Tag Archives: Danielle Brooks

The Color Purple-2023

The Color Purple-2023

Director Blitz Bazawule

Starring Fantasia Barrino, Danielle Brooks, Taraji P. Henson

Scott’s Review #1,423

Reviewed March 16, 2024

Grade: B+

In 2023, director Blitz Bazawule recreated the famous 1985 cinematic version of The Color Purple by Steven Spielberg with mostly good results though it won’t be remembered like Spielberg’s is.

Bazawule is also a visual artist, rapper, singer-songwriter, and record producer so his version differs greatly from Spielberg’s in style and production design.

The ‘new’ version feels closer to what a feel-good Broadway stage version might feel like with incorporated musical numbers breaking up the drama and sometimes the comedy.

The Color Purple was a stage version and before that a much bleaker novel by Alice Walker so I’m not averse to comparing the 2023 version to all that preceded it.

Since we are talking cinema, although I’m more partial to the 1985 version mostly because that one packed a much greater emotional punch I think the numbers are a wise move and are choreographed well.

My favorite by far is ‘Hell No!’ an aggressive and anthemic stomp performed by a defiant Sofia (Danielle Brooks) and later reprised when mousy Celie (Fantasia Barrino) finds a set of balls.

We all probably know the story but here is a brief synopsis for those unfamiliar with the plot.

Set in the Deep South (Georgia) from the early 1900s until the 1940s, the main story follows the shy and put-upon Celie. She is raped and forced to bear the children of her father who then sells the babies. She is sent to marry and live with ‘Mister’ (Colman Domingo) who beats her and sets his sights on Celie’s sister Nettie (Halle Bailey).

Nettie and Celie are the best of friends but through circumstance lose touch for years.

The decades march on as Celie finds her voice and independence thanks to Sofia, jazz singer Shug Avery (Taraji P. Henson), and other kind folks.

The Color Purple is a lovely look at perseverance, extraordinary strength, and hope in the unbreakable bonds of sisterhood during a difficult time in history.

Black women especially were not always treated well.

The casting is uneven. I wasn’t completely won over by Barrino as Celie. The one-time ‘American Idol winner can sing and was Celie on Broadway in 2007 but I kept musing how exceptional Whoopi Goldberg was in the part in 1985.

Speaking of Goldberg, she appears in a cameo role early on as a midwife.

Henson, as Shug, has a tremendous voice and confidence providing the glamour and outrageousness needed for the role. However, she is supposed to be a drop-dead gorgeous woman who Celie is madly in love with and Henson doesn’t have the looks.

As my apt husband announced, Beyonce Knowles would have been a brilliant casting choice.

The standout is Brooks as Sofia, justifiably receiving the sole Academy Award nomination. The instant she appears on screen bullying her meek husband Harpo she has the audience wrapped around her finger giving as good a performance as Oprah Winfrey did in 1985.

While the musical numbers incorporate more of the Broadway-style they also contain a musical rock video vibe that takes away a bit of the cinematic production.  The dance moves are so perfect that they make the film feel ‘fun’ when it should feel ‘tragic’.

Even though Spielberg’s version was accused of excessive sappiness, it’s downright raw compared to the 2023 version. The finale is overly sentimental and the reunion of Celie and Mister, Mister now suddenly converted to a saint, is unrealistic.

Everything ends up so perfect for Celie and that’s all well and good but the fairy tale ending offsets some of the anguish she goes through early in the film.

Finally, Sofia’s big scene when she punches the mayor and other white townsmen lack the emotional heartbreak that the 1985 version did.

Held on its own merits, the film is a success. The Color Purple (2023) never drags and entertains from the first scene to the last. It’s a crowd-pleaser so those looking for a gooey experience will enjoy this version.

It’s safe waters without languishing towards dull or ineffectual.

Oscar Nominations: Best Supporting Actress-Danielle Brooks

Clemency-2019

Clemency-2019

Director Chinonye Chukwu

Starring Alfre Woodard, Richard Schiff

Scott’s Review #1,068

Reviewed October 7, 2020

Grade: A-

I will be candid. Clemency (2019) is not a film that will appeal to everybody’s taste.

The topics of prison, execution, and psychological conflict among its characters are pretty heavy.

After a long day of work and the desire to snuggle on a comfy couch with a tall glass of wine, this film may not be recommended. But, for those seeking a thought-provoking experience about timely and serious social issues, with racial overtones, Clemency is a riveting and powerful story.

This film is written well, and it matters.

Haggard, prison warden Bernadine Williams (Alfre Woodard) trudges along day after day, managing the multitude of tasks that her job requires of her. She is committed to overseeing the prison executions and experiences her twelfth at the start of the film.

The procedure is botched, causing the prisoner excess pain, and an investigation is launched. Bernadine is conflicted and consumed by her job, causing her marriage to Jonathan (Wendell Pierce) to deteriorate and her visits to a local watering hole to increase.

When Bernadine takes interest in Anthony Woods (Aldis Hodge) a prisoner slated for execution in a case receiving national media attention and prison protests, her conflict escalates.

Anthony’s ex-girlfriend (Danielle Brooks) and attorney (Richard Schiff) play vital roles, especially when the convicted cop killer’s innocence is called into question.

Will he or won’t he receive a last-minute pardon from the governor sparing his life?

Chinonye Chukwu, a rookie director, is a black, Nigerian female with lots of interesting things to say and a bright future ahead of her. She also penned the screenplay and tackles a weighty issue of great controversy in the United States.

The age-old debate of whether capital punishment is inhumane or even deters crime is not the focus of the film’s narrative, but neither is it about that per se.

The fact that Chukwu and her characters, Bernadine and Anthony, are both black introduces an additional racial element.

In the time of “Black Lives Matter”, this is a powerful statement.

To say that Clemency is a downer is an understatement, though it leaves the viewer with some sense of hope amid an ambiguous ending. I won’t spoil the film, but we wonder what will become of Bernadine.

Has she had enough of the prison lifestyle and decided to fly off in a new direction, or does her work so consume her that she is trapped for life, too far gone for any growth?

The final sequence is brilliant.

An impending execution, emotional goodbyes are said, and a full minute or so of a close-up scene focused on Woodard’s face taps a range of emotions that include compassion, disgust, and unbridled sadness.

The gloomy and stark atmosphere that Chukwu presents fills the film with a bleakness that is eclipsed ever so slightly by the possibility of change.

A common theme, and not only with Bernadine, is the need to be heard and the frightening perception of being invisible. Jonathan, in a strong supporting role by Pierce, is the perfect husband. A teacher, he is responsible, loyal, and even prepares a surprise dinner on their anniversary.

He feels diminished by Bernadine and resides in a motel after he has had too much. Anthony’s attorney and a priest, both of whom plan to retire soon, feel their jobs are pointless, as they are not heard and their work is neither appreciated nor noticed.

Interesting that Chukwu does not reveal which state within the United States the twelve or thirteen executions take place in, though we can only guess it’s somewhere in the south.

Clemency (2019) is a bold offering fraught with debate, questions, and character conflict. A slow build, there is much to savor and mull over, and the story feels personal.

Woodard delivers a soaring performance, backed by exceptional work from all the supporting players.

I cannot wait to see what Chukwu comes up with next.

Independent Spirit Award Nominations: Best Feature, Best Female Lead- Alfre Woodard, Best Screenplay