Category Archives: Kristen Bell

The Disaster Artist-2017

The Disaster Artist-2017

Director-James Franco

Starring-James Franco, Dave Franco

Scott’s Review #781

Reviewed July 2, 2018

Grade: B

The Disaster Artist (2017) is a biography-comedy that I found to be middle of the road to mostly good if I’m judging in overall terms- most I liked with a little criticism.

Due to the many accolades, I confess to having anticipated a bit more from the finished product and hardly found it any sort of masterpiece.

Still, I was both impressed and unimpressed by the performance of James Franco in the lead role, awed at the emergence of the actor as a director, and the Los Angeles setting is great.

At times the film teeters almost into bad slapstick or shtick, and a bit silly, and as much as I respect his performance, this criticism is directed at Franco. Nobody can deny his acting talent if he chooses the right films.

His attempt at making his character peculiar is noticeable within seconds so it seems Franco also makes him a bit of a goof and I was not able to take the character seriously all of the time.

And the weird accent threw me.

This film is based on the non-fiction book called The Disaster Artist. The work chronicles the making of 2003’s The Room, not to be confused with the 2015 film, Room. The Room was considered amateurish and one of the worst movies to ever have been made.

Told repeatedly that his acting stinks, oddball Tommie Wiseau (James Franco), a European-American aspiring actor decide to screw Hollywood and produce, direct, and star in his own film.

Mysteriously, Wiseau has an endless amount of bank funds, which he uses towards the film. Roommate and friend, Greg Sestero (Dave Franco), stars in the film and thus gets his big break. The duo, and various others, pitch in to create the project, which suffers from a level of ineptness on the part of Wiseau.

The Los Angeles setting really resonates with me as did the recurring theme of struggle within the Hollywood scene. These are major pluses to the film as a whole.

Los Angeles can appear to be a sunny and glamorous town but always contains a gloomy dark underbelly beneath the shiny exterior.

The film realistically depicts struggle and success- from the central characters to the supporting players making the film resemble an ensemble.

Thousands struggle daily for a break with no respect or appreciation given and The Disaster Artist scores a win focusing on this.

When Tommie brazenly approaches a powerful producer in a restaurant, he is unceremoniously dismissed for having no talent and told he will never get anywhere. In addition to Tommie, several actors associated with the film struggle.

In a wonderful scene, an older actress states that being on a bad movie set beats any other job by miles. The message here is that people in Hollywood are there because they truly love it.

The sweet, empowering theme of friendship and empowerment are also to be celebrated, nice especially given the cut-throat backdrop. Tommie and Greg are best friends and have each other’s backs through thick and thin. Neither gives up on the other, even during the tortuous initial audience reaction to The Room premiere.

Could the film have been slightly darker? Yes, certainly, as very few scenes of drug destruction or the porn that many hopeful talents turn to are mentioned. But the film is not really about that, it’s an enchanting tale of hope and fun.

Interesting to note and not evident to me while watching the film is that brothers James and Dave Franco play opposite one another. While there is somewhat of a physical resemblance, the chemistry works between the two actors as best friends.

James delivers a worthy portrayal of an unusual character with a strange dialect and long, stringy brown hair, and seemingly cross-eyed. The role is comedic and perfectly suited for an unusual actor such as Franco- he must have had a ball with the part.

Movies about movie-making always fascinate me. What goes on behind the scenes?

The Disaster Artist (2017) provides enough good film meat to make it an overall good experience. Staying true to some fine Hollywood history- the famous James Dean is referenced and the spot where he died even visited- nice touch! Franco is both good and disappointing in the main role.

All-in-all, for those who enjoy film making, Hollywood, or L.A. set films, give this one a chance.

Oscar Nominations: Best Adapted Screenplay

Independent Spirit Award Nominations: Best Male Lead-James Franco

Bad Moms-2016

Bad Moms-2016

Director Jon Lucas, Scott Moore

Starring Mila Kunis, Kristen Bell, Kathryn Hahn

Scott’s Review #706

Reviewed December 20, 2017

Grade: D+

Bad Moms (2016) tries to do for women what The Hangover (2009) did for men and create a raunchy, R-rated party romp that haggard mothers everywhere can relate to and appreciate.

The film’s billboard displays the three main characters boozing it up under the caption “Party Like a Mother”. Perhaps since I am not a mother I did not fully gravitate towards this film, but despite a smidgen of mild laughs, Bad Moms fell flat for me.

Mostly because of tired characters, gimmicky situations, and an over-the-top tone.

The film, written by the same individuals who wrote The Hangover comes across as a direct ripoff with a different gender in the driver’s seat.

The central character is Amy Mitchell (Mila Kunis), a thirty-two-year-old mother of two, living a busy life in the Chicago suburbs.

Considered “old” by her hipster boss, and with a porn-obsessed husband, she runs around frazzled and behind schedule most of the time.

After a particularly hairy day, Amy abruptly quits the school PTA run by militant Gwendolyn (Christina Applegate). She befriends fellow moms, sex-crazed Carla (Kathryn Hahn), and timid Kiki (Kristen Bell).

After she incites Gwendolyn’s wrath, Amy decides enough is enough and embarks on a plot to win the PTA presidency, while dumping her husband and dating a hunky widower, Jessie (Jay Hernandez).

Admittedly, Kunis is very likable as Amy. She’s a cool chick with energy that most would love to befriend and we empathize with her predicaments and juggling schedules.

But this can only go so far in a comedic film. The setup pieces and the supporting characters are too plot-driven and lack authenticity. The result is little more than one root-able character.

Applegate as an actress is quite capable, but Gwendolyn, the clear foil, is largely written as a cartoon character. Her bitchy comments to her underlings, who inexplicably are afraid to cross her, seem too staged.

Jada Pinkett Smith, in need of a paycheck, is disposable as “second in command” crony, Stacy. Furthermore, Amy’s husband Mike (David Walton) is portrayed largely as a buffoon and childlike.

The point of these character examples is to stress that the film contains too many caricatures rather than characters

An irritating quality of Bad Moms that I simply cannot shake is that the film is written and directed by a duo of men! Jon Lucas and Scott Moore are the individuals in question and the mere fact that the film, painted as a female empowerment story, is not written by females is almost unforgivable.

A case in point involves a bathroom scene where the ladies discuss uncircumcised penises, a dumb scene if you ask me, that is bad taste considering men wrote and directed it.

In this day and age of Harvey Weinstein sexual harassment suits bubbling to the surface, the scene seems icky. It should not be this hard to find women to write for other women.

Of the additional trio of females, Kathryn Hahn’s Carla has a few funny scenes but is written as so sex-obsessed that it is impossible to take the character seriously and the same goes for Bell’s Kiki.

When mousy Kiki finally lays down the law and tells her boorish husband to deal with their kids, it is meant to be a rah-rah moment, but instead becomes eye-rolling. Not the best actress in the world, Bell continues to get roles like this in sub-par films.

An attempt by filmmakers to make a girl film on par with male-driven raunchy comedies thrust on moviegoers over the years, Bad Moms (2016) comes across as too unoriginal and too desperate for laughs.

Undoubtedly hoping to win over the same audiences who flocked to the last funny female-driven comedy hit, 2011 Bridesmaids, the film falls flat and lacks genuine fun.

It is bolstered slightly by Kunis in the lead role and the sweet romance her character shares with Hernandez’s Jessie.

You Again-2010

You Again-2010

Director Alan Fickman

Starring Kristen Bell, Jamie Lee Curtis, Sigourney Weaver

Scott’s Review #510

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Reviewed November 4, 2016

Grade: C

If not for the cast (Jamie Lee Curtis, Betty White, and Sigourney Weaver) You Again (2010) would have been a bad experience and a dimwitted, by-the-numbers comedy, but the talent involved has helped matters greatly.

This is not meant to parlay much credit to the film.

As it is, it is not a great film, and quite silly and dumb, but the cast successfully turns it into a light, fun, dumb movie instead of solely drivel- with a less likable cast this would have undoubtedly been the case.

Bell is not my favorite actress, but alas she seems to be currently receiving star turns in these types of films.

The premise is basic and tried and true- A twenty-eight-year-old “beautiful” woman (Kristen Bell) who was an ugly duckling in high school, returns to her hometown for her brother’s wedding and his fiancé turns out to be her high school nemesis.

It is a standard Hollywood comedy cliched with typical gags, and a “we have seen this before” story.

A gripe- Kristen Bell is a cute, sort of all-American, girl next door, but I would be remiss if I did not point out she is not the beauty they make her out to be.

Thanks to the aforementioned cast, and the wit that Curtis and Weaver bring to their rivalry (as mothers of the respective fiancé and Bell’s character- they were high school rivals a generation before), You Again (2010) does get some meager credit.

Not much, but some.

Safety Not Guaranteed-2012

Safety Not Guaranteed-2012

Director Colin Trevorrow

Starring Mark Duplass, Aubrey Plaza

Scott’s Review #440

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Reviewed July 3, 2016

Grade: B-

Safety Not Guaranteed is similar in style to another 2012 independent film, Ruby Sparks, in that they pose the question of “Is this fantasy or reality”?

The film deals with the subject matter of time travel.

The story centers around a magazine journalist, who, along with two interns, follows a man convinced that he is building a time travel machine.

The story then develops into a romantic comedy of sorts and the audience is unsure if the guy is crazy or purely a genius.

It’s an interesting concept, intelligently written, and Aubrey Plaza and Mark Duplass are both quite likable in the lead roles.

The one flaw for me was, at times, the movie dove into slapstick territory with a silly secondary story of a stereotypically written Indian character attempting to lose his virginity.

Besides that, Safety Not Guaranteed (2012) has intriguing intentions.

Independent Spirit Award Nominations: 1 win-Best First Screenplay (won), Best First Feature

Frozen-2013

Frozen-2013

Director Chris Buck, Jennifer Lee

Starring Kristen Bell, Idina Menzel

Scott’s Review #43

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Reviewed June 18, 2014

Grade: B

The adjective that springs to mind about the latest hit animated film Frozen (2013) that has overtaken the nation is “cute”.

The story is loosely based on the Hans Christian Anderson story (which is modified immensely) and tells the story of two royal sisters (Elsa and Anna), one of whom has special “ice” powers and accidentally injures the other causing a rift.

From this point, there are a series of misunderstandings, love interests, a handsome prince, an adventure through the snow, and a Snow White-type theme.

The story is uplifting, sweet, and targeted to kids and parents seeking a wholesome, safe experience, but is it too safe?

My one criticism is the lack of diversity and culture in the main characters as they are all similar in looks, which doesn’t set the best example for kids watching.

The musical numbers stuck in my head as I hummed them for days. The songs are very trendy, and pop-leaning which may make this film age quickly and have an overly current flavor.

I loved the frozen, icy, wintry animation sets that are perfect while watching in the winter months.

Olaf, the sidekick, the mini snowman is witty and steals the show.

Oscar Nominations: 2 wins-Best Animated Feature Film (won), Best Original Song-“Let It Go” (won)