Category Archives: Rohan Campbell

The Monkey-2025

The Monkey-2025

Director Oz Perkins

Starring Theo James, Christian Convery

Scott’s Review #1,471

Reviewed March 14, 2025

Grade: B

The Monkey (2025) is a macabre horror/comedy film based on a 1980 Stephen King short story.

The film is directed by Oz Perkins, son of legendary actor Anthony Perkins, forever famous for portraying Norman Bates in Alfred Hitchcock’s Psycho (1960).

He also wrote the screenplay proving that horror runs in his Hollywood royalty tinged blood.

Partnering with James Wan, who co-created the lethal Saw (2004-present) franchise, which The Monkey mostly resembles, adds experience and credibility to the project.

Deadly set pieces and dangling machinery just waiting to slice and dice willing victims to bits make the film a fun experience.

When twin brothers (Christian Convery/Theo James) find a mysterious wind-up monkey, a series of outrageous deaths tear their family apart, leaving them to live with their kooky aunt and uncle and ultimately estranged.

Twenty-five years later, after lying dormant, the devious monkey begins a new killing spree, forcing the siblings to reunite and confront the cursed toy.

For horror fans, the best part of The Monkey is the gruesome death scenes. Wan, well versed in eye gouging, decapitations, and torn limbs, must have inspired Perkins during the final cut.

Wonderfully wicked kills include a gorgeous bikini-clad female pool goer blown to bits, a busload of cheery cheerleaders decapitated, a shop owner disemboweled with a harpoon gun, a bowling ball decapitating another victim, and an unlikable victim being killed by a swarm of wasps.

The uproarious deaths are applaud-worthy because most of the victims are annoying or unsympathetic in some way. The audience delights in witnessing their endings in such gory fashion.

As the adult Hal/Bill Shelburn, Theo James carries the film as the charismatic, bookworm, Hal and the egotistical Bill. James, ridiculously handsome, looks even more adorable in glasses and shy awkwardness.

Hal attempts to reconnect with his son, Petey (Colin O’Brien), with whom he only spends one week per year. Rather than being an absent father, he strives to protect him from the terrible monkey.

Many supporting characters are played over the top and wacky, making the film a goofy horror/comedy. Elijah Wood appears as Ted Hammerman, Hal’s ex-wife’s new husband, while Adam Scott plays Hal’s and Bill’s absent father, with whom the monkey originated after a trip abroad.

As gory delicious as the blood and guts are, the story isn’t much of a highlight. The brother Bill is written as so much of an asshole that one wonders why Hal is so tolerant towards him.

The ending is predictable, and there is not much closure with the monkey. A half-assed explanation of whomever turns the key in the monkey’s back is immune from being killed or some such explanation didn’t wow me.

The film could be a Twilight Zone or horror series episode over a full-length production, running out of gas towards the end.

Oz Perkins is a rising director who creates a cruelly delightful film that feels like an independent production. Choosing to propel viewers into a gore fest over a scary film, The Monkey (2025) is a modest success.

Halloween Ends-2022

Halloween Ends-2022

Director-David Gordon Green

Starring-Jamie Lee Curtis, Andi Matichak, Rohan Campbell

Scott’s Review #1,309

Reviewed October 19, 2022

Grade: B+

As a bit of rewind for newer fans of the series or altogether non-fans, Halloween Ends (2022) is a slasher film that is the sequel to Halloween Kills (2021), and the thirteenth installment in the legendary Halloween franchise.

It is reported to be the final film in the trilogy of sequels that commenced with the 2018 film rebirth, which directly follows the 1978 film and disregards all other entries.

It’s as if nothing more happened after knife-wielding Michael Meyers toppled from a suburban terrace and escaped one Halloween night long ago.

Time will tell if this is indeed the final farewell but the film wraps events up nicely and it feels like a satisfying ending.

Halloween Ends is unconventional and murky in parts that intrigued me more than confused me. But rest assured there is enough mayhem and creative kills to satisfy blood-thirsty audiences- it just takes some patience to get there.

I’m not sure all diehard fans will be satisfied with the film.

There are some twists and turns to maneuver through and some perplexities with a couple of leading characters but I’m careful not to give too much away.

Over forty years since being terrorized while babysitting one Halloween night, Laurie Strode is writing her memoir as she tries to put the trauma of her past behind her. Since she still resides in the small town of Haddonfield, Illinois this will not be easy when the sudden death of a young boy sets off terrifying events.

The opening sequence is compelling despite not even involving Laurie, Michael, or Laurie’s granddaughter, Allyson (Andi Matichak)!

The introduction of male babysitter Corey (Rohan Campbell) breathes fresh life into the complex family tree within the small town and an event causes the young man to become Haddonfield’s new pariah.

Corey is a nice addition as he dates Allyson and becomes involved in the family drama with Michael Meyers becoming a major connection.

I’m keeping this vague so I don’t spoil the fun but the romance between Corey and Allyson works especially during a scene where they romance outside a local radio station one night.

Reminisces of Laura Dern and Kyle MacLachlan’s characters in David Lynch’s masterpiece Blue Velvet (1986) appear amid a hauntingly cerebral musical score that adds an art film look and feel. The young romance is shrouded by oncoming chaos but they cannot stay away from each other.

A fun fact and a nod to strong film history are that John Carpenter, director of the original Halloween, and his son Corey, provide the music in Halloween Ends.

Some of Corey’s and Allyson’s sequences feel poetic and dreamy which is the opposite of what a ‘normal’ Halloween film feels like.

Not to be outdone by poetic filmmaking, the director David Gordon Green makes sure any bullies, sluts, or sexual creatures get their due by being fittingly hacked to bits or suffering crushed skulls to pay for their sins.

One even gets ensnared in barbed wire and then unceremoniously run over.

My favorite kills include a comical tongue removal that ends up making an album skip, and a stabbing and impaling onto a door, a clear reference to Bob’s death in the original.

Inevitably, the film belongs to Laurie and Michael and their showdown is no surprise. I was salivating for this final blood feast from the get-go and it doesn’t disappoint.

Laurie’s kitchen is conveniently stocked with a set of sharp, shiny knives which allows for a healthy dose of crimson-red blood soaking.

I could have used more nods to history. Besides the carbon copy killing of Bob, an old photo, and quick clips of scenes from the original, there isn’t a whole lot.

Bringing the original actors and characters to the fold in Halloween Kills worked well but all little Lindsey Wallace (Kyle Richards) gets to do is serve drinks at the local bar and listen to other characters’ problems.

My money is that we haven’t seen the last of Michael Meyers but Halloween Ends (2022) will satisfy those looking for the expected Halloween trimmings with a dash of creative filmmaking.

Other than a couple of missed opportunities, it remains true to its audience.