Category Archives: Elisabeth Moss

Girl, Interrupted-1999

Girl, Interrupted-1999

Director James Mangold

Starring Winona Ryder, Angelina Jolie

Scott’s Review #461

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Reviewed August 8, 2016

Grade: B+

Girl, Interrupted is a film that I had viewed twice when it came out (1999) and recently viewed again in 2013.

The film is a star-making performance for Angelina Jolie (unknown before this) and warrants a watch just for that alone. Jolie completely steals the show as she portrays a damaged mental patient during the 1960s.

The film itself is interesting as its intended star is Winona Ryder, at this point in her heyday, but completely usurped by Jolie- glaringly so.

Ryder was in prime form when she was the “it” girl during the 1990s. Sadly, her star has since faded.

Besides the “who is the real star of Girl, Interrupted” saga, the film itself is very good, though it has a glossy, happily ever after, Hollywood, vibe to it.

It is not as gritty as it could have been.

Throughout, the film has a very safe feel- even in moments of peril, as when one girl commits suicide, or another suffers from burns, it feels light.

I did not buy Whoopi Goldberg as the kindhearted nurse. Her performance was okay, but nothing special.

Ryder and Jolie are tops.

Despite the subject matter, the film suffers from a chick-flick, cliché, happy ending sort of style, but despite all of this, I still immensely enjoy the film.

Oscar Nominations: 1 win-Best Supporting Actress-Angelina Jolie (won)

The One I Love-2014

The One I Love-2014

Director Charlie McDowell

Starring Mark Duplass, Elisabeth Moss

Scott’s Review #221

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Reviewed February 18, 2015

Grade: C+

Reminiscent of a modern-day Twilight Zone episode, The One I Love (2014) tells the story of a young married couple (Ethan and Sophie), played by Mark Duplass and Elisabeth Moss, who seek the assistance of a therapist, played by Ted Danson.

The therapist realizes the couple is out of sync and recommends a weekend away. The therapist has an excellent reputation for rekindling faltering marriages and turning them into successful ones.

He sends them to a sunny, beachfront house with a guest house, pool, and various trails along the water. It is simply a paradise.

I admire the creativity of the screenplay.

The couple meets their ideal, perfect versions of each other while basking at the vacation house. Ethan’s alter-ego is suave, athletic, and sensitive to Sophie’s needs while Sophie’s is sexy, flirtatious, and invested in Ethan’s life.

The real versions are bored, lazy, and a bit disheveled.

The flaws they once saw in each other are replaced with the perfect spouses. It is fantasy-like. As one half of the couple slowly falls in love with the fantasy version, the other half begins to get jealous and the film dives into a tale of who winds up with whom.

But is it a fantasy? Are the perfect versions real people or something reminiscent of Invasion of the Body Snatchers?

It is tough to know the intentions of the film.

A weakness I felt the film has is it plods too much. At a brief ninety minutes, the film somehow has a sleepy, slow-moving undertone and could have easily been a short film or wrapped up within forty-five or fifty minutes.

I did not feel the chemistry between Duplass and Moss as strongly as I would have liked. Individually fine actors, the spark did not ignite for me.

I wish Ted Danson had a larger role. The focal point was the young couple, but the mysteriousness surrounding the paradise was never really explained and Danson’s character could have been the key to the story. Did he contrive the entire situation? Was it fantasy? His brief part left many plot holes unexplained.

The One I Love (2014) is a creative effort and an imaginative angle, but I wanted more clarity than I was served up.

The film is mysterious, yes, but also confusing and slightly dull and uneven.

Independent Spirit Award Nominations: Best First Screenplay