Bill Shirley | Scott's Film Reviews-1,425 + Reviews posted so far!!!

My Fair Lady-1964

Director George Cukor

Starring Audrey Hepburn, Rex Harrison

Scott’s Review #938

Reviewed September 6, 2019

Grade: A-

Winner of the Best Picture Academy Award (it would not have been my personal choice), My Fair Lady (1964) is a very good product that is based on the stage version, in turn, based on the famous 1913 stage play, Pygmalion by George Bernard Shaw.

The main negative to the musical is the casting choices; Hepburn and Harrison have only mediocre chemistry, and Hepburn does not sing, but the film is nonetheless enchanting and filled with lavish sets, colorful costumes, and earnest songs, making it entertainment for the whole family.

The iconic Eliza Doolittle (Hepburn) and Henry Higgins (Harrison) are household names to every fan of the musical genre.

Set in London, sophisticated and arrogant Professor Higgins, a scholar of phonetics, is intent on proving that the tone and accent of one’s voice determine one’s lot in society.

As an experiment, he chooses flower saleswoman Eliza, with her horrid Cockney accent, and is determined to crown her duchess of a ball.

Unaware of his scheme but soon to find out she has been had, romance eventually blooms as the song “I’ve Grown Accustomed to Her Face” becomes important.

My Fair Lady is quite the epic at a run-time of two hours and fifty- two minutes, lofty for a film.

The misty London setting adds layers of mystique and atmosphere and the cinematography drizzles with color and pizzazz, making the overall content look amazing.

Because of the length of the film and the magnificent trimmings, the production looks like a spectacle and of the elegant extravagance of the 1950s and 1960s when musicals made into films were grand and robust.

Little wonder is that this helped it win Best Picture, Best Director, and a smattering of other awards. It’s a film Hollywood loves.

When dissected and analyzed, social and class systems are a large part of the film, amid the cheery singing, dancing, and big-screen bombast. Social status and hints of socialism pepper the production rising way above the fluff that it could have been if just a “boy from the good side of the tracks meets girls from the wrong side of the tracks”.

Eliza’s father Alfred (Stanley Holloway), a waste collector, is also an opportunist, singing his story during “With a Little Bit of Luck”. The differences between the “haves” and the “have nots” are clear.

I never bought Harrison and Hepburn as a romantic duo and the chemistry between them is limited. The teacher/student angle somewhat works though always bothersome is Henry’s self-assured behavior and superior attitude making him tough to root for.

The controversy over the film includes the decision to dub nearly all of Hepburn’s singing with another singer’s voice, which devastated the actress and cost her an Academy Award nomination. Her snub is especially jarring given the dozen other nominations it received.

The story is heartwarming and in keeping with a like-minded theme of a hero rescuing the damsel in distress. Hints of Cinderella (1950) and even Pretty Woman (1990) glisten with only a mere hint of male chauvinism that does not ruin the experience or reduce the film to a dated guy film, certainly as is the case with Pretty Woman.

“I’m an Ordinary Man” describes how women ruin men’s lives and are not the most progressive or female-friendly of all the numbers.

My Fair Lady (1964) is a film of the past that begs to be viewed on the big screen so that all the qualities can be enjoyed. Like Lawrence of Arabia (1963), best viewed on a wide-angle enormous theater setting to ensure notice and enjoyment of all aspects of the scene is recommended.

It’s a Hollywood film done tremendously well. Young viewers would be wise to be exposed to this film to delight in the cinematic treats that await.

Oscar Nominations: 8 wins-Best Picture (won), Best Director-George Cukor (won), Best Actor-Rex Harrison (won), Best Supporting Actor-Stanley Holloway, Best Supporting Actress-Gladys Cooper, Best Screenplay Based on Material from Another Medium, Best Scoring of Music-Adaptation or Treatment (won), Best Sound (won), Best Art Direction, Color (won), Best Cinematography, Color (won), Best Costume Design, Color (won), Best Film Editing

Sleeping Beauty-1959

Director Clyde Geronimi, Les Clark, Wolfgang Reitherman, Eric Larson

Voices Mary Costa, Bill Shirley

Scott’s Review #721

Reviewed January 30, 2018

Grade: B+

Sleeping Beauty is a 1959 musical fantasy film and the sixteenth animated production by Walt Disney. By this point, Disney was a master at crafting wonderful and magical productions and Sleeping Beauty is a solid work.

However, due to mixed reviews and poor box office performance, Disney films were retired for many years. The effort achieves a lighter tone than heavies like Dumbo and Bambi but is enjoyable nonetheless.

In a magical land of royalty, fairies, both good and evil, King Stefan and Queen Leah, the benevolent leaders of the land, are finally able to conceive their first child, named Princess Aurora.

After proclaiming a special holiday and celebration, a festive scene turns dark when an evil and powerful fairy, Maleficent, jealous with rage, puts a curse on the innocent baby.

Thanks to a kindly fairy, the curse of death on Aurora’s sixteenth birthday is slightly blocked in favor of Aurora falling into a deep sleep- only to be awakened by true love’s kiss.

The characters in Sleeping Beauty are quite lovely and, by and large, sweet and kind. My favorite characters are the three fairies- Flora, Fauna, and Merryweather. Each has her personality but wields special magical powers- all of them of good-natured variety.

While Flora and Fauna possess song and beauty, which they bestow on Aurora. Merryweather arguably saves the young girl’s life. The three women are also instrumental in being the unsung heroes of the film, while the handsome Prince Phillip gets star billing.

Compared to many other Disney films, Sleeping Beauty is quite the showing, and lush with colors as bright as stars. The sparkles that drizzle from the fairies’ wands ooze with magic that will make children giggle with delight and adults marvel with adoration.

In this regard, Sleeping Beauty is extravagant and the most expensive Disney production created up to this point.

Maleficent is a fantastic villain and when she finally turns into a lethal, fire-breathing, dragon, this is sure to scare youngsters watching the film for the first time. Sure to mention, Maleficent’s web of thorns that she uses to surround Aurora’s castle is a spectacle in and of itself.

Upon watching the film I continue to draw comparisons to another of Walt Disney’s famous films, 1937’s beautiful Snow White and the Seven Dwarfs, as both films resemble each other in a sheer mass of ways.

The beautiful and innocent main female characters, both in peril from devious, older women, clearly jealous of the goodness of Snow White and Aurora are obvious.

Besides, both contain dashing princes who come to the rescue in just the nick of time and kindly little things who assist in the drama.

Perhaps it is Sleeping Beauty’s similarities to Snow White and the Seven Dwarfs- in fact, the pair would be perfect to watch together on a rainy Saturday afternoon- that lead me to conclude that Snow White is the more charming and grabbing of the two films.

Also, Sleeping Beauty does not triumph in the important humanistic lessons that the Dumbo and Bambi (my favorites of all the Disney films) have.

Sleeping Beauty contains elements of an empathetic, feel-good animated experience. A King, a Queen, a Prince, a vicious villain, giddy fairies, and a beautiful heroine are all represented in this fine and satisfying Disney venture- not the greatest in the pack, but assuredly a good time.

Oscar Nominations: Best Scoring of a Musical Picture