gene Kelly’s ballet on Parisian sets of various artists. It is as innovative as anything in film history.

The film’s drawback is the lack of chemistry between Kelly and Caron, which I notice more with each passing viewing.

There is more chemistry between Kelly and Foch, who is meant to be the odd woman out, and I still find myself rooting for the two of them instead of the intended couple.

I love that none of the four characters in the story are villains, which adds to the film’s merry feel.

The predictable ending is fantastic and romantic.

An American in Paris won the 1951 Best Picture Oscar, upsetting the heavily favored A Streetcar Named Desire.

Oscar Nominations: 6 wins-Best Motion Picture (won), Best Director-Vincente Minnelli, Best Story and Screenplay (won), Best Scoring of a Musical Picture (won), Best Art Direction, Color (won), Best Cinematography, Color (won), Best Costume Design, Color (won), Best Film Editing

1938 Films, Allan Dwan, Children, Comedy, Gloria Stuart, Jack Haley, Musical, Musical Comedy, Randolph Scott, Shirley Temple

Rebecca of Sunnybrook Farm-1938

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Rebecca of Sunnybrook Farm-1938

Director Allan Dwan

Starring Shirley Temple

Scott’s Review #113

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Reviewed July 16, 2014

Grade: B

Rebecca of Sunnybrook Farm (1938) is one of several Shirley Temple films released in the 1930s and 1940s.

In this story, Rebecca (Temple) is a confident child singer auditioning for a New York City radio gig with her opportunistic Uncle. Through a series of mishaps, she winds up outside the city with her aunt and other people living on or near the farm.

The radio people race to find Rebecca in time and make her a star. Other romantic subplots involving the supporting characters occur.

The film is innocent and cutesy, but you must be a Shirley Temple fan to enjoy it truly. If not, you might find it contrived and sentimental.

It falls somewhere in the middle for me. While I enjoyed the Shirley Temple musical numbers and the star’s talent, the story was predictable, and no surprises were in store. It felt more like a pleasant trip down memory lane.

The film is harmless and contains the standard Temple curls, smiles, and joyfulness. The supporting cast includes Jack Haley (The Wizard of Oz) and Gloria Stuart (Titanic-1997).

2011 Films, Comedy, Drama, Ed Helms, Independent, Independent Comedy, Independent Drama, Jason Reitman, Jason Segel, Jay Duplass, Judy Greer, Mark Duplass, Susan Sarandon

Jeff, Who Lives at Home-2011

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Jeff, Who Lives at Home-2011

Director Jay Duplass, Mark Duplass

Starring Jason Segel, Susan Sarandon

Scott’s Review #107

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Reviewed July 12, 2014

Grade: B

I confess to not being a huge fan of Jason Segel.

Jeff, Who Lives at Home (2011) tells the story of a slacker who lives with his mother and lives in the shadows of his successful brother, played by Ed Helms.

He regularly smokes pot and looks for meaning in random occurrences.

One day he begins an adventure when he believes he sees meaning in a phone call and it sets up a series of mishaps involving his brother and estranged wife, played by Judy Greer.

The secondary story involves the mother (Susan Sarandon), who leads a dull life working a mundane job. She suddenly develops a secret admirer at her job.

The film was much better than expected. As the movie unfolds it turns into a day in the life of a dysfunctional, yet loving family.

I expected a silly, dumb comedy given the star and the premise, but the film was much better than that. It is a nicely layered, touching movie with a message and some spirituality mixed in.

I loved the ending and was impressed by the heartfelt nature of this small little slice-of-life film.

1994 Films, Comedy, Courtney Cox, Jim Carrey, Lowest Rated Films, Sean Young

Ace Ventura: Pet Detective-1994

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Ace Ventura: Pet Detective-1994

Director Tom Shadyac

Starring Jim Carrey, Courtney Cox, Sean Young

Scott’s Review #106

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Reviewed July 12, 2014

Grade: D-

Ace Ventura: Pet Detective is a silly comedy from 1994 starring Jim Carrey as a goofy private investigator specializing in pet rescue.

He is fairly inept but is hired by the Miami Dolphins to find their stolen mascot.

The film is ridiculous on almost every level- bad clichés, bad acting, mostly by the football players, and a dumb plot.

The saving grace of the film is Jim Carrey who defined the goofy, slapstick film star of the 1990s and, although over-the-top, is quite funny with his weird gestures and absurd mannerisms.

If the writing were only slightly better- think Dumb and Dumber (1994) or The Mask (1994), this film would have been almost enjoyable, but it pushes the definition of dumb fun just a little too far and sooner rather than later becomes convoluted and tedious.

A cameo appearance by Dan Marino, obviously a poor actor, just made this move seem sad and desperate.

Sean Young is appealing as the villain.

1957 Films, Cary Grant, Comedy, Deborah Kerr, Delmer Daves, Leo McCarey, Romantic Comedy

An Affair to Remember-1957

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An Affair to Remember-1957

Director Leo McCarey

Starring Cary Grant, Deborah Kerr

Scott’s Review #105

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Reviewed July 12, 2014

Grade: B

An Affair to Remember (1957) is an excellent example of how romantic comedies have changed.

‘rom-com’ is not my genre of choice as typically they are clichéd and predictable. The romantic comedies in years past were vastly different containing a glamorous, innocence to them that is lacking in the generic rom-com of today.

In An Affair to Remember, the charisma of Cary Grant and Deborah Kerr makes the movie. They portray two strangers taking a luxury cruise and inexplicably falling madly in love despite having significant others at home.

The couple wine and dine with each other, revel in merriment for a week and make a pact that if they don’t forget each other in a year they will meet at the top of the Empire State Building on a specified day and time.

It does not get much more romantic than that.

The extravagance of the gorgeous sets on the cruise ship makes the film a visually satisfying experience and any film set in New York City, as the second half does, is a plus in my book.

An Affair to Remember is not a cutting-edge film, though for 1957 the subject matter of adultery may have raised a few eyebrows, but rather a pleasant, warm romantic comedy of the past.

It’s meant to sit back and escape with a sappy, sweet, fun romance.

Oscar Nominations: Best Scoring, Best Song, “An Affair to Remember”, Best Costume Design, Best Cinematography

2013 Films, Alec Baldwin, Andrew Dice Clay, Bobby Cannavale, Cate Blanchett, Comedy, Drama, Independent, Independent Comedy, Independent Drama, Louis C.K., Michael Stuhlbarg, Peter Sarsgaard, Sally Hawkins, Woody Allen

Blue Jasmine-2013

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Blue Jasmine-2013

Director Woody Allen

Starring Cate Blanchett, Sally Hawkins

Scott’s Review #92

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Reviewed July 3, 2014

Grade: A

Blue Jasmine (2013) is the latest offering by Woody Allen and one of his best since the 1970s. I have heard from several people that they are not typical Woody Allen fans but loved this film and I ponder why that is.

My theory is that Cate Blanchett, who stars as neurotic Jasmine, is the heart and soul of this movie.

Allen’s films usually center on neurotic characters and this film is no different.

Set primarily in San Francisco, it tells how Jasmine has lost all of her money thanks to bad investments by her ex-husband (played in flashbacks by Alec Baldwin).

She is a socialite and used to the best life in excess and extravagance.

Now Jasmine is reduced to making a clean start of it by rooming with her blue-collar sister, played by Sally Hawkins, and trying to scrape by.

Jasmine struggles to find success and the means to survive.

The film is hysterical, heartbreaking, and even a downer at moments. Through the assistance of pills and martinis, Jasmine is snobbish and ego-centric, yet the audience falls in love with and roots for her.

She is high-class yet broke. She keeps up appearances, and her wit, usually at the expense of others, never falters.

Blanchett is responsible for the love of this character and, thankfully, won the Best Actress Oscar for her portrayal.

The dialogue is sharp, witty, and filled with laugh-out-loud moments. Thanks to much of it taking place in flashbacks, the audience sees Jasmine’s life as it once was, having everything and then some, then back to her current reality and back and forth. This is a wise decision to show both of her lives.

Blue Jasmine (2013) is one of Woody Allen’s best.

Oscar Nominations: 1 win-Best Actress-Cate Blanchett (won), Best Supporting Actress-Sally Hawkins, Best Original Screenplay

Independent Spirit Award Nominations: 1 win-Best Female Lead-Cate Blanchett (won), Best Supporting Female-Sally Hawkins, Best Screenplay

2012 Films, Adam Scott, Anne Fletcher, Barbra Streisand, Comedy, Dale Dickey, Kathy Najimy, Seth Rogen

The Guilt Trip-2012

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The Guilt Trip-2012

Director Anne Fletcher

Starring Seth Rogan, Barbra Streisand

Scott’s Review #89

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Reviewed July 3, 2014

Grade: C+

The Guilt Trip (2012) is a lightweight, fun piece of fluff.

It stars Seth Rogan as a thirty-something single guy from New Jersey with a Jewish (in every clichéd way) overbearing mother played by Barbra Streisand.

Through circumstances from his job, they are forced to take a road trip cross country to California where they are to meet a long-lost beau of hers.

If not for the talents and humor of Barbra Streisand, this movie would have been a dud. It’s a dumb movie, but Streisand plays her overbearing, annoying character to the hilt and makes her loveable.

There is nice chemistry between Streisand and Rogan, though frankly, I wonder why Streisand has turned to mindless comedy over more highbrow film work.

Rogan plays a character he has played time and time again in these types of films.

The film screams predictable throughout as with similar road trip comedies, they encounter all of the United States’ geographical stereotypes (cowboys, steakhouses, bull-riding, etc.).

A dumb film made somewhat enjoyable by the two leads.

1953 Films, Charles Walters, Comedy, Cyd Charisse, Esther Williams, Lowest Rated Films, Romantic Comedy, Van Johnson

Easy to Love-1953

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Easy to Love-1953

Director Charles Walters

Starring Esther Williams, Van Johnson

Scott’s Review #86

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Reviewed July 2, 2014

Grade: D

Easy to Love (1953) is a romantic comedy from 1953 starring competitive swimmer turned actress Esther Williams.

Williams plays a (surprise!) swimmer in love with her boss who does not return her affections. She also has two other suitors madly in love with her, so it’s a love triangle film with Williams having a side-kick, played by Edna Skinner.

They go from Florida to New York on a job adventure.

The main problem with this film is the silly script. It’s a romantic comedy of its day with Williams scampering from one beau to the next. By the end, she has three suitors all vying for her affection, but the viewer hardly cares whom she chooses or which one was meant to be the hero.

The endless scenes of Williams swimming around were necessary since she was known for it, but the film is a dud on almost every level.

Williams, hardly known for her acting ability, spends much of the film jet-skiing and prancing around in swimwear while men lust after her.

That pretty much sums up Easy to Love (1953).

Williams is not a terrible actress, though hardly Katharine Hepburn either. The movie is lackluster and quite trivial and not too much fun.

1987 Films, Bette Midler, Comedy, George Carlin, Lowest Rated Films, Shelley Long

Outrageous Fortune-1987

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Outrageous Fortune-1987

Director Arthur Hiller

Starring Bette Midler, Shelley Long

Scott’s Review #85

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Reviewed July 2, 2014

Grade: D

Outrageous Fortune (1987) is one of many silly plot-driven comedies to come out of the late 1980s.

It stars huge comedic actresses of the time (Bette Midler and Shelley Long) as opposites, Midler-brash, Long-refined, who are acting students and in love with the same man (Peter Coyote).

Of course, they meet and hate each other then become friends. This sets off a series of misunderstandings and standard comedy fare.

It’s a female buddy movie. I must say that I did enjoy the chemistry between Long and Midler as the on-screen chemistry is evident.

Besides the chemistry, the only other positive is the New York City location scenes and the acting/theater workshop setting.

Whose idea was it for Midler to use a horrible, phony New York accent??

It distracted throughout the entire film which is not very good, to begin with. Otherwise, this is a dud and is completely plot-driven and predictable.

It has a pure 1980s comedy feel to it (by that I mean overdone hairstyles, bad music, and a silly plot).

Shelley Long is the highlight of this film as she is great at comedic timing, but, unfortunately, her film-starring career was short-lived.

2001 Films, Comedy, French, International, International Comedy, International Romantic Comedy, Romantic Comedy

Amelie-2001

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Amelie-2001

Director Jean-Pierre Jeunet

Starring Audrey Tatou

Scott’s Review #74

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Reviewed June 27, 2014

Grade: C+

Amelie (2001) was a major disappointment for me. Critically acclaimed and admired, I did not get this movie at all.

First the positives: this film is French, which gives it an edge for the beautiful language and the setting of France.

The cinematography, art direction, and set design are inventive and unique. The movie has a magical, whimsical feel to it which is appealing.

The story, however, is an enormous drawback.

The central character, a waif-like, sweet, waitress is lonely and feels unloved, yet avoids meeting the man of her dreams by playing a cat-and-mouse game of leaving silly notes and sending him on wild goose chases because she is afraid of happiness, yet she does everything she can to ensure others find happiness.

The story did not work for me at all, but I admire the creativity of the film itself.

Perhaps I should allow myself a second viewing as this film received much fanfare.

Oscar Nominations: Best Screenplay Written Directly for the Screen/Original Screenplay, Best Foreign Language Film, Best Sound, Best Art Direction, Best Cinematography

Independent Spirit Award Nominations: 1 win-Best Foreign Film (won)

1950 Films, Anne Baxter, Best Picture Oscar Winners, Bette Davis, Celeste Holm, Comedy, Dark Comedy, Drama, Gary Merrill, George Sanders, Joseph L. Mankiewicz, Marilyn Monroe, Scott's Top 100 Films, Thelma Ritter

All About Eve-1950

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All About Eve-1950

Director Joe Mankiewicz

Starring Bette Davis, Anne Baxter

Top 100 Films #84

Scott’s Review #73

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Reviewed June 27, 2014

Grade: A

All About Eve is a cynical masterpiece from 1950 set in the competitive world of the New York theater.

Insecure Margo Channing, played to perfection by Bette Davis, is an aging actress whose career is declining. She meets naïve Eve Harrington, played by Anne Baxter, who insinuates herself into Margo’s life and career.

One interesting aspect of this film is the opening scene of Eve’s acceptance speech. The look of anger and disdain on the front table indicates what is to come.

The film backtracks from the first time the two women meet, and the story begins.

It is undoubtedly a dark film, and jealousy and back-stabbing are common themes throughout, as had never been done before, set in the world of theater.

One by one, each of Margo’s friends catches on to Eve’s plot, but at what cost?

This is Bette Davis’s comeback performance as a talented Broadway star, and she makes the most of the opportunity as she deliciously utters her famous revenge-minded line, “Fasten your seat belts. It’s going to be a bumpy night”.

Marilyn Monroe has a cameo role as a debutante in her first film role.

The film deservedly won the 1950 Best Picture Oscar.

Oscar Nominations: 7 wins-Best Motion Picture (won), Best Director-Joseph L. Mankiewicz (won), Best Actress-Anne Baxter, Bette Davis, Best Supporting Actor-George Sanders (won), Best Supporting Actress-Celeste Holm, Thelma Ritter, Best Screenplay (won), Best Scoring of a Dramatic or Comedy Picture, Best Sound Recording (won), Best Art Direction-Set Decoration, Black-and-White (won), Best Cinematography, Black-and-White, Best Costume Design, Black-and-White (won), Best Film Editing

2013 Films, Ben Falcone, Catherine Keener, Comedy, Independent, Independent Comedy, James Gandolfini, Julia Louis-Dreyfus, Nicole Holofcener, Toni Collette

Enough Said-2013

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Enough Said-2013

Director Nicole Holofcener

Starring Julia Louis-Dreyfus, James Gandolfini

Scott’s Review #71

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Reviewed June 25, 2014

Grade: B+

Enough Said (2013) is a surprisingly well-written, small indie romantic comedy and, sadly, James Gandolfini’s (TV’s The Sopranos) final film performance.

The film stars Julia Louis-Dreyfus, who portrays a down-to-earth massage therapist who meets her odd match (Gandolfini) at a party.

They slowly begin dating and some interesting misunderstandings ensue.

The seemingly odd couple fall in love and form a special bond over time. They are both struggling to overcome past relationships and trust someone again so are vulnerable and interesting characters.

They strive to be happy but are not quite there yet.

I found the dialogue very sharp and witty and Dreyfus is perfectly cast in this film. She and Gandolfini have enormous chemistry and the film is not contrived in the least as many romantic comedies are.

The film feels like a West Coast Woody Allen film from a female perspective with many neurotic, flawed characters.

I enjoyed it immensely.

Independent Spirit Award Nominations: Best Supporting Male-James Gandolfini, Best Screenplay

1999 Films, Allison Janney, Annette Bening, Best Picture Oscar Winners, Chris Cooper, Comedy, Dark Comedy, Kevin Spacey, Mena Suvari, Peter Gallagher, Sam Mendes, Scott Bakula, Scott's Top 100 Films, Thora Birch, Wes Bentley

American Beauty-1999

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American Beauty-1999

Director Sam Mendes

Starring Kevin Spacey, Annette Bening

Top 100 Films #65

Scott’s Review #70

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Reviewed June 25, 2014

Grade: A

American Beauty is a film that holds up magnificently well and packs the same punch as it did when I originally saw it premiered in 1999.

The film won the Best Picture Oscar in 1999, surprisingly so, as it is not a mainstream film and is edgy, artistic, and poetic.

The film is a thought-provoking story of the American Dream gone wrong and how most people live ordinary, humdrum, on the surface, happy lives, but ultimately are unhappy, damaged, or otherwise unfulfilled.

It is a truthful film and reminds me quite a bit of The Ice Storm, a film from 1997.

American Beauty is not a downer but rather is witty, dark-humored, and filled with dry sarcasm.

Kevin Spacey is tremendous as the central character going through a mid-life crisis and Annette Bening is frighteningly good as his neurotic, controlling wife.

Their daughter, played by Thora Birch, has her teenage angst and falls in love with a neighborhood misfit. Every character, even small and supporting, is troubled in some way.

American Beauty (1999) is a film that was loved or hated at the time of its release; some did not get it or did not want to invest in the thought it requires, but, to me, it’s a work of art, which has achieved a timeless quality.

Oscar Nominations: 5 wins-Best Picture (won), Best Director-Sam Mendes (won), Best Actor-Kevin Spacey (won), Best Actress-Annette Bening, Best Screenplay Written Directly for the Screen (won), Best Original Score, Best Cinematography (won), Best Film Editing

1968 Films, Bette Davis, British, Camp, Comedy, Dark Comedy

The Anniversary-1968

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The Anniversary-1968

Director Roy Ward Baker

Starring Bette Davis

Scott’s Review #52

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Reviewed June 21, 2014

Grade: B+

The Anniversary (1968) is a British film based on a play of the same name.

The story centers on the Taggert family reunion celebrating the anniversary of the matriarch (Bette Davis) and the deceased patriarch.

The film is set like a play and most of the action takes place inside the Taggert family mansion.

The film is all Davis and she gives a deliciously over-the-top performance as a vicious mother intent on controlling her son’s lives and terrorizing their wives or significant others with cutting remarks and insults.

Davis must have had fun with this role as her storied career was clearly on the downturn and this role allowed her to let loose. One must wonder if Davis chewed up the actors in the cast as much as the characters- rumor has it she was quite intimidating to her fellow actors and a terror to work with which adds to the macabre enjoyment.

Her physical appearance of an eye patch, wig, cigarette, and bright red lipstick all work in her favor. Her maniacal laugh is incredibly campy and wonderful to watch.

Bette Davis is one of the greats and this late-career romp is fun to watch.

1977 Films, Best Picture Oscar Winners, Comedy, Diane Keaton, Dick Cavett, Jeff Goldblum, Woody Allen

Annie Hall-1977

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Annie Hall-1977

Director Woody Allen

Starring Woody Allen, Diane Keaton

Scott’s Review #48

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Reviewed June 19, 2014

Grade: A

Annie Hall (1978) is one of Woody Allen’s finest works and that says something as his list of wonderful films goes on and on (Manhattan, Blue Jasmine, and Interiors) are gems.

Annie Hall is a witty, intelligent, great comedy. It is sharply written, quirky, and neurotic all rolled into one.

Comedy is a tough genre. Romantic comedies are even tougher to get right.

My favorite part of the film is Woody Allen himself. Some might say he plays himself, but he is engagingly hysterical as the neurotic, skeptical, Jewish, cynical New York man named Alvy.

He meets and falls in love with equally neurotic Annie Hall, played by Diane Keaton.

They quarrel, love, and traverse from New York to California and back.

There are some very funny scenes (lobster, movie theater line, and the drive-through Manhattan), and the intelligent, crisp dialogue makes this a top-notch comedy.

Oscar Nominations: 4 wins-Best Picture (won), Best Director-Woody Allen (won), Best Actor-Woody Allen, Best Actress-Diane Keaton (won), Best Screenplay Written Directly for the Screen Based on Factual Material or Story Material Not Previously Published or Produced (won)

2012 Films, Adam Driver, Comedy, Drama, Greta Gerwig, Independent, Independent Comedy, Independent Drama, Noah Baumbach

Frances Ha-2012

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Frances Ha-2012

Director Noah Baumbach

Starring Greta Gerwig, Adam Driver

Scott’s Review #44

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Reviewed June 18, 2014

Grade: B+

Frances Ha (2012) is an intelligent, quirky comedy-drama made ever so appealing by its star, Greta Gerwig, an up-and-coming indie star (Greenberg-2010, The House of the Devil-2009).

She is the heart of this film and has an intense rooting value to her. You want to be her friend.

Made in black and white, which is unique and highly effective in an indie way, it tells the tale of a moderately talented dancer struggling to make it in New York City.

“Frances”, along with her best friend, hops from situation to situation in an attempt to establish normalcy. Gerwig shines with the perfect blend of awkwardness, sarcasm, and wit that she gives to the character and the viewer falls in love with her as she travels through many trials and tribulations.

It’s a year-in-the-life type of film.

Frances Ha is reminiscent of a Woody Allen film as it contains many neurotic yet lovable characters.

Independent Spirit Award Nominations: Best Feature, Best Editing

1970 Films, Alan Arkin, Comedy, Dark Comedy, Martin Sheen, Mike Nichols, Satire

Catch-22-1970

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Catch-22-1970

Director Mike Nichols

Starring Alan Arkin, Martin Sheen

Scott’s Review #41

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Reviewed June 18, 2014

Grade: B

Catch-22 (1970) is a satirical film similar in subject matter to Robert Altman’s M*A*S*H, released the same year though admittedly I have not seen that film yet.

It does remind me of Dr. Strangelove, and Slaughterhouse-Five in their anti-war theme.

This film is well-made and certainly effectively portrays the outrageousness and lunacy of war.

Most of the characters are presented as crazy, albeit in a dark-humored, over-the-top way.

Alan Arkin is wonderful as the protagonist trying to find a way out of the island of Italy where he and his fellow pilots are stationed.

At times the film feels disjointed and tough to follow, which I understand the novel is too (I have not read the entire book), but the message of the movie comes across loud and clear.

2013 Films, Allison Janney, Amanda Peet, Comedy, Drama, Independent, Independent Comedy, Independent Drama, Jim Rash, Liam James, Maya Rudolph, Nat Faxon, Sam Rockwell, Steve Carell, Toni Collette

The Way, Way Back-2013

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The Way, Way Back-2013

Director Nat Faxon, Jim Rash

Starring Steve Carrell, Toni Collette

Scott’s Review #40

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Reviewed June 18, 2014

Grade: B-

The Way, Way Back (2013) is a cute, summery, “coming of age” story about a teen misfit struggling to fit in.

It contains the basic stereotypical characters (boozy neighbor, overbearing step-father type), but kudos to great performances by Allison Janney and Steve Carell who make the film much more than it would have been otherwise.

The film feels like something that has been done many times before but contains a charming, feel-good quality.

Still, I would have enjoyed it more if some risks had been taken and the characters delved into more.

It is a one-dimensional film that ultimately disappoints.

2013 Films, Amy Adams, Bradley Cooper, Christian Bale, Colleen Camp, Comedy, Crime Drama, Dark Comedy, David O. Russell, Drama, Jennifer Lawrence, Jeremy Renner, Louis C.K., Michael Pena, Robert De Niro

American Hustle-2013

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American Hustle-2013

Director David O. Russell

Starring Christian Bale, Bradley Cooper, Jennifer Lawrence

Scott’s Review #39

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Reviewed June 18, 2014

Grade: A

Having seen American Hustle (2013) a month ago and finally getting around to reviewing it, it’s a perfect time as a slew of Oscar nominations has been reaped upon it, thus, undoubtedly more people will be seeing it in the weeks ahead.

I loved this film.

Some were underwhelmed, but I found it quite authentic and stylish.

I loved the 1970’s period and felt the hairstyles, clothes, and props were spot on.

I also felt the film had great acting and, though I’m not a fan, Jennifer Lawrence enraptured me. The same with Cooper, Bale, and Adams, who all deserve their Oscar nods.

I found it similar in style to Boogie Nights, a 1997 masterpiece directed by Paul Thomas Anderson.

The 1970s musical rock score was perfect. The subject matter of political corruption and cat-and-mouse intrigue was effective and resounding.

Oscar Nominations: Best Picture, Best Director-David O. Russell, Best Actor-Christian Bale, Best Actress-Amy Adams, Best Supporting Actor-Bradley Cooper, Best Supporting Actress-Jennifer Lawrence, Best Original Screenplay, Best Production Design, Best Costume Design, Best Film Editing

2013 Films, Adam Driver, Carey Mulligan, Coen Brothers, Comedy, Dark Comedy, Drama, F. Murray Abraham, Garrett Hedlund, Independent, Independent Comedy, Independent Drama, John Goodman, Justin Timberlake, Oscar Isaac, Robin Bartlett

Inside Llewyn Davis-2013

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Inside Llewyn Davis-2013

Director Ethan Coen, Joel Coen

Starring Oscar Isaac, Carey Mulligan

Scott’s Review #35

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Reviewed June 17, 2014

Grade: B+

Being a tremendous fan of the Coen brothers (Fargo-1996, No Country for Old Men-2007) I was eager to see their latest offering, Inside Llewyn Davis (2013).

The Coen’s have such a sense of quirkiness in their characters and while this film is not on the level of their other gems, it is a good piece.

I love the cold, winter, Greenwich Village setting as struggling folk singer, Llewyn Davis (expertly played by Oscar Isaac) struggles over two weeks to land gigs or breaks while encountering many people who either thwart or help his chances of success.

Sadly, the film was ignored by the Oscar brethren, but alas it tells of a slice-of-life experience of a 1960s artist.

As with most Coen brother films, it is cast with unique, interesting character actors in a bit but nuanced parts.

Oscar Nominations: Best Sound Mixing, Best Cinematography

Independent Spirit Award Nominations: Best Feature, Best Male Lead-Oscar Isaac, Best Cinematography

2013 Films, Christine Ebersole, Comedy, Crime Drama, Dark Comedy, Drama, Epic, Fran Lebowitz, Jean Dujardin, Jon Bernthal, Jonah Hill, Kyle Chandler, Leonardo DiCaprio, Margot Robbie, Martin Scorsese, Matthew McConaughey, P. J. Byrne, Rob Reiner, Spike Jonze, Ward Horton

The Wolf of Wall Street-2013

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The Wolf of Wall Street-2013

Director Martin Scorsese

Starring Leonardo DiCaprio, Jonah Hill

Scott’s Review #33

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Reviewed June 17, 2014 

Grade: A

Martin Scorsese’s latest offering, The Wolf of Wall Street (2013) is a tale of overindulgence, chaos, and debauchery in the world of stockbroking during the 1980s.

The film is superb.

It is a drug-filled, sex-filled, over-the-top, loud, testosterone-fueled, frenetic extravaganza that works on so many levels.

Humorous and mouth-dropping scenes occur throughout the film.

The casting is flawless- Leonardo Dicaprio and Jonah Hill deserve the praise and Oscar nominations heaped on them.

The supporting actors are perfect- Rob Reiner, Matthew McConaughey, Jean Dujardin, and Kyle Chandler.

With Scorsese, you will receive an intelligent film, though very R-rated.

Similar in style to another of his masterpieces, Goodfellas-1990, as it is narrated by the main character (Dicaprio).

Comparisons to the 1987 film Wall Street are silly. This film is much deeper, grittier, and frankly, much better.

Do not let the unfathomable running time of three hours discourage you- the time goes by very fast.

Oscar Nominations: Best Picture, Best Director-Martin Scorsese, Best Actor-Leonardo DiCaprio, Best Supporting Actor-Jonah Hill, Best Adapted Screenplay

2013 Films, Alexander Payne, Bob Odenkirk, Bruce Dern, Comedy, Drama, Independent, Independent Comedy, Independent Drama, June Squibb, Stacy Keach, Will Forte

Nebraska-2013

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Nebraska-2013

Director Alexander Payne

Starring Bruce Dern, Will Forte

Scott’s Review #31

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Reviewed June 17, 2014

Grade: B+

Deservedly receiving a handful of Oscar nominations, Nebraska (2013) tells the story of a senior citizen, incorrectly convinced he has won a million dollars.

He is determined to travel from Montana to Nebraska to collect the coveted prize.

On the surface, this film sounds like a downer and the use of black and white does wonders to set the atmosphere of coldness and bleakness in the wintry mid-west.

There are moments of humor and little-known June Squibb is a delight as the saucy wife of lead actor Bruce Dern, also wonderful as boozy, curmudgeonly Woody Grant.

There are a few unnecessary mid-western stereotypes, commonplace in director Alexander Payne’s films, but a heartbreaking, comical experience, makes this film worth watching.

Oscar Nominations: Best Picture, Best Director-Alexander Payne, Best Actor-Bruce Dern, Best Supporting Actress-June Squibb, Best Original Screenplay, Best Cinematography

Independent Spirit Award Nominations: 1 win-Best Feature, Best Director-Alexander Payne, Best Male Lead-Bruce Dern, Best Supporting Male-Will Forte, Best Supporting Female-June Squibb, Best First Screenplay (won)

2013 Films, Anne Hathaway, Brie Larson, Channing Tatum, Comedy, Cuba Gooding Jr., Drama, Independent, Independent Comedy, Independent Drama, Independent Romantic Comedy, Joseph Gordon-Levitt, Julianne Moore, Romantic Comedy, Scarlett Johansson, Tony Danza

Don Jon-2013

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Don Jon-2013

Director Joseph Gordon-Levitt

Starring Joseph Gordon-Levitt, Julianne Moore

Scott’s Review #27

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Reviewed June 17, 2014

Grade: B+

 I did not expect Don Jon (2013) to be as good as it is.

Frankly, I was expecting a by-the-numbers romantic comedy.

Written, directed by, and starring Joseph Gordon-Levitt, it tells the story of a twenty-something New Jersey bartender who is addicted to porn despite receiving all the female attention he can imagine.

Scarlett Johansson and Julianne Moore play two completely different women in his life.

The film contains stereotypical, though hilarious and spot-on, New Jersey trademarks. Tony Danza is effective as the brash father.

In the last thirty minutes, the film turns into a wonderful, yet hardly sappy or traditional, love story that makes Don Jon (2013) a positive experience.

Gordon-Levitt is a breath of fresh air and a young Hollywood talent getting his due.

Independent Spirit Award Nominations: Best First Screenplay

2013 Films, Antonio Banderas, Antonio de la Torre, Comedy, Independent, Independent Comedy, International, International Comedy, Javier Cámara, Pedro Almodovar, Penélope Cruz, Spanish

I’m So Excited-2013

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I’m So Excited-2013

Director Pedro Almodovar

Starring Antonio de la Torre, Hugo Silva

Scott’s Review #25

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Reviewed June 17, 2014

Grade: B-

The latest offering by superb Spanish director, Pedro Almodovar, who directed the brilliantly disturbing The Skin I Live In (2011) a few years ago, returns with a vast departure.

He delves into a campy, lighthearted, yarn about a group of passengers and crew aboard a troubled flight in I’m So Excited (2013).

The group turns to booze and drugs to console themselves and a circus ensues.

Someone had described this as the gay Airplane! (1980) and that is fitting. Everyone on board is gay, bi-curious, or otherwise sexually confused and the one-liners keep coming.

The premise sounds hysterical, but sadly, the film does not measure up to expectations.

FYI: I felt Airplane! was overrated.

Funny moments, but the “over-the-topness” was too much to take remotely seriously and somehow did not hold my attention throughout.

Not Almodovar’s best work by a longshot.

2012 Films, Adam Scott, Ann Dowd, Comedy, Independent, Independent Comedy, Isla Fisher, James Marsden, Kirsten Dunst, Leslye Headland, Lowest Rated Films, Rebel Wilson, Will Ferrell

Bachelorette-2012

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Bachelorette-2012

Director Leslye Headland

Starring Kirsten Dunst, Isla Fisher

Scott’s Review #22

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Reviewed June 17, 2014

Grade: D

I’m not sure how to pinpoint exactly what is wrong with Bachelorette (2012) except for just about everything.

It tries to be a Bridesmaids (2011) meets Hangover (2009) copycat but fails miserably. What made those films entertaining was that they were funny.

This film attempts many jokes and falls flat almost every time. The set-ups are there, but there is no follow-through.

Almost every character is unlikable and hateful to everyone else and there is nobody to root for.

Worse yet, the film is bland. Dumb comedies are not my favorite genre, but this was lackluster.

I adore Kirsten Dunst, but sadly she picked a dud she’s likely soon to forget. Isla Fisher seems to always be in films like this and the male actors (James Marsden, Adam Scott) have little to do.

The talented cast is wasted and Bachelorette (2012) is not worth seeing.