Category Archives: Andy Samberg

I Love You, Man-2009

I Love You, Man-2009

Director John Hamburg

Starring Paul Rudd, Jason Segal, Rashida Jones

Scott’s Review #1,311

Reviewed October 24, 2022

Grade: B

I Love You, Man (2009) is another one of these ‘feel-good’ types of ‘bromance’ comedies to grace the silver screen in the 2000s. It takes a familiar storyline of two male friends bonding, usually involving a female in the mix to complicate matters, with hilariously awkward moments thrown in.

It’s nothing groundbreaking or overly severe but rather a mildly satisfying ‘guy film’ that a female audience can also enjoy too because there exists a romance and a happily ever after.

I’m simplifying the specific gender tastes quite a bit but what I mean is the film is light and there can be something for everyone to enjoy.

While there are some innocent homoerotic playful moments between the men, for laughs, of course, the genre avoids anything LGBTQ+ related other than a gay supporting character who cleverly teaches the straight male how to ‘meet’ men.

Director, John Hamburg, is involved in similarly themed projects like Meet the Parents (2000) and Along Came Polly (2004) so he knows the common premise required for a film like I Love You, Man as well as what the audience wants.

As his wedding day approaches, nerdy Peter Klaven (Paul Rudd) realizes he has no one to serve as his best man. Through a series of “man-dates,” he finds abrasive Sydney Fife (Jason Segel), and the pair become instant friends.

But as Peter’s “bromance” with Sydney grows stronger, it threatens his relationship with his intended, Zooey (Rashida Jones), forcing Peter to make a choice.

It’s not a bad effort and Rudd and Segal have good chemistry as polar opposite characters. The differences are a big part of the laughs but Jones is somewhat unnecessary to the plot other than the required female component to satisfy the formula.

She dutifully plays her role as the straight woman immersed between two goofballs but has very little to do other than get in the way and be a roadblock to the guy’s fun.

It’s not a great role for her and the chemistry is lacking between her and Rudd but maybe that’s just the point. I’m not too sure but I found the humorous moments entirely left to the boys to provide.

My favorite section of the film is one that many may dismiss or deem secondary. The legendary progressive rock band Rush makes an appearance as a way that Peter and Sydney ultimately bond.

Any fan of music, especially a thinking man’s band like Rush, can attest to the genuine bond that can be created between followers of a specific group.

Rush is legendary for just that and it makes I Love You, Man feel fresher than it otherwise would have. Besides, other than Led Zeppelin is there a better example of a ‘guy’s band’?

Otherwise, the film is particularly run-of-the-mill. There are familiar arguments, misunderstandings, breakups, and makeup to be endured.

Events start with a marriage proposal and unsurprisingly end with a wedding ceremony so anything in between is rather superfluous since we can see the outcome a mile away.

Naturally, as much as Zooey wants Peter to have more male friends she becomes suspicious and otherwise threatened by the new blood, feeling left out.

There is a hint that Sydney may be trying to manipulate and pull the wool over Peter’s eyes over a financial loan but things work themselves out just fine.

As predictable as I Love You, Man (2009) is there is a sentimental, even heartwarming sensation to be left with, and a few good chuckles along the way.

That’s My Boy-2012

That’s My Boy-2012

Director Sean Anders

Starring Adam Sandler, Andy Samberg

Scott’s Review #423

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Reviewed June 19, 2016

Grade: D

That’s My Boy (2012) is such an incredibly bad film yet there is something that strangely kept my attention.

With oodles of stereotypes and either sexist, homophobic, or racist jokes throughout the film, it should have made me angry, but somehow it did not.

This movie was so completely over the top that it could not possibly be taken too seriously.

One laughable aspect that I did enjoy was the, albeit odd, cameos by Vanilla Ice and Todd Bridges who seem to have no problem degrading themselves, and the references to the 1980s.

Otherwise, That’s My Boy is pretty rock bottom for filmmaking.

This is not a knock on the dumb comedy genre as other recent similar types of films are well written (like This is 40-2011).

But, alas, That’s My Boy (2012) is not one of those films and will not go down in history as such.

True to form, the ending was predictable and uninteresting.

Celeste and Jesse Forever-2012

Celeste and Jesse Forever-2012

Director Lee Toland Krieger

Starring Rashida Jones, Andy Samberg

Scott’s Review #421

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Reviewed June 19, 2016

Grade: D

Celeste and Jesse Forever (2012) was a major dud for me.

I am not a fan of romantic comedies, but since the film received a nomination for an Independent Spirit Award for Best First Screenplay, I decided to watch it.

Why this film was nominated for that award I cannot understand. Perhaps someone knows someone who knows someone?

There is nothing impressive about the writing whatsoever. It’s a tried and true romantic comedy formula: couple together, the couple splits, the couple reunites, throw in some misunderstandings for good measure and that is pretty much the film.

The central characters and supporting characters are either dull, annoying, or both.

To be fair, there is nothing loathsome about the movie, but rather, it’s your standard-by-the-numbers romantic comedy that warrants no award nominations.

Bland.

Independent Spirit Award Nominations: Best First Screenplay

Hotel Transylvania-2012

Hotel Transylvania-2012

Director Genndy Tartakovsky

Starring Adam Sandler, Kevin James

Scott’s Review #418

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Reviewed June 18, 2016

Grade: C-

Hotel Transylvania is a 2012 animated comedy film about an overprotective Dracula with a teenage daughter fascinated with the human world.

The premise sounded interesting to me- a gothic, spooky feature and the animations are very well done- bright, colorful, and unique, but the plot is way too predictable and the story as safe as they come.

Despite the dark mood of the film, there is nothing remotely scary about Dracula or any of the other characters. Rather they are completely cliched and quite amateurish.

The target audience is age 10 and under and parents might find themselves bored. I am not a parent and I was bored to tears at one point.

It is too cutesy for my tastes.

Save for the impressive animations, Hotel Transylvania (2012) is completely mainstream fare and forgettable filmmaking.

A great story achieves mountains and this one lacks.