Tag Archives: Will Smith

King Richard-2021

King Richard-2021

Director Reinaldo Marcus Green

Starring Will Smith, Aunjanue Ellis-Taylor

Scott’s Review #1,238

Reviewed March 13, 2022

Grade: B+

King Richard (2021) is an inspirational, feel-good Hollywood film with a strong message. It champions the little guy rising beyond expectations to achieve greatness.

Audiences will be left with a warm feeling of possibility and the idea that nearly anything can be achieved with hard work and determination.

The story of the world-famous tennis stars, the Williams sisters, and their parents, happens to be true, lending the necessary credibility to make this film quite enjoyable. It’s a conventional film that contains many cliches, yet it’s a heartwarming family drama.

Richard Williams (Will Smith) is determined to write his daughters, Venus and Serena, into the tennis history books while also keeping them educated and away from the drug-infested streets of Compton, California, where they reside.

Along with his wife Brandy (Aunjanue Ellis), they defy all odds in their meteoric rise to fame and fortune just as Richard had planned.

The Williams family’s story is told in an uplifting fashion as they face trials and tribulations along the way, like gang violence and racism. The sisters would soon become two of the world’s greatest sports legends.

An excellent performance by Smith leads the film, though I’m careful to make the bold statement that it’s his best role ever. I haven’t seen Ali (2001), but have heard he brings down the house in that role, again playing a real-life figure.

Time will tell.

The lesson learned about Smith is that when he skirts away from his usual summer popcorn blockbuster action roles, in which there are many, he is truly a great actor.

Plenty of backstories are given to Richard, and the violence and marginalization he has faced in his past, living as a child in Louisiana. His occasional shrewdness and feistiness can be forgiven as the character is explored very well.

Aunjanue Ellis, unknown to me before this film, is a revelation. As Brandy, in the assumed second-in-command supportive wife role, she does way more than one might have expected. In one tense scene, she lays down the law with Richard and refuses to play the second fiddle.

Ellis brings a subdued toughness and quiet to the role that not all actresses can bring.

The casting all around is strong. Saniyya Sidney and Demi Singleton as Venus and Serena are believable, though they are not given the material that Smith and Ellis are afforded.

Delightful are Jon Bernthal and Tony Goldwyn in supporting roles as coaches.

Director Reinaldo Marcus Green sticks to a straight-ahead approach and achieves his intended goal. He forges into R-rated territory with some of the gang relationships and an occasional racist remark.

Still, the effect is soft-touch only, and the main message is how a struggling black family can succeed.

I enjoyed the depictions of California and then sunny Florida throughout the 1980s and the 1990s, and finally into more recent times. It felt realistic and appropriate to the film, especially when real-life incidents like the Rodney King police beatings were shown.

The editing team is flawless, especially in the multiple tennis match sequences, which are very difficult to shoot and make seem real. The continuity is exceptional and a massive undertaking.

A safe passage and not a film to be watched a second time or dissected much with post-credit discussions, King Richard (2021) is nonetheless a winner. It provides enough positive vibes to leave its viewers smiling and determined to beat any odds.

Oscar Nominations: 1 win-Best Picture, Best Actor-Will Smith (won), Best Supporting Actress-Aunjanue Ellis, Best Original Screenplay, Best Film Editing, Best Original Song-“Be Alive”

Annie-2014

Annie-2014

Director Will Gluck

Starring Quvenzhane Wallis

Scott’s Review #231

220px-Annie2014Poster

Reviewed March 25, 2015

Grade: D-

The latest remake of the film version of Annie, the last film production in 1982, though at least one television variation exists, and all based on the Broadway hit of the same name, is a saccharine-laden mess of a film.

Annie stars Quvenzhane Wallis, Jamie Foxx, and Cameron Diaz as Annie, William Sparks (changed from Daddy Warbucks), and Miss Hannigan, respectively, and features Rose Byrne and Bobby Cannavale in supporting roles.

Let me start with the film’s one redeeming quality, though admittedly a bit of a stretch. I found the musical numbers okay, not great, but far from the worst parts of the film.

The numbers are remixed into hip-hop-type songs with a trendy approach, presumably to add a modern element. While not great, some songs are catchy and not dreadful, especially “It’s A Hard Knock Life” over the closing credits.

Whether the actors sing their songs is another question I might not want to answer.

The rest of Annie is terrible.

The casting is poor. Wallis, very believable in Beasts of the Southern Wild (2012), portrays Annie as an intelligent, social-climbing child, and I sensed awkwardness in the part. Regardless, it did not work.

I did not buy her in the role, and how she was awarded a Golden Globe nomination for Best Actress in a Musical Comedy speaks volumes about the limited choices in 2014.

Jamie Foxx completely phoned in his performance as Cell-phone technical mogul and mayoral candidate William Sparks.

Why the film changed the character from Daddy Warbucks is a mystery. He is unbelievable as a germaphobe, an aggressive yet sensitive, powerful man who amazingly develops a soft spot for Annie.

Cameron Diaz completely overacts and turns Miss Hannigan into an obnoxious, hysterical shrew who, towards the end of the movie, somehow “turns good,” with no real motivation for doing so.

Rose Byrne and Bobby Cannavale give uninteresting, one-note performances as Sparks’s assistant, love interest, and right-hand man.

The film changes so many aspects of the original stage version of Annie that it is barely recognizable.

It takes place in present times rather than the Depression-era 1930s; Annie is no longer an orphan but is in foster care.

Miss Hannigan’s first name is changed to Colleen instead of Agatha, and she is now a former pop performer whose career subsequently died.

Hannigan’s brother Rooster and his girlfriend Lily don’t appear at all.

The story has zero interest and zero believability.

But the worst part of the film is its corniness. It is so overwrought with contrived scenes that it is hard to take seriously.

At a Mayoral function, Annie (an untrained singer) suddenly leaps onstage and belts out a perfectly sung, choreographed number melting the hearts of the wealthy powerhouses in attendance.

The film is pure fantasy with no realism to speak of.

Miss Hannigan fosters an apartment full of children that she hates, to collect $150 a week, but her apartment is pretty spacious and beautiful by Manhattan standards.

The film is full of inconsistencies and is a horrendous modern take on a long-loved treasure; the 2014 version of Annie should be seen once, snarled at, and put back on the shelf, then forgotten for good.