Category Archives: Colman Domingo

The Color Purple-2023

The Color Purple-2023

Director Blitz Bazawule

Starring Fantasia Barrino, Danielle Brooks, Taraji P. Henson

Scott’s Review #1,423

Reviewed March 16, 2024

Grade: B+

In 2023, director Blitz Bazawule recreated the famous 1985 cinematic version of The Color Purple by Steven Spielberg with mostly good results though it won’t be remembered like Spielberg’s is.

Bazawule is also a visual artist, rapper, singer-songwriter, and record producer so his version differs greatly from Spielberg’s in style and production design.

The ‘new’ version feels closer to what a feel-good Broadway stage version might feel like with incorporated musical numbers breaking up the drama and sometimes the comedy.

The Color Purple was a stage version and before that a much bleaker novel by Alice Walker so I’m not averse to comparing the 2023 version to all that preceded it.

Since we are talking cinema, although I’m more partial to the 1985 version mostly because that one packed a much greater emotional punch I think the numbers are a wise move and are choreographed well.

My favorite by far is ‘Hell No!’ an aggressive and anthemic stomp performed by a defiant Sofia (Danielle Brooks) and later reprised when mousy Celie (Fantasia Barrino) finds a set of balls.

We all probably know the story but here is a brief synopsis for those unfamiliar with the plot.

Set in the Deep South (Georgia) from the early 1900s until the 1940s, the main story follows the shy and put-upon Celie. She is raped and forced to bear the children of her father who then sells the babies. She is sent to marry and live with ‘Mister’ (Colman Domingo) who beats her and sets his sights on Celie’s sister Nettie (Halle Bailey).

Nettie and Celie are the best of friends but through circumstance lose touch for years.

The decades march on as Celie finds her voice and independence thanks to Sofia, jazz singer Shug Avery (Taraji P. Henson), and other kind folks.

The Color Purple is a lovely look at perseverance, extraordinary strength, and hope in the unbreakable bonds of sisterhood during a difficult time in history.

Black women especially were not always treated well.

The casting is uneven. I wasn’t completely won over by Barrino as Celie. The one-time ‘American Idol winner can sing and was Celie on Broadway in 2007 but I kept musing how exceptional Whoopi Goldberg was in the part in 1985.

Speaking of Goldberg, she appears in a cameo role early on as a midwife.

Henson, as Shug, has a tremendous voice and confidence providing the glamour and outrageousness needed for the role. However, she is supposed to be a drop-dead gorgeous woman who Celie is madly in love with and Henson doesn’t have the looks.

As my apt husband announced, Beyonce Knowles would have been a brilliant casting choice.

The standout is Brooks as Sofia, justifiably receiving the sole Academy Award nomination. The instant she appears on screen bullying her meek husband Harpo she has the audience wrapped around her finger giving as good a performance as Oprah Winfrey did in 1985.

While the musical numbers incorporate more of the Broadway-style they also contain a musical rock video vibe that takes away a bit of the cinematic production.  The dance moves are so perfect that they make the film feel ‘fun’ when it should feel ‘tragic’.

Even though Spielberg’s version was accused of excessive sappiness, it’s downright raw compared to the 2023 version. The finale is overly sentimental and the reunion of Celie and Mister, Mister now suddenly converted to a saint, is unrealistic.

Everything ends up so perfect for Celie and that’s all well and good but the fairy tale ending offsets some of the anguish she goes through early in the film.

Finally, Sofia’s big scene when she punches the mayor and other white townsmen lack the emotional heartbreak that the 1985 version did.

Held on its own merits, the film is a success. The Color Purple (2023) never drags and entertains from the first scene to the last. It’s a crowd-pleaser so those looking for a gooey experience will enjoy this version.

It’s safe waters without languishing towards dull or ineffectual.

Oscar Nominations: Best Supporting Actress-Danielle Brooks

Lincoln-2012

Lincoln-2012

Director Steven Spielberg

Starring Daniel Day-Lewis, Sally Field, Tommy Lee Jones

Scott’s Review #476

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Reviewed September 10, 2016

Grade: A

Lincoln is a 2012 film, which received a slew of Academy Award nominations. There appear to be differing opinions about the film itself, however.

Lincoln has audiences divided over whether it’s a brilliant film or a snore-fest.

My opinion leans decisively toward the former.

I recognize that (especially the first half) the film is slow-moving, but I found it engrossing and well-made.

Even the subtle aspects (costumes, art direction, lighting) are masterfully done.

I found Daniel Day Lewis’s (Abraham Lincoln) lengthy stories intriguing, not dull and found it to be a wonderful history lesson.

Steven Spielberg does what he does best- he creates a Hollywood film done well. He also has done controversial, shocking, or experimental, but the mainstream fare is his forte.

This film is not for everyone, but if you can find the patience it will be an enlightening experience. If nothing else, a thing or two may be learned.

Oscar Nominations: 2 wins-Best Picture, Best Director-Steven Spielberg, Best Actor-Daniel Day-Lewis (won), Best Supporting Actor-Tommy Lee Jones, Best Supporting Actress-Sally Field, Best Adapted Screenplay, Best Original Score, Best Sound Mixing, Best Production Design (won), Best Cinematography, Best Costume Design, Best Film Editing

Lee Daniels’ The Butler-2013

Lee Daniels’ The Butler-2013

Director Lee Daniels

Starring Forest Whitaker, Oprah Winfrey

Scott’s Review #81

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Reviewed June 30, 2014

Grade: A

Director, Lee Daniels, is a recent favorite of mine (Precious-2009, The Paperboy-2012) and his latest The Butler (2013) is an excellent, true story, undertaking.

While the trailer looked appealing, I was concerned that the film might be overwrought or have a Hollywood sappiness.

While it’s a Hollywood film, it is also a powerful, emotional experience.

The viewer is taken on a journey from 1926 through the current president from the viewpoint of White House butler Cecil Gaines (Whitaker), who serves several presidents and is privy to the goings-on in the White House.

He is played by Forest Whitaker and his boozy, troubled wife is played by Oprah Winfrey.

Both give tremendous performances.

The Butler is a political journey through time and I love the authenticity of each decade from the sets to the costumes to the hairstyles.

The casting of the Presidents is curious (Robin Williams as Eisenhower and John Cusack as Nixon), but works nonetheless.

The rivalry between Cecil Gaines and his rebellious son is quite interesting as the viewer sides with each individual at different times.

The film is more emotional than I anticipated and much of the audience was teary during scenes of heartbreak and triumph.

I feel The Butler (2013) is a must-see for everyone.