Tag Archives: Paul Reiser

Behind The Candelabra-2013

Behind the Candelabra-2013

Director Steven Soderbergh

Starring Michael Douglas, Matt Damon

Scott’s Review #411

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Reviewed June 18, 2016

Grade: A

I thoroughly enjoyed this HBO film based on the life of Liberace, whom I was too young to know much about before viewing this movie.

The excesses of his lavish lifestyle are explored completely.

The standouts are Michael Douglas and Matt Damon who are both exceptional in their portrayals of Liberace and his young lover. Both were unrecognizable at times and completely embodied their characters.

I can’t attest to the absolute truth of the story, but the HBO film does a nice job of mixing joy, passion, heartbreak, sadness, and competition throughout.

The story undoubtedly bears a likeness to many Hollywood troubled relationships past and present.

Whiplash-2014

Whiplash-2014

Director Damien Chazelle

Starring Miles Teller, J.K. Simmons

Scott’s Review #192

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Reviewed November 13, 2014

Grade: A

Whiplash (2014) is a film about an aspiring nineteen-year-old Jazz drummer, Andrew Neyman, played by rising star Miles Teller (known for 2013’s indie teen drama The Spectacular Now), who is attending one of the most revered musical schools in the country, the Schaffer Conservatory in New York.

He is mentored and terrorized by his intense and sometimes sadistic conductor, Terence Fletcher, portrayed by J.K. Simmons.

Andrew aspires to be the best drummer and worships Buddy Rich, a famous Jazz drummer from the 1930s and 1940s, who he constantly listens to and emulates.

While Andrew aspires to make the school orchestra that desperately needs a new drummer, he meets a cute girl, Nicole, at the concession stand of his favorite movie theater, and they bond.

Also in the mix is Andrew’s father, played by Paul Reiser. Once an aspiring writer, who never made it big, he struggles as a high school teacher. Andrew’s mother left the family when Andrew was just a toddler leaving just father and son.

The film mainly centers on the tumultuous relationship between Andrew and Terence and Andrew’s determination to be the best drummer in the world.

J.K. Simmons is mesmerizing in his role of Terence and is wonderful to see as Simmons has struggled as a character actor for years.

He gives a powerhouse performance and plows full steam ahead in his viciousness and extreme brutality towards the students, and on more than one occasion reduces a student to tears. If the tempo is not to his liking he shakes his clenched fist in disapproval.

The audience wonders if Terence is mean and sadistic or is tough on the students to make them work harder and achieve great things.

Throughout the film, I wondered if I should hate this character or sympathize with him for wanting the students to excel.

The sexuality of Fletcher is ambiguous.

He belittles and ridicules the students with fat jokes. He hatefully taunts an overweight student about Mars bars and happy meals, uses Irish digs, and inevitably gay slurs on other students, but is he hiding something in his personal life? Is he a closet case? His private life remains a mystery.

As brutal as Terence can be, there are moments of sensitivity that the character exhibits. He tearfully tells the orchestra a heartbreaking story of a former student, whom he admired, who recently died in a car accident.

In another scene, he warmly bonds with a friend’s young daughter.

As brilliant as Simmons is we must not forget to recognize the immense talent of Teller. The young actor does a fantastic job of portraying determination, drive, anger, and vengeance.

Andrew has a wonderful relationship with his dedicated father, a love/hate relationship with Terence, (are they bitter enemies or do they have the respect of a mentor/student?), and a sweet yet uneven relationship with Nicole.

He successfully portrays a myriad of different emotions throughout the film.

Paul Reiser is wonderful in an overlooked and thankless role as Andrew’s unsuccessful, yet forever faithful father.

Thankfully the film chose to center on the conductor/student dynamic. The romantic relationship with Nicole did not take center stage and usurp the main story, as I felt that the dynamic between the two was of lesser importance to the whole.

The finale, an intense concert performance scene focusing on the intensity between Terence and Andrew, is superbly done. The close-up camera shots of the two add much to the climax.

In fact, throughout Whiplash, extreme close-up shots of sweat and blood and intensity during performances and practices add to the overall rawness of the film.

Whiplash (2014) is an intense, sometimes brutal, assaulting experience, but an amazing film.

Oscar Nominations: 3 wins-Best Picture, Best Supporting Actor-J.K. Simmons (won), Best Adapted Screenplay, Best Sound Mixing (won), Best Film Editing (won)

Independent Spirit Award Nominations: 2 wins-Best Feature, Best Director-Damien Chazelle, Best Supporting Male-J.K. Simmons (won), Best Editing (won)

Aliens-1986

Aliens-1986

Director James Cameron

Starring Sigourney Weaver

Scott’s Review #80

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Reviewed June 29, 2014

Grade: B+

Aliens (1986) takes away the rawness of the original Alien (1979) and infuses a glossier, slick look to the film franchise.

The film was made eight years later, but story-wise, it is set fifty-seven years into the future when Ripley, played to perfection by Sigourney Weaver, awakens.

To her horror, she discovers that the aliens have colonized and she is forced to return to prevent havoc. The militia is in tow, adding a helping of masculinity that supports the film throughout.

This scenario perfectly sets up what is to become an excellent sci-fi adventure story.

There are wonderful special effects that were quite extraordinary when the film was shot-1986. The tunnels and spacecraft are perfectly lit and designed, giving it a bright and fun setting and the audience knows that doom is lurking.

The actual aliens are visually frightening and, compared to the original, are more plentiful.

Sigourney Weaver takes center stage and leads this film successfully.

I’m not sure many other actresses could pull off her level of authentic toughness and give no sex appeal in the process and successfully get away with it.

The only detraction to the film is it seems a bit dated in a purely 1980s film way. It has an 80’s look to it and that’s not a positive.

Not on par with the excellent original Alien, but otherwise, a well-made, supernatural, thrill ride.

Oscar Nominations: 2 wins-Best Actress-Sigourney Weaver, Best Original Score, Best Sound Effects Editing (won), Best Sound, Best Art Direction, Best Film Editing, Best Visual Effects (won)