Kiss Me Deadly-1955
Director Robert Aldrich
Starring Ralph Meeker
Scott’s Review #391
Reviewed April 2, 2016
Grade: A-
Kiss Me Deadly is a 1955 film noir drama that heavily influenced many films that followed it. On my “to see” list for years, I finally got around to viewing this influential gem and now realize the power of the film.
At times it’s confusing and perplexing and requires additional watches, I rate it a grade of A-, however, can see its grade rising to a solid A upon subsequent viewings.
Still, Kiss Me Deadly has much respect from me as a lover and appreciator of a good film.
The mysterious plot goes like this- Mike Hammer (played by Ralph Meeker) is a tough Los Angeles private eye. One evening, driving along a lonely country road, he picks up a hitchhiker named Christina (the film debut of Cloris Leachman) clad only in a trench coat.
He quickly realizes she has escaped from a mental institution but is compelled by her desperation. When thugs catch up to them, this sets off events as Mike spends his days investigating the strange turn of events.
The plot twists and turns innumerable ways and becomes quite complex, but fascinates. A peculiar glowing box, which everybody seems to want, comes into play.
Wonderfully directed by Robert Aldrich, Kiss Me Deadly features unique and creative uses of lighting, camera angles, and moody shadows to great effect, and this is one of the first aspects I noticed.
Shot in highly effective black and white, allowing Kiss Me Deadly a murky, suspicious look- as if danger and doom might be around every corner.
Meeker and Maxine Cooper as Velda, Mike’s secretary/lover make a nice pair, as they are good-looking, but a rather B-movie type couple, in contrast, to say, Cary Grant and Eva Marie Saint, two gorgeous upper echelon Hollywood stars of the day.
Casting those stars might have changed the tone of the film. Meeker and Cooper bring, perhaps, a blue-collar look to the film. Nevertheless, the chemistry works.
An interpretive film, Kiss Me Deadly undoubtedly influenced later film noir classics such as Chinatown (1974), L.A. Confidential (1997), and Pulp Fiction (1994), not to mention science-fiction films and, arguably even Raiders of the Lost Ark (1981).
The list could go on as Kiss Me Deadly crosses into numerous genres.
The ending is highly complex, spooky, and downright weird. It is one of the craziest endings I have ever experienced.
Once the mysterious box is opened, the film transforms into a strange Twilight Zone episode, containing screeching sounds, and the explosion is open to complete interpretation and changes the dynamic. I had the enormous good fortune to view the alternate ending is not released in theaters.
Mike and Velda’s fates were vastly different from one end to another. My preference was the alternate ending. Sometimes the studios play things too safe.
What does it all mean? Nuclear weapons, the apocalypse, the Cold War, glowing boxes, detectives. Many elements in one film.
A conversation about Kiss Me Deadly (1955) could be enjoyed and, in the end, that speaks volumes for the high quality of the film.
I look forward to seeing this revolutionary film again for further appreciation.
