Category Archives: Animated

2017 Films, Animated, Best Animated Feature Oscar Winners, Children, Disney, John Ratzenberger, Pete Docter

Coco-2017

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Coco-2017

Director-Lee Unkrich

Voices-Anthony Gonzalez, Benjamin Bratt

Scott’s Review #737

Reviewed April 4, 2018

Grade: B+

Winner of the 2017 Best Animated Feature Academy Award, Coco is an exuberant and colorful affair filled with marvelous lights and a Mexican cultural infusion that serves the film well, making it feel robust with diversity and inclusion.

The overall theme of family, traditions, and musical celebration is apparent and makes for good razzle-dazzle with lots of upbeat song and dance.

Mixed in is a lovely inter-generational theme, where older folks are respected, something all too lacking in today’s real world.

Miguel Rivera is a twelve-year-old boy living in Mexico with his extended family, including his elderly great-grandmother, Coco- sadly suffering from intermittent dementia.

Through flashbacks, we learn that Coco’s father, (Miguel’s great-great-grandfather), was an aspiring musician who abandoned the family for greener pastures. Subsequently, all music has been banned by the Rivera clan in favor of a modest shoe-making business.

As Miguel realizes his passion for music, he comes into conflict with his family, who have other aspirations for the young man. Miguel embarks on a fantastic journey to the magical and somewhat frightening land of his deceased ancestors, coinciding with the festive Day of the Dead celebration, a tradition of Mexican culture.

There he realizes the true nature of his great-great-grandfather’s sudden departure.

Coco is a film that can really be enjoyed by all members of the family and is structured in just that way. The blatant use of multiple generations holds great appeal for blending the family unit.

Pixar successfully sets all the right elements in place for a successful film, and the well-written story only adds layers. The film is quite mainstream, yet appealing to the masses.

Perhaps very young viewers may become frightened by some of the skeleton-laced faces of Miguel’s ancestors in the other world where he visits, but these images are somewhat tame and mixed with vibrant colors and wonderful production numbers.

These images are undoubtedly meant to entertain rather than be scary and the creatures possess a friendly vibe.

Having viewed the film on an airplane traveling cross-country (admittedly not the best way to watch a film), I was entranced by the lovely and touching musical number, “Remember Me (Lullaby)”, so much so that I was moved to tears right on the plane.

How’s that for effectiveness?

The emotional level reached via this song impressed me immensely about Coco, even when the story occasionally is secondary to the visual or musical elements.

In fact, for me, the story began to lag slightly until the aforementioned big musical number came into play. The song really kicked the action into high gear in an emotional way, and I became more enamored with the characters and the connections they had to one another.

The love that Miguel and his relatives share became clearer to me and the conclusion is fine and satisfactory.

A slight miss to the film, corrected mid-way through, is the bratty and entitled nature to Miguel. Heaving sighs when he does not get his way, this seems more apparent early on and was quite the turn-off- at first, I did not care for the character, yet I knew I was supposed to.

Thankfully, the character becomes, naturally, the hero of the film and ultimately a sweet, likable character. I began to ponder,  “Is that what kids are really like these days”?

Pixar does it again as they create a family-friendly experience with a positive, yet non-cliched message of belonging, forgiveness, and the importance of family connections, that feels fresh.

In current times of divisiveness, especially with immigration and other cultures being attacked, how appropriate to experience a feel-good, yet not contrived project.

Oscar Nominations: Best Original Song-“Remember Me” (won), Best Animated Feature Film (won)

1950 Films, Animated, Ben Sharpsteen, Children, Clyde Geronimi, Disney, Eric Larson, Fantasy, Hamilton Luske, Les Clark, Musical, Wilfred Jackson, Wolfgang Reitherman

Cinderella-1950

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Cinderella-1950

Director Clyde Geronimi, Hamilton Luske, Wilfred Jackson

Voices Ilene Woods, Eleanor Audley

Scott’s Review #731

Reviewed March 7, 2018

Grade: A-

Cinderella is a lovely 1950 Walt Disney production that rejuvenated the animated film genre after a sluggish 1940s.

The film glistens with goodness and bright colors, offering a charming fairy tale-based story based on hope and “happily ever after.”

Cinderella is enchanting on all levels.

The story is told mainly in narration, especially to explain its history. We learn that Cinderella’s parents have both died, leaving her an orphan who lives with her wicked stepmother, Lady Tremaine.

Her stepsisters, Drizella and Anastasia, are jealous of Cinderella’s natural beauty. She is regularly abused and berated, and forced to work as a servant in a rundown chateau, tending to the trio’s needs and demands.

Despite her unhappy life, Cinderella makes the most of it and befriends mice, birds, and many other animals she meets, singing and dancing merrily.

Life chugs along for our heroine until one day, the King of the royal palace decides to throw a lavish Ball for his son, the Prince, to find his soulmate and marry her finally. The King requests that all eligible unmarried women attend.

As Cinderella excitedly requests to go, Lady Tremaine cruelly grants her request, provided all of her work is done. She has no intention of making things easy on her.

In proper fairy tale form, the Prince falls madly in love with Cinderella while facing many hurdles on the pair’s way to happiness.

Given the time when Cinderella was made (1950), the timing was excellent for a lavish production, to say nothing of the fantasy that many young girls undoubtedly experienced a handsome prince rescuing them, whisking them away from a life of doldrums to undying love.

Female empowerment had not yet taken hold during the 1950s, so the male-rescuing female message was palpable and appealing to many. Dated not the least bit, a story of true love overcoming hardship can always find an audience.

The production’s colors and animations are lush and powerful, oozing perfection and dripping with fantastic elements of romance and spectacular wealth.

An example of this is the lavish ball at the palace. As Cinderella’s Fairy Godmother transforms the young girl and her transportation into a magical fantasy of horses, gowns, and carriages, the ball is pretty extravagant in its beauty.

Engaging, with a bit of humor mixed in, are the supporting characters of the three evil ladies and the bumbling Grand Duke- interestingly voiced by the same person as the King. As Drizella and Anastasia attempt to impress Prince Charming, their awkward and haphazard mannerisms and scowls perfectly counterbalance the charm and grace of Cinderella in a sometimes comical fashion.

Comparisons must be made to 1937’s masterpiece, Snow White and the Seven Dwarfs. Both could easily be companion films, watched sequentially to better study and marvel at their similarities.

Snow White and Cinderella are purely “good” characters, singing lovely tunes, embracing animal friends and various forms of wildlife- they are both more or less “saved” by men.

In the present day, instead of being offensive or “old-fashioned,” it remains enchanting and a celebration of true love.

Cinderella is a treasure to be enjoyed after all these years. It never ages or becomes dated or irrelevant, which is a true testament to the power of film. Carving a story of values, honesty, hard work, and good payoff, generations of fans can appreciate this everlasting treasure.

Oscar Nominations: Best Scoring of a Musical Picture, Best Original Song-“Bibbidi-Bobbidi-Boo,” Best Sound Recording

2017 Films, Animated, Shorts

Oscar Nominated Animated Short Films-2017

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Oscar-Nominated Animated Short Films-2017

Directors-Glen Keane, Florian Babikian, Dave Mullins, Ru Kuwahata, Jan Lachauer

Scott’s Review #727

Reviewed February 21, 2018

Grade: A-

Having the honor of being able to view the five short films nominated for the 2017 Academy Award for Best Animated Short Film at my local art theater was pretty amazing.

Far too often dismissed as either irrelevant or completely flying under the radar of animated offerings, it is time to champion these fine little pieces of artistic achievement.

On par with or even superseding the full-length animated features, each of the five offers a vastly different experience, but each offers either inspired or hopeful messages or dark, devious, and edgy stories.

Below is a review of each Short.

Garden Party-2016

Perhaps the strangest of all the shorts,  the viewer is transported into an eerie world of amphibians.

Seemingly a pair, but unclear to me if this is so, they seem to either expand or multiply as they follow their primal instincts, navigating a wealthy mansion. Containing spilled champagne, a revolver, and various items that evidence a party, the amphibians jump around and communicate from room to room.

When eventually they descend on a dead and bloated fat man in a vast swimming pool, the film ends mysteriously.

The short was impressively a French animation school’s graduation project. Grade: A-

Lou-2017

An impressive Pixar product, Lou is the more accessible of all the entries with a heartfelt and uplifting message.

In this age of school bullying awareness, the piece is an important one. Chubby J.J. takes pleasure in snatching other kids’ toys on the playground, keeping them for himself.

A sweet creature named Lou collects lost toys and shapes himself using the toys, returning them to various parts of the playground for the kids to find the next day. When Lou and J.J.’s worlds collide, Lou teaches J.J. a valuable lesson in goodness and fairness.

Lou is a wonderful short film that must be seen by small children and adults alike to experience a humanistic, wonderful tale. Grade: A

Dear Basketball-2017 (won)

The shortest of all the entries, Dear Basketball is a piece written by NBA superstar Kobe Bryant that features a lovely narrative by a young boy (presumably Bryant himself), who develops a love for the game of basketball and his inevitable rise among the ranks of athletes.

As he ages, his body wears down and he realizes his time on the court has come to an end.

The storytelling in Dear Basketball is inspiring to young boys and girls everywhere and, never mind that it is a piece about basketball, can be an inspired message really about anything.

My one slight gripe to this Short is its minimal length and I wonder if it could have been fleshed out slightly. Grade: B+

Revolting Rhymes-2016

By far my favorite of the bunch and also by far the longest in length, the offering based on the book of the same name by legendary author, Roald Dahl, Revolting Rhymes is a dark and disturbing collection of fairy tales, all intertwined.

As a wolf engages an old woman in a coffee shop and regales her with stories of his two nephews, he incorporates the stories of Little Red Riding Hood, Snow White, and the Three Little Pigs into his storytelling until the wolf does something dire to the woman.

The short is only part one of a two-part collection as part one concludes with a cliffhanger assuring the viewer will see the next chapter.

With a crisp written story and intelligent premise, Revolting Rhymes is the most unique and most deserving of the Oscar statuette since the complexities alone make it the most cerebral. Grade: A

Negative Space-2017

Negative Space, another wonderful French nugget, is an exemplary stop-motion story about an odd relationship between a father and son.

The pair, whose psychological elements are not too heavily dissected, but with a longer piece, could be, clearly have some bonding issues. The father works as a frequently traveling businessman, and father and son strangely bond solely overpacking a suitcase and the efforts to never leave an inch of suitcase space under-utilized.

As the father eventually dies and lies in a coffin, the son is bothered by the leftover space the coffin leaves.

A macabre and humorous Short, I was left wanting more backstory of said father and son but what a clever tale Negative Space is. Grade: A

1940 Films, Animated, Ben Sharpsteen, Children, Disney, Eric Larson, Fantasy, Hamilton Luske, Les Clark, Musical, Wilfred Jackson, Wolfgang Reitherman

Pinocchio-1940

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Pinocchio-1940

Director Ben Sharpsteen, Hamilton Luske

Voices Cliff Edwards, Dickie Jones

Scott’s Review #723

Reviewed February 1, 2018

Grade: B+

As a follow-up to the marvelous 1937 Walt Disney production of Snow White and the Seven Dwarfs, 1940’s Pinocchio is a darling tale of a wooden puppet longing to become a real boy.

The film vastly differs from its predecessor in that the protagonist is male, and the thematic elements are Italian (based on an Italian children’s novel). Still, similarly, Pinocchio is a touching experience and is magical and whimsical, telling a humanistic story about wishes and dreams coming true.

As narrated by a fantastic, cheerful little insect named Jiminy Cricket, an elderly woodcarver named Geppetto creates a wooden puppet named Pinocchio and wishes upon a star for the puppet to become a little boy.

A mysterious yet lovely Blue Fairy arrives one night and tells Pinocchio that he must be brave and truthful for the desired effect to occur- Jiminy serves as his conscience. Throughout the remainder of the film, Pinocchio’s morals are tested by unsavory characters who attempt to steer him down a dark path.

Certainly, Pinocchio is intended to be a message film for little boys and girls everywhere about the importance of honesty and truthfulness. However, some comic elements are mixed to avoid making the experience too dark or scary.

This is evidenced by the legendary way Pinocchio’s nose grows longer with each fib he tells. The film preaches a valuable lesson, which is why the adorable story holds up so well in the present.

Some values never go out of flavor.

In superb Disney form, Pinocchio features an emotional tearjerker of a scene towards the end of the film as Geppetto mourns the loss of his son.

The scene is sweet and touching and will fill even the hardest of hearts with feelings- regardless of age. In this way, Pinocchio becomes even more of a timeless treasure and is a film that the entire family, generations upon generations, can enjoy together.

Films of this nature are so important as a bonding form.

Enough praise cannot be given to Pinocchio’s incredibly effective theme song, “When You Wish Upon A Star,” belted out by Jiminy Cricket. The resounding tune is as emotional as it is timeless and bold. It is belted out at just the ideal time during the film and is still associated with the legendary film.

In fact, over the years, the song has become synonymous with the Walt Disney Company itself.

One slight oddity of the film is that Geppetto—clearly at the grandfather’s age—is the father of a young boy. This might have been perceived as sweet in 1940, but in 2018, it may have been perceived as a bit creepy or at least unusual.

Still, this is a minor flaw that can be easily overlooked. I have come to assume Geppetto is the grandfather in the story.

For those in the mood for a charming, classic animated Disney picture, 1940s Pinocchio is a mesmerizing and creative experience. At its core, it is a timeless benevolent lesson in goodness and purity.

Pinocchio is artistically filmed and told, and it can be enjoyed by anyone, regardless of age or gender.

Oscar Nominations: 2 wins Best Original Score (won), Best Original Song-“When You Wish Upon a Star” (won)

1959 Films, Animated, Bill Shirley, Children, Clyde Geronimi, Disney, Eric Larson, Fantasy, Les Clark, Mary Costa, Musical, Wolfgang Reitherman

Sleeping Beauty-1959

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Sleeping Beauty-1959

Director Clyde Geronimi, Les Clark, Wolfgang Reitherman, Eric Larson

Voices Mary Costa, Bill Shirley

Scott’s Review #721

Reviewed January 30, 2018

Grade: B+

Sleeping Beauty is a 1959 musical fantasy film and the sixteenth animated production by Walt Disney.  By this point, Disney was a master at crafting wonderful and magical productions and Sleeping Beauty is a solid work.

However, due to mixed reviews and poor box office performance, Disney films were retired for many years. The effort achieves a lighter tone than heavies like Dumbo and Bambi but is enjoyable nonetheless.

In a magical land of royalty, fairies, both good and evil, King Stefan and Queen Leah, the benevolent leaders of the land, are finally able to conceive their first child, named Princess Aurora.

After proclaiming a special holiday and celebration, a festive scene turns dark when an evil and powerful fairy, Maleficent, jealous with rage, puts a curse on the innocent baby.

Thanks to a kindly fairy, the curse of death on Aurora’s sixteenth birthday is slightly blocked in favor of Aurora falling into a deep sleep- only to be awakened by true love’s kiss.

The characters in Sleeping Beauty are quite lovely and, by and large, sweet and kind. My favorite characters are the three fairies- Flora, Fauna, and Merryweather.  Each has her personality but wields special magical powers- all of them of good-natured variety.

While Flora and Fauna possess song and beauty, which they bestow on Aurora. Merryweather arguably saves the young girl’s life. The three women are also instrumental in being the unsung heroes of the film, while the handsome Prince Phillip gets star billing.

Compared to many other Disney films, Sleeping Beauty is quite the showing, and lush with colors as bright as stars. The sparkles that drizzle from the fairies’ wands ooze with magic that will make children giggle with delight and adults marvel with adoration.

In this regard, Sleeping Beauty is extravagant and the most expensive Disney production created up to this point.

Maleficent is a fantastic villain and when she finally turns into a lethal, fire-breathing, dragon, this is sure to scare youngsters watching the film for the first time. Sure to mention, Maleficent’s web of thorns that she uses to surround Aurora’s castle is a spectacle in and of itself.

Upon watching the film I continue to draw comparisons to another of Walt Disney’s famous films, 1937’s beautiful Snow White and the Seven Dwarfs, as both films resemble each other in a sheer mass of ways.

The beautiful and innocent main female characters, both in peril from devious, older women, clearly jealous of the goodness of Snow White and Aurora are obvious.

Besides, both contain dashing princes who come to the rescue in just the nick of time and kindly little things who assist in the drama.

Perhaps it is Sleeping Beauty’s similarities to  Snow White and the Seven Dwarfs- in fact, the pair would be perfect to watch together on a rainy Saturday afternoon- that lead me to conclude that Snow White is the more charming and grabbing of the two films.

Also, Sleeping Beauty does not triumph in the important humanistic lessons that the Dumbo and Bambi (my favorites of all the Disney films) have.

Sleeping Beauty contains elements of an empathetic, feel-good animated experience. A King, a Queen, a Prince, a vicious villain, giddy fairies, and a beautiful heroine are all represented in this fine and satisfying Disney venture- not the greatest in the pack, but assuredly a good time.

Oscar Nominations: Best Scoring of a Musical Picture

2017 Films, Animated, Children

The Boss Baby-2017

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The Boss Baby-2017

Director- Tom McGrath

Voices- Alec Baldwin, Tobey Maguire

Scott’s Review #713

Reviewed January 12, 2018

Grade: C

True confession- I was not expecting much from the 2017 offering of the animated film entitled The Boss Baby (a brooding, sarcastic newborn offered no appeal).

However, since the film was nominated for a Golden Globe award, I decided to throw caution to the wind and settle down for a viewing.

Predictably, the film fulfilled my hunch and resulted in a fair to middling experience- the attempt at a nice message was offset by cliched and silly characters and an over-produced film rather than a directed one, but yet held interesting and sometimes even beautiful visuals.

Seven-year-old Tim Templeton (voiced by Tobey Maguire), as an adult, narrates a story of his childhood days, living with his parents Ted and Janice, both busy marketing professionals, who work at Puppy Co.

One day, his parents return home with a bundle of joy in tow, Theodore Lindsey Templeton (voiced by Alec Baldwin), who immediately monopolizes their time and attention.

Isolated, Tim is envious and begins a rivalry with his baby brother, who is secretly a spy named “The Boss Baby”, and who has the mind of an adult in a baby’s body. It is revealed that he is working undercover as a spy to investigate why puppies are now receiving more love than babies.

The duo eventually teams up and forge a bond to prevent corporate America from ruining all of the love in the world.

To be fair, The Boss Baby presents a positive, good message of love and acceptance, which is nice to see, but this message can only carry a film so far, and there is little else of substance.

As with many animated films, the story here contains a “good versus evil” slant, which, in this case, renders the film rather one-dimensional. We are instructed who to root for and who not to root for, and while challenging corporate greed is certainly a cause worth championing, too often I found The Boss Baby causing my mind to wander elsewhere instead of keeping me engaged in the story- not a good sign.

The target audience for this film is quite young because many sappy or juvenile scenes continue to play out.

Closeups of Theodore and whimsical shots of his bulging eyes give the film cute, too wholesome quality, and predictably, there are the standard doody and poop jokes, which comedies do all too often to account for sloppy writing.

The character of Theodore is voiced by comedy stalwart Alec Baldwin, and this does wonder to make the baby a bit more interesting than otherwise might have been.

Baldwin, fusing assertion and a touch of sarcasm into Theodore, makes him witty and energetic, but again, this can only go so far, and by the time the film has concluded in happily ever after fashion, the once tough character has disintegrated into a hammy kid.

Older brother Timothy is perfectly fine and the idea of having Maguire narrate him as an adult is a nice touch.  The central theme of sibling rivalry between brother and brother and especially the difficulty of some kids adjusting to a newborn debuting into the family may be enough to encourage parents to make it a family outing and see The Boss Baby.

Sadly, the creative and unique sets of animations may be wasted on viewers seeking a good story. What a pity that The Boss Baby does not hold both qualities, but alas the film is little more than adequate and will undoubtedly be forgotten before very long.

Oscar Nominations: Best Animated Feature Film

1937 Films, Animated, Ben Sharpsteen, Best Film of the Year, Children, David Hand, Disney, Eric Larson, Fantasy, Les Clark, Musical, Wilfred Jackson, Wolfgang Reitherman

Snow White and the Seven Dwarfs-1937

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Snow White and the Seven Dwarfs-1937

Director David Hand

Starring Various Voices

Scott’s Review #625

Reviewed March 18, 2017

Grade: A-

Snow White and the Seven Dwarfs (1937) is Walt Disney’s debut feature-length production and the first animated feature.

Until their release, animated stories were not features at all but shorts that were shown as gag-filled entertainment not to be taken very seriously.

Snow White and the Seven Dwarfs made animated films something to be appreciated and respected. The 1937 film was re-released in theaters many times until the 1990s and is a blueprint for what animated features would become.

The film is based on the famous fairy tale of the Brothers Grimms, and it is a cherished treasure.

Beautiful inside and out, Snow White is a lonely princess who lives with her devious, wicked stepmother, the Queen. Making the most of her troubled life, Snow White hums and sings with her bird friends, who gather to keep her company as she is forced by her stepmother to work as a scullery maid.

The Queen is a vain woman, jealous of Snow White’s natural beauty. She constantly consults her mirror to ask, “Who is the fairest one of all?”

One day, the Queen decides to put an end to Snow White and orders a henchman to kill her in the forest and return her bloody heart to her in a box. When the henchman cannot do the deed, he pleads with Snow White to flee.

She winds up in a bit of cottage housing seven dwarf men whom she befriends as the Queen is determined to take drastic measures to find her.

Circa 1937 and for years to come, animated features were not created as they are today. Instead, they were simplistic- and excellent- in using storyboards and drawings in their creation.

This daunting task and the creativity involved make them just lovely to look at.

Since Snow White and the Seven Dwarfs was the debut animated feature, the drawings are fantastic to view- like pictures- and to appreciate the craftsmanship involved.

The characters are richly created, with bright, vivid colors that distinguish them from one another—Snow White’s bright red lips and the blue and gold colors of her dress contrast with the regal purples used on the Queen, to say nothing of the deep red color of the poison apple.

The color makes the apple appear delicious but also dangerously blood red. These nuances make the characters deep with texture.

The friendships Snow White makes with the dwarfs and the animal life in the forest are whimsical and filled with love, and the animal element later becomes a staple of Disney’s works- Dumbo and Bambi.

The animals are naturally fond of Snow White because she is joyous and kind. They, in turn, warn her of impending danger as the Queen turns herself into an old woman and lumbers towards Snow White, snug in the cottage.

Snow White and the Seven Dwarfs features an old-style romance. The handsome Prince takes a shine to Snow White, noticing her natural beauty as she sings, and is later determined to save her—which he does when he magically kisses her in the film’s finale.

The songs featured only enhance the love story—”Some Day My Prince Will Come” is a lovely ode to romance, tenderly sung by Snow White as she longs for the Prince’s touch, frustrated with her life.

The seven dwarfs are created magically, and seven little men living together seem quite natural in those innocent times.

Each is distinctive—Dopey is my personal favorite in his innocence and playfulness—and Happy, Doc, Grumpy, Sneezy, Sleepy, and Bashful are all written with great zest. We fall in love with each of them from the first moment we meet them as they belt out “Heigh-Ho” in unison.

Since Snow White and the Seven Dwarfs deserve merit for being Disney’s first, overlooked can be the omission of any family members of Snow White’s besides the evil Queen. Where are Snow White’s father and mother? Any siblings? Indeed, they are presumed dead, but they are never mentioned.

Also, why does the Queen have a Magic Mirror and has special powers that nobody else has?

At one hour and twenty-three minutes, Snow White and the Seven Dwarfs is a quick film but does not feel underdeveloped. The story and the characters are rich with appeal and intrigue, making the film a classic that should be shared with all youngsters.

It is a classic tale of good versus evil and a great love story, and it sets the tone for other Disney masterpieces to follow.

Oscar Nominations: Best Scoring

2008 Films, Andrew Stanton, Animated, Best Animated Feature Oscar Winners, Children, Disney, Fred Willard, John Ratzenberger, Lee Unkrich, Pete Docter

WALL-E-2008

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WALL-E-2008

Director Andrew Stanton

Starring Various voices

Scott’s Review #594

Reviewed January 8, 2017

Grade: B+

After hearing so much buzz about WALL-E (2008), I decided to see for myself what all the fuss was about.

Disney-Pixar has created another fantastic film. Visually, it is a creative and intelligent experience that warrants the praise it has received. They also do a lot with intricate graphics and animations.

In a futuristic world where humans have destroyed their environment, and thereby abandoned planet Earth, robot, WALL-E, is left to clean up the mess.

He then meets a fellow female robot named EVE, and the two develop an innocent, sweet relationship that is charming and authentic.

The humans in the film are portrayed as fat, lazy, incapable of intelligent thought, and most unable to move very much since technology has trained them to be as such.

Sad.

The story itself is very sweet, and touching, and sends a very important message about society and taking care of our environment.

Very enjoyable.

Oscar Nominations: 1 win-Best Original Screenplay, Best Animated Feature Film (won), Best Original Score, Best Original Song-“Down to Earth”, Best Sound Editing, Best Sound Mixing

1970 Films, Animated, Children, Disney, Eric Larson, Hermione Baddeley, Les Clark, Wolfgang Reitherman

The Aristocats-1970

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The Aristocats-1970

Director Wolfgang Reitherman

Starring Various voices

Scott’s Review #570

Reviewed December 29, 2016

Grade: B+

The golden age of Disney films mainly occurred before the release of this film, The Aristocats is a latter-day Disney film, released in 1970- the first release since Walt Disney’s death in 1966.

It is a darling story with a very cute subject matter- cats living in sophisticated Paris face peril from their butler.

Like many Disney works, the film’s message pertains to the treatment of animals. The Aristocats is much safer fare than the dark Bambi or even Dumbo, but it is a fantastic film worth watching.

Glamorous and elegant retired opera star, Madame Adelaide Bonfamille, lives peacefully with her gorgeous mother cat, Duchess, and her three kittens, Marie, Berlioz, and Toulouse in the heart of Paris, circa 1910.

They are sophisticated beyond measure and enjoy every luxury known to cats, and are accompanied in their estate by English butler, Edgar.

One day while Madame is discussing her will with her attorney, Edgar learns that she plans to leave her entire estate to her cats, until their death, then all goes to Edgar.

Filled with greed, Edgar plots to kill the cats. This leads to an adventure in the country as the accosted cats attempt to find their way back home to Madame, with the help of feral yet kindly cat friends.

Ever so sweet to the film is the burgeoning romance that erupts between Duchess and Thomas O’Malley, as he aids the cats in returning to Paris. It is the classic girl from high class, who meets the bad boy from the wrong side of the tracks- only cat style.

The chemistry is readily apparent between the pair and, on a personal note, my female cat Thora certainly seemed smitten with Thomas O’Malley as she sat smiling at Thomas while she watched the film.

During their adventure, Thomas and Duchess manage to dance and sing along with Thomas’s best friend Scat Cat, who leads a Jazz band of alley cats- this makes the film light and lively in tone. The group also shares adventures with English geese, Abigail and Amelia Gabble, who share a fondness for style and a prim and proper manner.

Throughout it all, the group continues to be pursued by Edgar, who is portrayed more as a bumbling villain than a sinister one, making The Aristocats a fun film rather than anything too heavy or sinister.

The sophistication of the film is really what makes me enjoy it so much. The high style of the Parisian city blocks, Madame’s gorgeous mansion, and the beautifully drawn French countryside are my favorite elements.

I love the contrasts in this film- the city and the country. The high-brow characters meet the more blue-collar ones, but in the end, everyone comes together to conquer the mischievous foe.

Whereas in Bambi man is the serious enemy, in The Aristocats, Edgar is more of a buffoon than a truly dangerous element. He is cartoon-like (no pun intended), and the film is more of a caper with hi-jinks than of true danger.

For the cat lovers in all of us, The Aristocats is a delightful film with a nice message and a wonderful cultural experience.

Who can forget the fantastic theme song, “Ev’rybody Wants to Be a Cat”?

2010 Films, Animated, Best Animated Feature Oscar Winners, Bonnie Hunt, Children, Disney, Don Rickles, Estelle Harris, Joan Cusack, John Ratzenberger, Laurie Metcalf, Lee Unkrich, Michael Keaton, Ned Beatty, Pete Docter, Richard Kind, Tim Allen, Timothy Dalton, Tom Hanks, Whoopi Goldberg

Toy Story 3-2010

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Toy Story 3-2010

Director Lee Unkrich

Starring Tom Hanks, Tim Allen

Scott’s Review #562

Reviewed December 26, 2016

Grade: B+

It’s not easy for sequels to succeed in the creativity or originality categories, but surprisingly, Toy Story 3 (2010) is a fresh, imaginative, fun film.

The characters are charming, interesting, and heartwarming, and the film can avoid a sappy result.

Pixar has another hit.

Andy, now grown up and headed off to college, sees no reason to keep any of his childhood toys, now irrelevant and headed for the scrap box- at least that is what Woody, Buzz Lightyear, and friends, fear will happen as the dreaded day approaches.

They must scheme to avoid their fate.

Many interesting new toys are introduced to this franchise with unique personalities, thereby giving a fresh approach, yet not forgetting the past.

I adore how Toy Story 3 has many dynamic themes (loneliness, abandonment, togetherness), that play very well together with a nice message.

On a deeper level, the film reflects the modern era. People are so easily thrown out, forgotten, and abandoned, whether through a job, relationship, etc. so that makes this film a sad reality if one chooses to look at it that way, which most won’t.

Great movie for kids and adults alike with a meaningful, relevant message. The film is not a sugar-coated affair and offers a cold reality while remaining accessible.

Oscar Nominations: 2 wins-Best Picture, Best Adapted Screenplay, Best Animated Feature Film (won), Best Original Song-“We Belong Together” (won), Best Sound Editing

1941 Films, Animated, Ben Sharpsteen, Children, Clyde Geronimi, Disney, Fantasy, James Baskett, Les Clark, Wilfred Jackson, Wolfgang Reitherman

Dumbo-1941

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Dumbo-1941

Director Ben Sharpsteen

Starring Various voices

Scott’s Review #559

Reviewed December 24, 2016

Grade: A

One of the best produced (and at sixty-two minutes, one of the shortest!) of the classic Walt Disney films of the golden age, Dumbo, in a similar fashion to another Disney classic, Bambi, is both heartbreaking and mixed with fun entertainment.

It should be heralded and viewed by everyone- children and adults alike and teaches a valuable lesson in acceptance and tolerance- messages that never go out of fashion despite the film being made in the grand old year of 1941.

To draw more comparisons to Bambi, we are introduced to the title character, Dumbo is nuzzled and cherished upon being brought into the world by storks, by his warm and affectionate mother.

Dumbo is an elephant, and his mother is a circus elephant; where she spends her days as entertainment, along with a group of other female elephants- none of whom has her grace, kindness, or dignity.

Sweet Dumbo is born with an imperfection- he has enormous ears. While others- namely the female elephants- ridicule and stare in horror at the lovable little elephant- his mother embraces and cuddles her little bundle of joy, eliciting a genuine, good-natured warmth rarely seen in cinema history.

There is something innately good about this character (Mrs. Jumbo). She has a richness and way about her that is fantastic and consuming.

Sadly, one day, while entertaining the masses, a bratty human kid taunts Dumbo, causing Mrs. Jumbo to go ballistic, immediately going into protection mode.

She was then deemed a “mad elephant”, shackled, chained, and worse yet- separated from her baby. How anyone can watch this portion of the film and not shed a tear or get a lump in their throat is beyond me.

Walt Disney was a master at eliciting raw emotion from his audience and writing heartbreaking yet charming stories.

The centerpiece of Dumbo is the extraordinary bond between mother and son- a sweet and powerful connection almost everyone can relate to. The pride and joy in Mrs. Jumbo’s eyes when she is granted a visit from Dumbo while imprisoned is magical- it means the world to her.

The supporting characters are key to the richness of the film- Timothy Q. Mouse is an essential character in the story. Upon Dumbo and Mrs. Jumbo’s separation, he becomes Dumbo’s only friend, sympathizing with Dumbo, and is instrumental to Dumbo’s reunion with his mama as well as his future successes in the circus.

The bitchy female elephants are crucial, too- despite being one of their own, they still reject Dumbo and Mother. There are some light moments, such as when the ladies, (Catty, Giddy, and Prissy), gossip and act superior to others.

Another fun scene, to balance out the heavy drama, occurs when Timothy and Dumbo accidentally mistake champagne for water, causing them to hallucinate and imagine pink elephants.

Dumbo is essential in that it sends a powerful message about the way animals (especially circus animals) have historically been treated. Why animals should be used to amuse and entertain human beings is anyone’s guess, but this film is a powerful reminder of such.

Fortunately, the film has a happy and satisfying ending, which should please fans.

Dumbo (1941) is an animated classic for the ages.

Oscar Nominations: 1 win-Best Scoring of a Musical Film (won), Best Original Song

1942 Films, Animated, Best Film of the Year, Children, Clyde Geronimi, David Hand, Disney, Drama, Eric Larson, Scott's Top 100 Films

Bambi-1942

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Bambi-1942

Director David Hand

Starring Various voices

Top 100 Films #88

Scott’s Review #556

Reviewed December 22, 2016

Grade: A

Bambi (1942) is one of my favorite classic Disney animated features. It is simply a lovely, endearing, and heartbreaking tale.

Gorgeous and flawless, the film sends a definite message of animals longing for peace in a world filled with hunters attempting to disturb and kill the graceful deer.

After all these years, this message still resonates loud and clear, sad, heartbreakingly. All deer hunters should watch this film and dare to hunt.

Bambi was released in the Golden Age of Disney films, led by Snow White, Dumbo, and Pinocchio, to name but a few.

We first meet baby Bambi as his dear mother nurtures and nestles him, fawning over him with pride and teaching him the joys of the forest. Bambi’s father is the Great Prince of the Forest- protector of all the creatures of the land.

Bambi’s mother (unnamed) warns an exuberant Bambi to be cautious of the gorgeous yet dangerous meadows, where the deer are vulnerable and unprotected.

During the film’s famous gut-wrenching scene, tragedy occurs, and violence disrupts the peaceful forest, leaving Bambi alone, lost, and devastated, forced into a cruel world of tragedy, realism, and responsibility.

The scene gets to me every time as we see the pain and the harshness of life for the sweet deer, to say nothing of the other animals in the forest- namely, Thumper (a rabbit) and Flower (a young Skunk).

These characters are Bambi’s best friends. The dripping teardrop that oozes from Bambi’s eye can never be forgotten.

To counterbalance the film’s darkness, Disney successfully adds cheerful scenes of the animals dancing and co-mingling with each other- as one community.

This is nice as it shows the power and bond between the creatures- they are united as a family and take care of one another. I love this message, especially as young people will watch the film for the first time.

There is also a sweet romance offered between Bambi and Faline.

Watching the film and listening to the musical score is a way to experience sheer beauty. The music makes the film powerful- its classical and operatic elements are gorgeous and will elicit emotions.

Visually, each frame is a drawing set against a still, and it is magical to watch and marvel at the amount of work that undoubtedly went into this preparation.

In the end, the circle of life completes itself. Bambi becomes the Great Prince of the Forest, replacing his father as the protector. Now, all grown up with two tiny babies of his own, he must protect his family and friends.

Life goes on. This is a sad yet realistic message. How brave Disney was in creating an excellent piece like Bambi.

Personal satisfaction is observing my beloved female feline friend, Thora, become mesmerized and attentive to the film each time I watch it.

Disney’s Bambi is a wonderful, cherished treasure that evokes emotion and teaches a valuable, painful message. It is a timeless masterpiece to be enjoyed for generations to come.

One will not escape the film with dry eyes, a testament to the marvelous filmmaking involved.

Oscar Nominations: Best Scoring of a Dramatic or Comedy Picture, Best Original Song-“Love Is a Song”, Best Sound Recording

1940 Films, Animated, Ben Sharpsteen, Children, David Hand, Disney, Eric Larson, Fantasy, Hamilton Luske, Les Clark, Musical, Wilfred Jackson, Wolfgang Reitherman

Fantasia-1940

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Fantasia-1940

Director James Algar, Various

Starring Leopold Stokowski, Walt Disney

Scott’s Review #544

Reviewed December 11, 2016

Grade: B+

Before viewing this 1940 gem by Walt Disney, I was naive about precisely what Fantasia was about. Indeed, I had heard of it and knew it was an animated production, but I was also mystified by it. Now embarrassed, I realize what a creative treat I missed out on.

Better late than never.

I expected a Walt Disney animated story like Snow White or Pinocchio, but this assumption mistook me. While the film took me a bit to get into, it is a marvel and quite extravagant.

The combination of classical pieces and the animated story is brilliant and visually impressive. There are eight pieces in total, all with stories to tell.

Animated films are not typically my genre of choice, but this one impressed me quite a bit if nothing more than the imagination involved.

A Fantasia reboot emerged in 2000.

2010 Films, Action, America Ferrera, Animated, Children, Chris Sanders, Dean DeBlois, Fantasy, Gerard Butler, Jonah Hill, Kristen Wiig

How to Train Your Dragon-2010

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How to Train Your Dragon-2010

Director Dean DeBlois, Chris Chambers

Starring Gerard Butler, America Ferrera

Scott’s Review #537

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Reviewed December 5, 2016

Grade: B-

How to Train Your Dragon is a  decent, but less than spectacular, animated film from 2010.

Undoubtedly targeted toward youngsters, it contains G-rated elements and I may have enjoyed it more if I were nine years old.

The film is loosely based on the British book series of the same name.

A subsequent sequel has commenced in 2014.

From a story perspective, the film does tell a story with a nice message. Young Hiccup is a teenage Viking on the cusp of becoming a man. As a ritual, he is expected to kill a dragon to prove his worth as a warrior to his tribe.

When put to the test, Hiccup finds that instead of desiring to kill the dragon, he wants to befriend it. Of course, the traditional Vikings want no part of any unity between the tribe and dragons, who are long-time enemies.

Mixed in with the main story is the inevitable love story between Hiccup and Astrid, a tough Viking girl.

There are way too many endless aerial battles between the tamed and vicious dragons, that it begins to feel more like an effort to fill time rather than furthering the main plot in any way.

This film has a nice message of kindness and togetherness but is very predictable and does not take any risks. There is nothing wrong with it, and animated fans may look at it differently, but to me, How to Train Your Dragon (2010) is quite run-of-the-mill.

Oscar Nominations: Best Animated Feature Film, Best Original Score

2000 Films, Angela Lansbury, Animated, Ben Sharpsteen, Bette Midler, Children, Chris Sanders, Disney, James Earl Jones, Les Clark, Quincy Jones, Steve Martin

Fantasia 2000-2000

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Fantasia 2000-2000

Director James Algar, Various

Starring Steve Martin, Bette Midler

Scott’s Review #535

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Reviewed December 4, 2016

Grade: B+

Fantasia 2000 is a visually stunning remake of the 1940 Disney film. The modern version was produced by Roy Disney, nephew of the famous Walt Disney.

There are nine segments in total, each set to a classical music piece. Masterpieces such as Symphony No. 5 by Beethoven and Rhapsody in Blue by Gershwin are featured.

The Rhapsody piece is a gorgeous story of four individuals who dream of a better life in 1930s New York City. The four do not know each other, but their lives intersect uniquely.

Each segment is introduced by a celebrity: Steve Martin, Angela Lansbury, Bette Midler, and Quincy Jones appear, adding helpful thought and interpretation.

The final piece, in particular, is both moving and breathtaking. Firebird Suite-1919 version- by Stravinsky tells of a sprite (an ethereal entity), awoken by her companion, an elk, as a volcanic spirit has erupted in the peaceful forest, burning it down. The sprite must work to rebuild the peaceful land.

It is an earnest, heartbreaking piece.

Being somewhat of a film traditionalist, I prefer the original slightly, but this version is great.

Fantasia 2000 is wonderful to look at.

2010 Films, Animated, Children, Chris Renaud, Comedy, Jason Segel, Julie Andrews, Kristen Wiig, Pierre Coffin, Steve Carell

Despicable Me-2010

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Despicable Me-2010

Director Pierre Coffin, Chris Renaud

Starring Steve Carell, Jason Segel

Scott’s Review #526

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Reviewed November 25, 2016

Grade: B-

My immediate reaction upon seeing Despicable Me (2010) is that it’s a cute film, just custom-made for the masses- children and families alike. This is fine, but I was honestly hoping for something a bit edgier or of more substance, but I did enjoy it at the same time.

The film is a fun, family-style affair for all ages with a nice story.

It tells of a villain, named Gru, who is in competition with other super-villains and hatches a plan to shrink and steal the moon.

He is reformed through three orphans (Margo, Edith, and Agnes) he first uses in his plan, but later comes to love and eventually adopts.

The orphans predictably reform Gru and bring out the nice man within him.

They change his life for the better.

There is nothing wrong with this film, nor is there anything tremendous about it either. I know some people loved it.

To me, Despicable Me (2010) was decent, but I wanted a bit more and perhaps a more complex or interesting plot, but that is just my taste talking.

2015 Films, Animated, Charlie Kaufman, Comedy, Dark Comedy, David Thewlis, Drama, Duke Johnson, Jennifer Jason Leigh, Tom Noonan

Anomalisa-2015

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Anomalisa-2015

Director Charlie Kaufman, Duke Johnson

Starring Tom Noonan, Jennifer Jason Leigh

Scott’s Review #469

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Reviewed August 27, 2016

Grade: A-

Anomalisa (2015) is one of the most creative offerings I have seen recently.

Animation is not my forte- typically I find them much too nice, and the old “family-friendly” tags make me cringe, Anomalisa has received heaps of buzz so I decided to check it out.

I am glad I did.

The stop-motion film is quite adult-themed, though not the slightest bit raunchy. Rather it is an intelligent tale about loneliness and human beings connecting through this loneliness.

It is a bit of a melancholy film too, based on a 2005 play.

The central character is Michael Stone, a depressed customer service expert, who travels to Cincinnati to deliver a seminar on his expertise. Michael is riddled with anxiety and his life is rather mundane though he checks into a stylish hotel that is presumably hosting his convention.

He is a bit of a big name within his industry. Oddly, every person he encounters looks and sounds the same- that of a white man- even his wife and son. He is haunted by the memory of an old flame, Bella, who it is revealed he jilted years ago and now lives in Cincinnati.

The story gets interesting when Michael hears a woman’s voice singing, up until now all voices are male, remember, and he is desperate to find the voice.

He meets Lisa (voiced by Jennifer Jason Leigh), an insecure, rather dowdy woman, with whom he becomes infatuated. A customer service representative at the hotel to witness Michael’s seminar, Lisa is instantly smitten, though wary of Michael’s intentions.

They bond and the film tells of their romance and insecurities.

The film is highly creative and unique. It is also mysterious. My first wonder was to figure out why all the characters, regardless of gender, share the same voice.

Michael is lonely and sees everyone else as monotonous or meaningless until he meets Lisa. The film is not clear what Michael sees in Lisa- perhaps her realness in a world of phoniness. She is an ordinary girl, but what is the point? I am still not sure of this.

I did not find the character Michael likable and not one to root for. He is dismissive of some characters and a bit condescending, but despite this, not a hated character either. He and Lisa as a duo are to root for.

Anomalisa has some humor too, albeit dark humor. When Michael mistakes an adult toy store for a traditional toy store and purchases a Japanese sex doll for his son, Michael’s wife hilariously wonders about some foreign substance around the doll’s mouth.

A nervous male passenger on Michael’s flight clutches Michael’s hand, even after landing safely.

The explicit sex scene between Michael and Lisa is as shocking as it is tender. I think showing this graphic edge in animation threw me for a loop since this rarely happens in animated films- perhaps incorrectly- assuming that they are for children only with their parents to endure.

Anomalisa is not true animation- felt puppets are used, giving a great, human-looking feel and making the characters more life-like.

Anomalisa (2015) is not a perfect ten but damn close for its left-of-center approach alone. A journey into the art of creativity and thought. A bit far out there for most, and perhaps the sarcasm may be lost on some, but a unique experience, nonetheless.

Oscar Nominations: Best Animated Feature Film

Independent Spirit Award Nominations: Best Feature, Best Director-Charlie Kaufman and Duke Johnson, Best Supporting Female-Jennifer Jason Leigh, Best Screenplay

2012 Films, Animated, Catherine O'Hara, Comedy, Conchata Ferrell, Disney, Horror, Horror-Comedy, Martin Landau, Martin Short, Tim Burton, Winona Ryder

Frankenweenie-2012

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Frankenweenie-2012

Director Tim Burton

Starring Catherine O’Hara, Martin Short

Scott’s Review #454

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Reviewed July 23, 2016

Grade: B

Frankenweenie is a very creative Tim Burton-made, stop-motion film that received a nomination for Best Animated Feature at the 2012 Oscars.

On the dark side, it is a pleasure to watch for the thought-invoked and left-of-center approach as compared to many safe modern animated features.

The story revolves around a lonely young man who experiments on his recently deceased dog to bring him back to life.

It is a black and white film, has nice horror references (Frankenstein, Bride of Frankenstein) and interesting characters.

It is also heartwarming as the child’s love for the dog is evident.

The movie is easy to compare to 2012’s ParaNorman in multiple ways (lonely male teen, both dark films).

As much as I give major props to this film for the creativity involved, somehow it did not completely connect with me (I liked ParaNorman better) and I’m not sure why, but I have great respect for the creative achievements it encompasses.

Oscar Nominations: Best Animated Feature Film

2012 Films, Animated, Anna Kendrick, Casey Affleck, Chris Butler, Comedy, Elaine Stritch, Horror, Horror-Comedy, John Goodman, Kodi Smit-McPhee, Leslie Mann, Sam Fell

ParaNorman-2012

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ParaNorman-2012

Director Chris Butler, Sam Fell

Starring Kodi Smit-McPhee, Anna Kendrick

Scott’s Review #453

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Reviewed July 23, 2016

Grade: B+

ParaNorman (2012) is a highly imaginative and very enjoyable, animated film that I admired a great deal.

Creative colors and images are key and the film is stop-motion.

Despite being animated it is not a kid’s movie but rather geared toward the teenager or older demographic.

It is among the strongest, along with Frankenweenie, a similar type film, of the five nominated films for Best Animated feature, in the year 2012.

ParaNorman is so similar to Frankenweenie that they could almost be simultaneously reviewed or watched on the same day.  Both center around an isolated young male coping with his surroundings and both contain a light horror feel to them.

In ParaNorman, an army of zombies invades a small, suburban town, and our hero, Norman, a strange young man who can communicate with the dead, must save the day.

The film contains sympathetic peers, but the adults in the film present various obstacles.

I have gone on record as being not much of an animated film fan, but I do view the best of each year and this one impressed me immensely.

Oscar Nominations: Best Animated Feature Film

2014 Films, Animated, Beau Bridges, Chloë Grace Moretz, Daniel Dae Kim, Darren Criss, Dean Cain, George Segal, Isao Takahata, James Caan, James Marsden, Japanese, Lucy Liu, Mary Steenburgen, Oliver Platt

The Tale Of The Princess Kaguya-2014

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The Tale Of The Princess Kaguya-2014

Director Isao Takahata

Starring (Voices) Chloë Grace Moretz, Darren Criss

Scott’s Review #430

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Reviewed June 23, 2016

Grade: B+

The Tale Of The Princess Kaguya is a Japanese animated film released in 2014.

It is a unique film- mixing elements of fantasy and drama- stunning to experience and appreciate from a creative perspective. Unusual still is the lengthy running time of two hours and seventeen minutes- animated films are typically on the short side.

This is not to say that it drags, although I found it helpful to view it in segments.

Originally made in Japanese, the film has been dubbed in English and features recognizable voices such as Mary Steenburgen, Lucy Lui, and James Caan.

A bamboo cutter, Miyatsuko, discovers a baby girl inside a bamboo tree one day. He and his wife consider her a divine presence and keep her as their own, naming her Princess Kaguya.

Mysteriously, she begins to grow and develop at an alarming rate and is the wonder of the village. Kaguya develops a playful crush on Sutemaru, a handsome peasant.  Kaguya, led by her parents, is taken into a life of nobility and wealth as her destiny.

Her governess attempts to mold her into a regal Princess, but Kaguya is a wandering, free spirit, and rejects the formalities of this life. Her myriad of wealthy suitors counters her feelings for Sutemaru.

From a story perspective, the film shines, as the conflict over wealth versus poverty is explored. Kaguya’s parents are not greedy, but they want her to receive just desserts and a life free of hardship- as they are used to.

They want something better for her.

One can relate to the parent’s views, but Kaguya feels differently. She wants freedom, love, and happiness, not a life of rules, procedures, smoke and mirrors.

The filmmakers present the viewpoint of someone “other-worldly”  observing and analyzing planet Earth, warts and all, so the film has a message. It is not cliched or overbearing in its approach though-merely honest and sincere.

Every frame in the film appears to be a gorgeous drawing- not conventional, fast-paced animation, but classic, muted, pastel-type colors are used, giving it a softer touch, which astounded me.

If one is not into the story (tough to imagine), one could easily sit back and marvel at the spectacle.

The growing trend in animated films seems to be a return to traditional drawings- think Rudolph the Red-Nosed Reindeer from the 1960s- as evidenced by The Tale Of The Princess Kaguya and Anomalisa (2015), two recent animated features receiving critical acclaim.

This is music to my ears as these are far superior to the redundant, CGI-laden films.

Oscar Nominations: Best Animated Feature Film

2012 Films, Adam Sandler, Andy Samberg, Animated, Children, Comedy, David Spade, Fran Drescher, Genndy Tartakovsky, Jon Lovitz, Kevin James, Molly Shannon, Selena Gomez, Steve Buscemi

Hotel Transylvania-2012

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Hotel Transylvania-2012

Director Genndy Tartakovsky

Starring Adam Sandler, Kevin James

Scott’s Review #418

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Reviewed June 18, 2016

Grade: C-

Hotel Transylvania is a 2012 animated comedy film about an overprotective Dracula with a teenage daughter fascinated with the human world.

The premise sounded interesting to me- a gothic, spooky feature and the animations are very well done- bright, colorful, and unique, but the plot is way too predictable and the story as safe as they come.

Despite the dark mood of the film, there is nothing remotely scary about Dracula or any of the other characters. Rather they are completely cliched and quite amateurish.

The target audience is age 10 and under and parents might find themselves bored. I am not a parent and I was bored to tears at one point.

It is too cutesy for my tastes.

Save for the impressive animations, Hotel Transylvania (2012) is completely mainstream fare and forgettable filmmaking.

A great story achieves mountains and this one lacks.

2015 Films, Animated, Children, Francesca Capaldi, Noah Schnapp, Steve Martino

The Peanuts Movie-2015

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The Peanuts Movie-2015

Director Steve Martino

Starring Noah Schnapp, Francesca Capaldi

Scott’s Review #304

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Reviewed December 20, 2015

Grade: B-

Having adored the Peanuts comic strips in the “funnies” papers every Sunday as a wee child, as well as the wonderful classic A Charlie Brown Christmas special (1965) that aired every holiday season, I was eager to see a full-length film released in theaters.

The Peanuts Movie commemorates the Fiftieth anniversary of the Christmas special.  The Peanuts gang is so All-American and ingrained in our culture that I could not resist seeing it.

I expected “cute” and that is exactly what I received. The film is nice but quite safe and predictable.

The Peanuts gang is much more than just the antics of Charlie Brown and his faithful dog Snoopy, who take center stage in the film.

The entire beloved gang is featured. Woodstock, Peppermint Patty, Marcie, Linus, Lucy, Frieda, Pig-Pen, and others, albeit in supporting roles.

There are two main stories featured in the film. The long-suffering and (in his mind) friendless (despite actually being loved by the gang), Charlie Brown is enamored with his new neighbor, the Little Red-Haired Girl, well-known from the original comic strips as Charlie Brown’s schoolyard crush-yet never seen.

The other is Snoopy’s writing of a book about the Flying Ace, in which he saves his crush, Fifi, also a pilot, from the dangerous Red Baron and his army.

As usual, the film is really about Charlie Brown’s endless insecurities prompted by bad luck and always screwing things up no matter that his intentions are noble.

When the Little Red-Haired Girl moves in across the street from Charlie Brown, he is immediately smitten and does numerous things to impress and acquire her attention, with difficulties arising.

A talent show in which he plays a magician goes wrong. To his delight, he is partnered with the Little Red-Haired Girl on a book report, but when she is called out of town he is forced to write the report himself, thereby foiling his attempts at getting close to her.

As usual, all parents remain unseen and speak garbled as the story is about the kids.

An interesting element is, that while the Little Red-Haired Girl is seen and does indeed speak, most of this occurs towards the end. For most of the film, we see her only from behind allowing an element of mystery to surround her.

It would have been interesting to see some of the supporting characters explored more- is Peppermint Patty gay and is Marcie her love interest? How about a love interest or background for some of the others? A side story explored is a growing romance between Pig-Pen and Patti.

The film does a nice job of featuring the familiar settings of the original comic strip- Lucy’s psychiatrist’s booth, the wall,  and the skating pond are prominently featured, which is a treat for long-time fans.

The Peanuts Movie (2015) is a nice film. I would have preferred a bit more of an edge or more creativity as original creator Charles Schultz had, but it is nice to be reminded of a simple time in life and this film is a good time.

2014 Films, Adventure, Alison Brie, Animated, Channing Tatum, Children, Chris Pratt, Christopher Miller, Cobie Smulders, Comedy, Elizabeth Banks, Jonah Hill, Keegan-Michael Key, Liam Neeson, Morgan Freeman, Nick Offerman, Phil Lord, Shaquille O'Neal, Will Ferrell, Will Forte

The Lego Movie-2014

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The Lego Movie-2014

Director Phil Lord, Chris Miller

Starring Chris Pratt, Elizabeth Banks

Scott’s Review #284

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Reviewed October 24, 2015

Grade: D

A child’s movie in every sense of the word, The Lego Movie (2014) is silly and amateurish. It contains a hackneyed plot and a fast pace that makes the viewing experience quite unpleasant.

Computer-animated and primarily created by imagery, a scene involving two human beings interspersed among all the animations only makes the plot more sappy, overwrought, and predictable.

The film is a complete dud and a waste of energy save for one lone catchy song appearing throughout the film. I am perplexed why this film received mostly positive reviews as I did not share the same sentiment.

The premise is too complex for the target audience, in a Lego universe, where all of the characters are Lego pieces, a mysterious wizard- Vitruvius, attempts to protect a superweapon (Kragle) from the evil Lord Business.

While he fails, he prophesies that a person named “The Special” will one day find the Piece of Resistance capable of stopping the Kragle.

Kragle turns out to be superglue in the human world, as a cameo with Will Ferrell reveals he is the human version of Lord Business and refuses to let his young son play with Dad’s Lego set, thereby threatening to keep the set stationery with glue.

Inevitably, this leads to a tender scene with Dad and his son.

I did not find The Lego Movie engaging story-wise or visually and I was bored during most of the experience.

Admittedly, modern animated films are not my favorite genre- I miss the days of the classic Disney drawing-style films like Bambi or Dumbo both in the 1940s.

The major flaw is the frenetic pacing of the film. Did the powers that be think that all youngsters and parents dragged along suffer from attention deficit disorder? There was no time to pause and ponder what was going on in the story since immediately it was on to the next scene.

The action is non-stop so the film seemed like one long action sequence.

The main character of Emmett, a young Lego piece characterized by everyone as dull is voiced by Chris Pratt. Emmet stumbles upon a young woman named Wyldestyle looking for something at his construction site- she assumes he is The Special and they race to save the world from Lord Business.

Emmet, as far as a lead character goes, is likable enough, and predictably, a romance develops between him and Wyldestyle. We meet various creative characters like Batman and Princess Unikitty.

The film contains a sickeningly catchy song called “Everything Is Awesome” that will stick in the viewer’s head whether desired or not and that is the strongest part. It is not that the song is lyrically great or anything, but it is fun and hum along.

Overly high octane and an uninteresting plot make The Lego Movie (2014) perhaps appealing to young kids in the seven to ten range, but it is a forgettable and tedious experience for this grown-up.

The ending of the film leaves room for the inevitable sequel.

Oscar Nominations: Best Original Song-“Everything Is Awesome”

2015 Films, Amy Poehler, Animated, Best Animated Feature Oscar Winners, Bill Hader, Bobby Moynihan, Children, Diane Lane, Disney, Flea, John Ratzenberger, Kyle MacLachlan, Lewis Black, Mindy Kaling, Paula Poundstone, Pete Docter, Phyllis Smith, Rashida Jones, Richard Kind

Inside Out-2015

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Inside Out-2015

Director Pete Docter

Starring Amy Poehler, Diane Lane

Scott’s Review #272

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Reviewed September 8, 2015

Grade: B+

Frequently, when I view a modern animated feature, (and by contemporary, I mean 1990 and beyond), I am either bored or left with a “meh” feeling, or both. It seems the trend is “Let’s create a manufactured film that will appeal to kids who will drag their parents to it”.

It is almost as if mediocrity is accepted in the animated film, but Inside Out (2015) challenges this trend with a thoughtful, interesting slab of story.

With this latest Pixar offering, we find a refreshing, intelligent film that makes the viewer think, containing a genuine cute factor, with lots of colors and interesting animation interspersed throughout.

Our story finds eleven-year-old Riley Anderson, and her five different personalities, working within her brain in unison. The emotions are five distinct little people representing (and named) Joy, Sadness, Disgust, Fear, and Anger. They overlap, conflict, and humorously strive to take control of Riley’s mind and thought processes.

Joy is central, and the happiest of emotions. They all live in Riley’s conscious mind, named Headquarters.

One day, Riley and her family pack up and move from Minnesota to the unknown and overwhelming city of San Francisco to capitalize on a job opportunity offered to Riley’s father.

The city is bustling and the family is thrown for a loop. Riley in particular has difficulty adjusting to this vastly different world and finds herself friendless and acting out of character.

Sadness accidentally begins touching other emotions within Riley’s mind, which sets off strange emotions causing her to behave erratically and become irritable.

Joy and Sadness struggle to return to Headquarters and fix the issues.

Inside Out is a complex animated film and will go way above the heads of many youngsters who will undoubtedly see it.

I find this rather refreshing.

It is a coming-of-age tale for adults and mature kids that challenges its audience rather than spitting out a retread or formulaic family story that we have seen countless times.

Riley and her parents are arguably supporting players in the story, taking a back seat to the small, interesting creatures in Riley’s mind. Her mind is a carnival of riches and cool characters emerge. I smiled as more characters were introduced. Riley’s imaginary friend from years ago, Bing Bong, was pulled to the forefront of her emotions, as he was sadly forgotten in her mind.

Who cannot relate to this? A childhood ritual of creating a friend.

I adored the trip through Riley’s mind and marveled at the revelation of the inner workings of her mind, with creative colors and bright interesting lights.

What a super-cool adventure for a young film lover to experience! Inside Out is quite sophisticated.

The main concern is the level of patience that this film requires. It is not a force-fed story but encourages one to experience and feel.

Touching scenes prevail, but the message I receive from Inside Out is important. A multitude of emotions in every human being is normal and the way the film shows them overlap and work together is ingenious. Nobody is one emotion, nor should they be as the movie promotes successfully.

Human beings are meant to feel.

The film also contains humor. I laughed out loud when one character saw a button labeled “puberty” and assumed it was unimportant. This inside joke is also alluded to after the film- a sequel perhaps? Since Riley is only eleven, puberty will be a natural progression.

Inside Out challenges the norm in animated films and entices audiences to think. It feels genuine, which is impressive in itself. It is sentimental without feeling contrived or corny.

The film succeeds on many levels.

Oscar Nominations: 1 win-Best Original Screenplay, Best Animated Feature Film (won)

1961 Films, Adventure, Animated, Children, Comedy, Disney, Eric Larson, Les Clark, Rickie Sorensen, Rod Taylor, Wolfgang Reitherman

101 Dalmatians-1961

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101 Dalmatians-1961

Directors Wolfgang Reitherman, Hamilton Luske, Clyde Geronimi

Voices Rod Taylor

Scott’s Review #226

205524

Reviewed March 8, 2015

Grade: A-

101 Dalmatians (1961) is a darling Walt Disney film that encompasses wholesomeness, love, and devotion.

Set in London, which adds a level of sophistication to the film, it tells the story of a lonely songwriter named Roger Radcliffe, who lives in a flat with his faithful and devoted Dalmatian, Pongo. Theirs is a happy existence, but something is missing.

Pongo, voiced by Rod Taylor (of The Birds-1963, fame), is determined to find a mate for himself and Roger and sets about to do just that by watching ladies and their dogs walk the streets in front of their homes.

He finds the perfect match for both (Anita for Roger, and Perdita for him). The four of them look forward to years of happiness together until a sinister friend of Anita’s, Cruella De Vil, enters the story.

Cruella sees profit in the Dalmatians and attempts to steal and destroy them.

Cruella De Vil is a delicious villain, and certainly one of the most entertaining in animated film history, but more than that, she is comically devious. Her maniacal laugh and witty language make her a perfect foil for a wholesome couple and wonderful, cute little pups.

The audience does not root for her, but there is something wicked and fun about her over-the-top character.

The film, made in 1961, has a wonderful artistic direction that animation today does not have- the scenes look like beautiful drawings.

There is a Mad Men quality to the design.

The “look” differs from current animation in that it is sleek and constructed skillfully, not loud, fast, and bombastic.

I love how the film is from the point of view of the Dalmatians Pongo and Perdita and not from the perspective of human beings. They tell the story about their dogs- this adds to the empathy felt for the animals since they are the central characters and we see their attempts at rescuing all of the stolen dogs.

Also wonderful is how all of the dogs of London (and various other species of animals) band together in rescue. They work as a team to save and protect their own who are being mistreated and sent to their slaughter.

An enjoyable scene involves the climactic car chase between Cruella’s gaudy, luxury car, and a furniture van. As the pups use the van to escape, a cat-and-mouse game ensues providing comedy and dramatic flair.

As the vehicles wiz along with dirt and back roads toward London, the scene is among the most suspenseful of the film.

In addition to this riveting scene are others involving the dogs tiptoeing past their captives as we cross our fingers they will not be heard and subsequently caught, and an adorable scene showcasing the dogs’ cleverness at covering their spots with soot to escape.

A heartwarming, inspirational film for the entire family to enjoy many times over, 101 Dalmatians (1961) will leave you smiling and humming.

It is a truthful, wonderful film about love for animals.