Category Archives: Lucy Liu

The Tale Of The Princess Kaguya-2014

The Tale Of The Princess Kaguya-2014

Director Isao Takahata

Starring (Voices) Chloë Grace Moretz, Darren Criss

Scott’s Review #430

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Reviewed June 23, 2016

Grade: B+

The Tale Of The Princess Kaguya is a Japanese animated film released in 2014.

It is a unique film- mixing elements of fantasy and drama- stunning to experience and appreciate from a creative perspective. Unusual still is the lengthy running time of two hours and seventeen minutes- animated films are typically on the short side.

This is not to say that it drags, although I found it helpful to view it in segments.

Originally made in Japanese, the film has been dubbed in English and features recognizable voices such as Mary Steenburgen, Lucy Lui, and James Caan.

A bamboo cutter, Miyatsuko, discovers a baby girl inside a bamboo tree one day. He and his wife consider her a divine presence and keep her as their own, naming her Princess Kaguya.

Mysteriously, she begins to grow and develop at an alarming rate and is the wonder of the village. Kaguya develops a playful crush on Sutemaru, a handsome peasant.  Kaguya, led by her parents, is taken into a life of nobility and wealth as her destiny.

Her governess attempts to mold her into a regal Princess, but Kaguya is a wandering, free spirit, and rejects the formalities of this life. Her myriad of wealthy suitors counters her feelings for Sutemaru.

From a story perspective, the film shines, as the conflict over wealth versus poverty is explored. Kaguya’s parents are not greedy, but they want her to receive just desserts and a life free of hardship- as they are used to.

They want something better for her.

One can relate to the parent’s views, but Kaguya feels differently. She wants freedom, love, and happiness, not a life of rules, procedures, smoke and mirrors.

The filmmakers present the viewpoint of someone “other-worldly”  observing and analyzing planet Earth, warts and all, so the film has a message. It is not cliched or overbearing in its approach though-merely honest and sincere.

Every frame in the film appears to be a gorgeous drawing- not conventional, fast-paced animation, but classic, muted, pastel-type colors are used, giving it a softer touch, which astounded me.

If one is not into the story (tough to imagine), one could easily sit back and marvel at the spectacle.

The growing trend in animated films seems to be a return to traditional drawings- think Rudolph the Red-Nosed Reindeer from the 1960s- as evidenced by The Tale Of The Princess Kaguya and Anomalisa (2015), two recent animated features receiving critical acclaim.

This is music to my ears as these are far superior to the redundant, CGI-laden films.

Oscar Nominations: Best Animated Feature Film

Kill Bill: Volume 1 and Volume 2-2003/2004

Kill Bill: Volume 1 and Volume 2- 2003/2004

Director Quentin Tarantino

Starring Uma Thurman, David Carradine

Top 100 Films #58

Scott’s Review #322

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Reviewed January 3, 2016

Grade: A

Despite being released as separate films (Fall of 2003 and Spring of 2004), Kill Bill: Volume 1 and Kill Bill: Volume 2 are one grand, sprawling feature.

The films were shot as one, but at a running time of over four hours, it was impossible to release them as one, so director Quentin Tarantino decided to release his masterpiece martial arts film as two sequential films.

I have decided to review them as one since Volume 2 is a clear continuation of Volume 1.

From a story perspective, Kill Bill is a basic revenge thriller. The plot is not complex nor ingenious and is rather ordinary containing B-movie components- think the really bad Kung-Fu films of long ago.

What makes Kill Bill an extraordinary masterpiece, however, is the style that exudes from the film, thanks to the direction and creation of Tarantino.

The film is brimming with good flavor and crackling dialogue of an intelligent sort.

Characters have long conversations with each other-not for redundancy’s sake- in between the endless martial arts and bloody sequences.

We meet our heroine, The Bride (Uma Thurman), in a chapel in El Paso, Texas. About to be married to her groom, the entire wedding party is suddenly assassinated in a bloody fashion by the Deadly Viper Assassination Squad.

Their leader, Bill (David Carradine), shoots The Bride after she reveals to him that she is carrying his baby.

The film flashes forward four years later- The Bride has survived the massacre but has been comatose ever since. When a hospital worker rapes her, she escapes and vows revenge on each one of her attackers- the revenge culminating with Bill.

Her path of destruction leads her to Japan.

Like most of Tarantino’s films, Kill Bill is divided into chapters and often goes back and forth from past to present.

The brilliance of Kill Bill is its pizazz. We know The Bride will get her revenge on the assassins, we just do not know in what way or how bloody the slaughters will be.

The film contains copious amounts of blood and swords and machetes are everywhere to be found.

The slow drawl dialogue as The Bride has conversations with her prey before she kills them, oftentimes ends in a big fight scene. Her first revenge, against Vernita (Vivica A. Fox), is unique in that it takes place in Vernita’s kitchen as her young daughter is happily eating her breakfast cereal.

The entire battle ensues in the kitchen and we are left watching blood and cereal.

It is Tarantino’s unique style of filmmaking and storytelling, adding violence, and long character conversations, that give Kill Bill, and all of his other classic films, his unique brand, and stamp of approval.

I dearly hope he continues to make films that challenge the norm, for years to come.