Tag Archives: Anna Faris

Brokeback Mountain-2005

Brokeback Mountain-2005

Director Ang Lee

Starring Heath Ledger, Jake Gyllenhaal

Top 250 Films #25

Scott’s Review #338

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Reviewed January 9, 2016

Grade: A

Brokeback Mountain (2005) is a groundbreaking film and one of the most significant releases of the 2000s. Never before had an LGBT film received as much exposure and widespread viewership as this one did.

Robbed of the 2005 Best Picture Academy Award (the great, but not as great, Crash won), Brokeback Mountain received other tremendous accolades and word-of-mouth buzz that helped it achieve great success.

A treasure that must always be remembered and appreciated.

Perfectly cast, Heath Ledger and Jake Gyllenhaal play two cowboys who fall madly in love with each other. The film spans a period from 1963 to the early 1980s.

Through the years, we see their unbreakable bond tested by outside factors- namely, being gay is forbidden at this time and location, Wyoming and Texas.

Jack Swift (Gyllenhaal) and Ennis Del Mar (Ledger) meet one summer in 1963 when they are both hired by grizzled Joe Aguirre (Randy Quaid) to herd sheep on Brokeback Mountain in remote Wyoming.

They immediately form a friendship that turns physical on one drunken night. From this point, the men are inseparable and share a insurmountable passion.

Given the times, there is no way they can openly share their lives, so they arrange periodic “fishing trips” away from their wives and children to spend time together in secret.

The chemistry between Ledger and Gyllenhaal is evident and extremely important to the film’s success.

The audience needs to buy into the bond, and director Ang Lee is successful in eliciting wonderful performances from each actor. This is especially crucial during the first forty-five minutes of the film, as all the scenes feature only the two actors.

The famous “tent” scene, in which Jack’s and Ennis’s passion first erupts is perfectly choreographed- it is as much animalistic as it is passionate and this sets the tone for the rest of the film.

Eventually, other characters are introduced, and Ennis and Jack lead largely separate lives.

Michelle Williams plays Alma, a kind-hearted country girl, married to Ennis. She accidentally stumbles upon Jack and Ennis’s secret and keeps it hidden throughout the years.

Williams is fantastic in the role- sweet, yet saddled with the pain of knowing her husband is in love with another man, which causes her to mistrust and eventually destroys their marriage.

Jack forges a life in Texas and marries well-to-do Lureen (Anne Hathaway), but the marriage is a sham, Lureen’s father hates Jack, and Jack cannot forget Ennis.

Jack is the aggressor, the one more confident with his sexuality, and one would surmise, would be the one more likely to be “out” if circumstances were different.

He looks for other men, even going to Mexico to find some companionship.

The film’s ending is tragic and heartbreaking, and we witness Ennis being a good father to his now-grown-up kids.

A wonderful scene is written between Ledger and Kate Mara, who plays his daughter. She asks the lonely Ennis to attend her wedding, and the scene is sweet and tender.

Another scene involving Ennis meeting Jack’s parents is monumental- as important as what is said in this wonderful scene is what is left unsaid.

Brokeback Mountain (2005) is an honest, graceful, and brave film that, thanks to the talents and direction of Ang Lee, could be made.

The exceptional cast, led by Ledger and Gyllenhaal, is dynamic and helps the film come together into a masterpiece that will surely never be forgotten.

Oscar Nominations: 3 wins-Best Picture, Best Director-Ang Lee (won), Best Actor-Heath Ledger, Best Supporting Actor-Jake Gyllenhaal, Best Supporting Actress-Michelle Williams, Best Adapted Screenplay (won), Best Original Score (won), Best Cinematography

Independent Spirit Award Nominations: 2 wins-Best Feature (won), Best Director-Ang Lee (won), Best Male Lead-Heath Ledger, Best Supporting Female-Michelle Williams

May-2003

May-2003

Director Lucky McKee

Starring Angela Bettis

Scott’s Review #985

Reviewed January 30, 2020

Grade: B+

May (2003) is a macabre and twisted psychological horror film and the directorial debut of Lucky McKee.

Though not a box-office success, the film has become a cult favorite and is a feast for lovers of the deprived and tormented.

The wicked fun is to watch the main character, already troubled at the start of the film, dissolve into complete and utter madness.

The acting and the mood are exceptionally crafted.

Growing up with a lazy eye, leaving her scarred with never-ending insecurity, May Canady (Angela Bettis) is a twenty-eight-year-old woman who has suffered from a troubled childhood.

Having always had trouble making friends, she finally befriends a lesbian colleague, Polly (Anna Faris), and a handsome mechanic, Adam (Jeremy Sisto).

Before long, she spoils the friendship when her oddities brim to the surface. May descends into utter madness and decides to build a new friend using human body parts.

Will bits and pieces of her friends be used in the creation?

Bettis is a goldmine in the central role, providing a healthy dose of sympathy and creepiness.

Many film characters have been outright disturbing in cinematic history, but May is wounded and victimized, so we, as viewers, want to see her win out for once.

All May wants is a friend, and, especially with Adam, we root for her to find true love.

May is like a combination of Carrie and Frankenstein.

Adam, while handsome, is also weird, and a good match for May. He introduces her to a bizarre movie in which two characters embark on a romantic picnic and then eat each other. Adam reveals that he created the film for a college project.

This impresses May- finally, she has a soulmate! She quickly ruins the moment by biting his lip, turning him off, and destroying her mounting confidence.

McKee is successful at making the film flow with precision and good pacing. Many rookie directors seem overwhelmed by a major motion picture undertaking, perhaps feeling more comfortable with short films.

McKee proves he knows his stuff with an elegant and icy atmosphere that is just perfect for this type of film.

May is a quick one hour and thirty-three minutes, which is all that is needed to make its mark.

The final thirty minutes are the best part as the shit hits the fan in a big way. McKee’s choice to use Halloween night as the backdrop is both obvious and ingenious.

May is not only ignored by Adam, but also learns that he has a new girlfriend. To add insult to injury, Polly also finds love with their new girlfriend, Ambrosia.

May feels isolated and finally snaps when her cat ignores her. She goes on a rampage and hacks up not only her friends but also her eye.

May is a clever and atmospheric horror/thriller film with bursts of creativity and a well-flowing narrative. McKee may not always be original and borrows heavily from other genre films, but he creates a solid blueprint for what his talents may lead to.

The film leaves the viewer unnerved and aghast, but isn’t that the point of a good horror film?

May (2003) could disappear over time, but it provides a worthy dedication to the horror genre.