Tag Archives: America Ferrera

Barbie-2023

Barbie-2023

Director Greta Gerwig

Starring Margot Robbie

Top 250 Films #226

Scott’s Review #1,381

Reviewed July 23, 2023

Grade: A

Greta Gerwig is a tremendously talented director shaping Hollywood films. She crafted Lady Bird in 2017 to critical acclaim and then moved on to another feminist, progressive project.

In Barbie (2023), she takes a traditional and iconic ‘Barbie doll’ product by Mattel and explores the positives and negatives of the doll throughout its existence.

An incredible opening sequence, harkening back to Stanley Kubrick’s 1968 masterpiece 2001: A Space Odyssey, explains the doll’s evolution.

Barbie blends gender balance, creativity, thought, satire, and slapstick comedy, all rich with meaning.

It doesn’t forget heart and humanity, and it offers a look at how much progress women have made over the years, and how much more is still needed.

As if that’s not enough, Barbie deserves praise for its direction, production design, costumes, music, and cast performances.

Well done.

The film stars Margot Robbie as Barbie and Ryan Gosling as Ken, who embark on a journey of self-discovery after Barbie faces an existential crisis.

As the ‘stereotypical’ Barbie, she begins having peculiar, ‘un-Barbie’ thoughts about death and analytics, and must return to the real world to find her doll’s owner.

She soon longs to return to Barbie Land, which is a perfect place. Unless you’re a Ken who exists merely to pine after Barbie, but do they secretly resent this?

There are numerous positives to explore regarding Barbie, but one slight drawback is its proximity to silly comedy and goofiness. The film’s meaning mostly offsets this, but I fear some audiences may be overwhelmed by gag jokes and miss the story’s point.

Let’s take a deep dive. The production design and art direction are dazzling and immediately noticeable.

In particular, I’m referring to Barbie Land and its pink, pretty sets. Luxurious pools, streets, houses, and cars are rich with color and ooze a fun vibe.

I can’t imagine these teams being overlooked during the year-end awards season.

Robbie and Gosling, blonde, buff, and tanned, are wonderfully cast and not only look the part but also switch quickly from physical comedy to heavy drama without looking foolish.

Robbie, for example, is the classic Barbie type, with layers of emotion that she channels. And Gosling could have looked like a buffoon with over-the-top sequences if not for a startlingly good dramatic scene towards the film’s climax.

The supporting cast is brilliant, including Kate McKinnon as ‘weird Barbie,’ a perfect role for her to unleash her comedic prowess.

How lovely to see Rhea Perlman again in the small but powerful role of Ruth Handler, co-founder of Mattel and creator of the Barbie doll.

Finally, America Ferrera and Will Ferrell bring both comedy and heart to their roles. And how could the inclusion of British stalwart Helen Mirren as the narrator not create credibility?

The main attraction, though, is the writing. Isn’t it always the case when it’s done intelligently?

The dynamic duo of Gerwig and Noah Baumbach (famous, among other works, for the 2019 film Marriage Story) pair well, giving both Barbie and Ken equal weight.

While it is easy to dismiss Ken, his role is valued and respected within the overall context of showing that everyone deserves a seat at the table.

The film touched me in more ways than I expected.

Ruth and Gloria (Ferrera) powerfully convey wonderful sentiments about being a mother in various scenes and messages, such as that everyone deserves respect and a chance to serve a purpose, which are hard not to get choked up over.

Barbie wins points for diversity and inclusion with nearly every ethnic group represented and a transgender character, Dr. Barbie (Hari Nef), featured prominently.

Providing roaring entertainment, bubble gum sets and design, and a message that will break your heart while exuding intelligence, Barbie (2023) is a win.

It’s a story about the wills of plastic and humanity, making for a perfect, harmonious blend. Who would have thought a film about Barbie would be so important?

Oscar Nominations: 1 win-Best Picture, Best Supporting Actor-Ryan Gosling, Best Supporting Actress-America Ferrera, Best Adapted Screenplay, Best Costume Design, Best Production Design, Best Original Song-“I’m Just Ken”, “What Was I Made For?” (won)

How to Train Your Dragon-2010

How to Train Your Dragon-2010

Director Dean DeBlois, Chris Chambers

Starring Jay Baruchel, America Ferrera

Scott’s Review #537

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Reviewed December 5, 2016

Grade: B-

How to Train Your Dragon is a decent but less-than-spectacular animated film from 2010.

Undoubtedly targeted toward youngsters, it contains G-rated elements, and I may have enjoyed it more if I were nine years old.

The film is loosely based on the British book series of the same name.

A subsequent sequel was released in 2014.

From a storytelling perspective, the film tells a story with a nice message.

Young Hiccup (Jay Baruchel) is a teenage Viking on the cusp of becoming a man. As a ritual, he is expected to kill a dragon to prove his worth as a warrior to his tribe.

When put to the test, Hiccup finds that instead of desiring to kill the dragon, he wants to befriend it. Of course, the traditional Vikings want no part of any unity between the tribe and dragons, who are long-time enemies.

Mixed in with the main story is the inevitable love story between Hiccup and Astrid (America Ferrera), a tough Viking girl.

There are way too many endless aerial battles between the tamed and vicious dragons, so it begins to feel more like an effort to fill time rather than furthering the main plot in any way.

This film has a nice message of kindness and togetherness, but is very predictable and takes no risks.

There is nothing wrong with it, and animated fans may look at it differently, but to me, How to Train Your Dragon (2010) is quite run-of-the-mill.

Oscar Nominations: Best Animated Feature Film, Best Original Score

End of Watch-2012

End of Watch-2012

Director David Ayer

Starring Jake Gyllenhaal

Scott’s Review #447

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Reviewed July 8, 2016

Grade: B+

End of Watch (2012) impressed me much more than I was expecting. I expected a safe, by-the-numbers buddy/action movie, since the previews promoted it as such.

It was worlds better than that and threw me for a loop, in a good way.

The film stars Jake Gyllenhaal and Michael Peña as two detectives patrolling the streets of grizzled central Los Angeles, which are riddled with drug and gang violence.

The viewer is brought along for the ride as we see a day in the life, if you will, of their cop beat.

The one knock I’ll give the film is the implausibility factor of a cop videotaping everything. This seems silly and unrealistic.

Wouldn’t he be incredibly distracted? That said, some of the filmings were amazing, including the opening sequence.

The film has a realistic grittiness, and the Los Angeles locale is very effective.

End of Watch (2012) feels painstakingly real, isn’t always happy, and the dynamic between Jake Gyllenhaal and Michael Peña is evident; their friendship feels real.

The movie feels like a day in the life of an LA cop, sparing no edgy detail, and it doesn’t gloss over the lifestyle as many cop films do.

Independent Spirit Award Nominations: Best Supporting Male-Michael Peña, Best Cinematography