Category Archives: America Ferrera

Barbie-2023

Barbie-2023

Director Greta Gerwig

Starring Margot Robbie, Ryan Gosling, America Ferrera

Scott’s Review #1,381

Reviewed July 23, 2023

Grade: A

Greta Gerwig is a tremendously talented director who is influencing Hollywood films. The gifted woman crafted Lady Bird in 2017 to critical acclaim and forges ahead with another feminist and progressive project.

With Barbie (2023) she takes a traditional and iconic ‘Barbie doll’ product by Mattel and explores the positives and negatives of the doll throughout its existence.

A cool opening sequence harkening to Stanley Kubrick’s 1968 masterpiece 2001: A Space Odyssey explains the evolution of the doll.

Barbie incorporates gender balance, creativity, thought, satire, and slapstick comedy fraught with meaning. Not forgotten is heart and humanity and a look at how much progress has been achieved for women over the years and how much more is still needed.

As if that’s not enough, Barbie deserves praise for its direction, production design, costumes, music, and cast performances.

Well done.

The film stars Margot Robbie as Barbie and Ryan Gosling as Ken, who decide to go on a journey of self-discovery following an existential crisis Barbie faces. Deemed the ‘stereotypical’ Barbie she begins having peculiar and ‘un-Barbie’ thoughts of death and analytics and must return to the real world to find her doll’s owner.

She soon longs to return to Barbie Land which is a perfect place. Unless you’re a Ken who exists merely to pine after Barbie. But, do they secretly resent this?

There are a ton of positives to delve into regarding Barbie but one slight miss is proximity to silly comedy and goofiness. This is mostly offset by the meaning of the film but my fear is some audiences may be overwhelmed by gag jokes and lose the overall point of the story.

Let’s take a deep dive. The production design and art direction are dazzling and immediately noticed. Particularly, I’m referring to Barbie Land and its pink and pretty sets. Luxurious pools, streets, houses, and cars are rich with color and ooze a fun vibe.

I can’t imagine these teams being overlooked during the year-end awards season.

Robbie and Gosling looking blonde, buff, and tanned are wonderfully cast and not only look the part but quickly switch from physical comedy to heavy drama without looking foolish.

Robbie, for example, while the classic Barbie type has layers of emotion that she channels. And Gosling could have been looked the buffoon with over-the-top sequences if not for a startling good dramatic scene towards the film’s climax.

The supporting casting is brilliant and includes Kate McKinnon as ‘weird Barbie’ a perfect role for her to release her comic beast. How lovely to see Rhea Perlman again in the small but powerful role of Ruth Handler, co-founder of Mattel and creator of the Barbie doll.

Finally, America Ferrera and Will Ferrell add both comedy and meaningful spirit to their roles. And how could the inclusion of British stalwart Helen Mirren as the narrator not create credibility?

The main attraction though is the writing. Isn’t it always when intelligently done?

The dynamic duo of Gerwig and Noah Baumbach (famous for among other works the 2019 film Marriage Story) pair well giving equality messages to both Barbie and Ken. While easy to dismiss Ken his role is valued and respected within the overall context of showing that everyone deserves a seat at the table.

I was touched by the film in various moments more than I ever expected it to be. Wonderful sentiments about being a mother are powerfully stated by Ruth and Gloria (Ferrera) during various scenes and messages such as everyone deserving respect and serving a purpose are hard not to get choked up over.

Barbie wins points for diversity and inclusion with nearly every ethnic group represented and a transgender character, Dr. Barbie (Hari Nef) featured prominently.

Providing roaring entertainment, bubble gum sets and design, and a message that will break your heart while exuding intelligence Barbie (2023) is a win.

It’s a story about the wills of plastic and humanity making for a perfect harmonious blend. Who would have thought a film about Barbie would be so important?

Oscar Nominations: 1 win-Best Picture, Best Supporting Actor-Ryan Gosling, Best Supporting Actress-America Ferrera, Best Adapted Screenplay, Best Costume Design, Best Production Design, Best Original Song-“I’m Just Ken”, “What Was I Made For?” (won)

How to Train Your Dragon-2010

How to Train Your Dragon-2010

Director Dean DeBlois, Chris Chambers

Starring Gerard Butler, America Ferrera

Scott’s Review #537

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Reviewed December 5, 2016

Grade: B-

How to Train Your Dragon is a  decent, but less than spectacular, animated film from 2010.

Undoubtedly targeted toward youngsters, it contains G-rated elements and I may have enjoyed it more if I were nine years old.

The film is loosely based on the British book series of the same name.

A subsequent sequel has commenced in 2014.

From a story perspective, the film does tell a story with a nice message. Young Hiccup is a teenage Viking on the cusp of becoming a man. As a ritual, he is expected to kill a dragon to prove his worth as a warrior to his tribe.

When put to the test, Hiccup finds that instead of desiring to kill the dragon, he wants to befriend it. Of course, the traditional Vikings want no part of any unity between the tribe and dragons, who are long-time enemies.

Mixed in with the main story is the inevitable love story between Hiccup and Astrid, a tough Viking girl.

There are way too many endless aerial battles between the tamed and vicious dragons, that it begins to feel more like an effort to fill time rather than furthering the main plot in any way.

This film has a nice message of kindness and togetherness but is very predictable and does not take any risks. There is nothing wrong with it, and animated fans may look at it differently, but to me, How to Train Your Dragon (2010) is quite run-of-the-mill.

Oscar Nominations: Best Animated Feature Film, Best Original Score

End of Watch-2012

End of Watch-2012

Director David Ayer

Starring Jake Gyllenhaal, Michael Pena

Scott’s Review #447

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Reviewed July 8, 2016

Grade: B+

End of Watch (2012) impressed me much more than I was expecting. What I expected was a safe, by-the-numbers, buddy/action movie, since it was rather promoted as such from the previews.

It was worlds better than that and threw me for a loop, in a good way.

The film stars Jake Gyllenhaal and Michael Pena as two detectives patrolling the streets of grizzled central Los Angeles, which are riddled with drug and gang violence.

The viewer is brought along for the ride as we see a day in the life if you will, of their cop beat.

The one knock I’ll give the film is the implausibility factor of a cop videotaping everything. This seems silly and unrealistic.  Wouldn’t he be incredibly distracted? That said, some of the filmings were amazing, including the opening sequence.

The film contains a realistic, grittiness to it, and the Los Angeles locale is very effective.

End of Watch (2012) feels painstakingly real, is not always happy, and the dynamic between Jake Gyllenhaal and Michael Pena is evident and their friendship feels real.

The movie feels like a day in the life of an LA cop, sparing no edgy detail, and does not gloss over the lifestyle as many cop films choose to do.

Independent Spirit Award Nominations: Best Supporting Male-Michael Pena, Best Cinematography