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A Few Good Men-1992

A Few Good Men-1992

Director Rob Reiner

Starring Tom Cruise, Jack Nicholson, Demi Moore

Scott’s Review #1,012

Reviewed April 15, 2020

Grade: B+

A Few Good Men (1992) is a film firmly ensconced in the mainstream Hollywood courtroom drama genre.

If all the necessary elements had not been well-weaved the results might have been trite or even cringe-worthy. Nonetheless, with big stars and excellent acting, director Rob Reiner (yes, “Meathead” from All in the Family), lucks out with a predictable screenplay that compels and is made better by the sum of its parts.

The film will never bore and is a standard edge-of-your-seat thrill ride.

The drama was rewarded with several year-end niceties including nominations for the upper-crust Academy Awards. Best Supporting Actor, Best Film Editing, Best Sound Mixing, and surprisingly the lofty Best Picture statuette.

With no shame for the embarrassment of riches, deserved or undeserved is the real question, the film walked away empty-handed on Oscar night.

When cocky and handsome military lawyer Lieutenant Daniel Kaffee (Tom Cruise) and his co-counsel, Lieutenant Commander JoAnne Galloway (Demi Moore), are assigned to a murder case, their investigation uncovers a hazing ritual that could implicate high-ranking officials.

U.S. Marines Lance Corporal Harold Dawson (Wolfgang Bodison) and Private First Class Louden Downey (James Marshall) are facing a general court-martial, accused of murdering fellow Marine William Santiago at the Guantanamo Bay Naval Base in Cuba.

Kaffee and Galloway are to determine if higher-ranking officers orchestrated and forced the lower-ranking men to carry out a “code red” order: a violent extrajudicial punishment, and their form of justice, to kill the young victim, thus silencing him forever.

The questionable part of the plot is whether Base Camp Commander Jessup (Jack Nicholson) administered the order or instead ordered Santiago’s commanding officer, Lieutenant Jonathan James Kendrick (Kiefer Sutherland), to merely “train” Santiago to become a better Marine.

This is where the courtroom drama takes center stage with gusto.

As good as Moore, Sutherland, and Marshall are in offering compelling roles, the film belongs to Cruise and Nicholson, the veterans of the group. The best scenes come at the end of the film as Cruise and Nicholson spar in the courtroom with bombast and trickery.

Nicholson as Jessup is brooding and traditional, a lifelong military man channeling honor and dedication at any cost. Cruise as Kaffee has something to prove and wants to win at any cost. So, they tangle in a fierce machismo way.

When he catches Jessup in a lie, just like a spider captures a fly, the scenes crackle and spark with grit and energy.

The unforgettable line, “You can’t handle the truth!” is uttered by Nicholson.

A Few Good Men will both satisfy and dissatisfy those with a connection or a penchant for the military. On the one hand, the military is celebrated during the film as the need for efficiency in the world and the decorated appeal are to be admired.

But the film also stands up and questions the hypocrisy of one of the oldest establishments and its male domination and bullying methods not so different from a classic college fraternity.

The courtroom trial of a patriotic group is serious business.

While not a revolutionary film, sticking to a tried and true courtroom drama script seen in television drama series since the beginning of time, A Few Good Men (1992) provides a hefty two-hour and twenty minutes worth of pure entertainment.

Powerful acting across the board makes the film a superior experience and a thought-provoking message of whether blindly following orders without thought is still a relevant approach, not just in the military, but anywhere.

Oscar Nominations: Best Picture, Best Supporting Actor-Jack Nicholson, Best Sound, Best Film Editing

Selma-2014

Selma-2014

Director Ava DuVernay

Starring David Oyelowo, Carmen Ejogo

Scott’s Review #248

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Reviewed June 19, 2015

Grade: A-

An Oscar-nominated factual feast, set in the mid-1960s during the Civil Rights movement, Selma (2014) is a re-telling of the life and times of Martin Luther King Jr. and the struggles that black Americans endured during a tumultuous period in history.

The film includes dealings with then-President Lyndon B. Johnson and the famous and important 1965 Selma to Montgomery voting rights march, which led to the signing of the pivotal Voting Rights Act of 1965.

This film reminded me quite a bit of 2013’s The Butler in subject matter and style-ironic since Lee Daniels was slated to direct and instead signed on for The Butler.

Both feature a charismatic and intelligent black man struggling with racial matters.

Despite being an independent undertaking, it is glossy, polished, and reflective of the time. Both The Butler and Selma boast a huge cast, and historical political figures, in a tumultuous era in history.

Selma features a bevy of real-life figures from George Wallis to President Johnson to the obvious leader of the Civil Rights movement, Martin Luther King Jr., and his wife, Coretta Scott King, and the casting is very well thought out.

Tim Roth, David Oyelowo, Tom Wilkinson, and Carmen Ejogo portray their roles professionally and passionately. None of the above received Oscar nominations and I am okay with that.

I did not feel that any were definite standouts from a crowded field of talent, though perhaps Ejogo could have been in the running with her understated though compelling performance.

The drama surrounding the lack of expected Oscar nominations is not shared by me. The truth is, the film was included in the Best Picture category and won Best Song.

While an emotional and compelling film, neither is it a masterpiece nor will change the art of cinema, though I must stress it is good.

I find Selma to be an important film- a look back on history and the shame and humiliation placed on blacks who attempted to obtain voting rights. A heartbreaking scene depicts a determined woman (played by Oprah Winfrey) being denied this right by a cold and racist authority figure as she is asked impossible and tricky questions to prove her patriotism, which of course, she cannot possibly answer correctly.

Yes, the film is directed by a black, female director (Ava DuVernay) and yes, one might argue that it has a black point of view. However, the film successfully sympathetically portrays several white characters and avoids the assumption that all white people were racist in this period.

Let’s face it- racism still exists, especially in the South, and in the 1960s even more so. I did not find the message in black people vs. white people’s terms, but rather as a humanistic struggle for rights.

And the struggles continue as the film makes abundantly clear in the message of the film.

While King was a life changer to the black people of the United States, his life was abruptly cut short in his prime. One wonders how much more good this man could have achieved.

The song “Glory” is an emotional, powerful number, especially during the marching and subsequent slaughter scenes highly emotional and effective.

And who will not become teary-eyed as the innocent marchers are beaten and treated like cattle, simply for taking a stand? One will gasp at the senseless bombing scene that rocks a building and takes four innocent little girls’ lives away with it.

Selma successfully transplanted me to a time before my time and made me appreciate and capture the positive and negative experiences of a race of people not long ago.

This film inspires and moves me and teaches me what a movement occurred in 1965.

Oscar Nominations: 1 win-Best Picture, Best Original Song-“Glory” (won)

Independent Spirit Award Nominations: Best Feature, Best Director-Ava DuVernay, Best Male Lead-David Oyelowo, Best Supporting Female-Carmen Ejogo, Best Cinematography

Lee Daniels’ The Butler-2013

Lee Daniels’ The Butler-2013

Director Lee Daniels

Starring Forest Whitaker, Oprah Winfrey

Scott’s Review #81

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Reviewed June 30, 2014

Grade: A

Director, Lee Daniels, is a recent favorite of mine (Precious-2009, The Paperboy-2012) and his latest The Butler (2013) is an excellent, true story, undertaking.

While the trailer looked appealing, I was concerned that the film might be overwrought or have a Hollywood sappiness.

While it’s a Hollywood film, it is also a powerful, emotional experience.

The viewer is taken on a journey from 1926 through the current president from the viewpoint of White House butler Cecil Gaines (Whitaker), who serves several presidents and is privy to the goings-on in the White House.

He is played by Forest Whitaker and his boozy, troubled wife is played by Oprah Winfrey.

Both give tremendous performances.

The Butler is a political journey through time and I love the authenticity of each decade from the sets to the costumes to the hairstyles.

The casting of the Presidents is curious (Robin Williams as Eisenhower and John Cusack as Nixon), but works nonetheless.

The rivalry between Cecil Gaines and his rebellious son is quite interesting as the viewer sides with each individual at different times.

The film is more emotional than I anticipated and much of the audience was teary during scenes of heartbreak and triumph.

I feel The Butler (2013) is a must-see for everyone.

Don Jon-2013

Don Jon-2013

Director Joseph Gordon-Levitt

Starring Joseph Gordon-Levitt, Julianne Moore

Scott’s Review #27

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Reviewed June 17, 2014

Grade: B+

 I did not expect Don Jon (2013) to be as good as it is.

Frankly, I was expecting a by-the-numbers romantic comedy.

Written, directed by, and starring Joseph Gordon-Levitt, it tells the story of a twenty-something New Jersey bartender who is addicted to porn despite receiving all the female attention he can imagine.

Scarlett Johansson and Julianne Moore play two completely different women in his life.

The film contains stereotypical, though hilarious and spot-on, New Jersey trademarks. Tony Danza is effective as the brash father.

In the last thirty minutes, the film turns into a wonderful, yet hardly sappy or traditional, love story that makes Don Jon (2013) a positive experience.

Gordon-Levitt is a breath of fresh air and a young Hollywood talent getting his due.

Independent Spirit Award Nominations: Best First Screenplay