Tag Archives: Betsy Palmer

Queen Bee-1955

Queen Bee-1955

Director Ranald MacDougall

Starring Joan Crawford, Barry Sullivan, Betsy Palmer

Scott’s Review #1,288

Reviewed August 10, 2022

Grade: B+

Queen Bee (1955) is a drama served straight-up Southern style and is highly recommended only for fans of legendary screen actress Joan Crawford. Made during the downward turn in her career the character is tailor-made for the actress and her fans.

She struts across the silver screen in flashy gowns and heavy makeup, admiring herself in the mirror, and firmly ensconced in bitch mode. With matching garish eyebrows and a sassy smirk, she chews up and spits out every character she crosses paths with.

Otherwise, audience members unfamiliar with or otherwise turned off by Crawford probably shouldn’t bother with Queen Bee. There’s not a lot of character development or anything interesting story-wise other than watching her cause havoc.

Set in the 1950s American South, the vicious and conniving Eva Phillips (Crawford) takes pleasure in making the lives of those around her miserable, especially her husband, Avery (Barry Sullivan), who is so depressed he resorts to heavy drinking and becomes an alcoholic.

Meanwhile, when Eva discovers her sister-in-law (Betsy Palmer) intends to wed her former lover Judson (John Ireland), she decides to ruin their engagement for no reason other than being nasty.

Eva’s niece, Jennifer Stewart (Lucy Marlow), arrives in town and moves in with the family serving as Eva’s confidante. She is warned by everyone not to cross paths with the scheming vixen but must learn for herself how deadly Eva is.

At some point early on Queen Bee turns from high drama into soap opera camp and becomes silly and plot-driven. It’s also melodramatic and stagey especially once events spin out of control.

Despite a talented supporting cast, Crawford is the headliner. The part is written with her in mind and intended as a comeback vehicle when her career was dusty and needed a dash of drama.

It’s a delight to watch Crawford as Eva, pouring her heart and soul into a role that allows her to be as vicious as she wants. I guess in some way you could say Eva’s manipulative motivation is her claim for love but that’s a stretch and hardly justifies leading one character to suicide.

In proper form, Eva gets her due at the end of the film which left me, and likely most audiences, clapping with happiness.

Speaking of the supporting cast, I practically squealed with delight at the appearance of Betsy Palmer, forever known to horror audiences as the knife-wielding maniac on Friday the 13th (1980). Jaw-dropping is to see her play a weak, vulnerable character with no bloody ax anywhere in sight.

Barry Sullivan as Avery is also noteworthy as is a small and odd cameo appearance by Fay Wray (King Kong-1933).

Director, Ranald MacDougall wrote the screenplay for Mildred Pierce (1945) which won Crawford the Academy Award and was deemed a major comeback for her. He also wrote Queen Bee clearly with the idea that she would star and perhaps lightning would strike twice.

It didn’t save for two surprising technical Academy Award nominations.

Palmer’s Carol offers the most poignant character summarization of Eva.  She tells Jennifer that she once read a book about bees and feels that Eva is like a queen bee who stings all her competitors to death.

For late-night satisfaction immersed in an hour and a half of delightful wickedness from Joan Crawford, Queen Bee (1955) is highly recommended.

Her scheming Atlanta socialite Eva is towards the top of a list of characters one loves to hate.

Oscar Nominations: Best Cinematography, Best Costume Design, Black-and-White

Friday the 13th: Part II: 1981

Friday the 13th: Part II: 1981

Director Steve Miner

Starring Amy Steel, John Furey

Scott’s Review #742

Reviewed April 15, 2018

Grade: A-

Hot on the heels of the surprising success of the low-budget slasher film, Friday the 13th, a sequel to the 1980 film was immediately ordered.

The film was released merely a year later and is nearly as good as its predecessor, but not quite to the level of that horror masterpiece.

Part II (1981) is a well above-average sequel with a fun style all its while wisely keeping facets that made the franchise adored by horror fans everywhere.

Gushing fans must have been chomping at the bit for a follow-up film with an opening sequence that is quite lengthy.

The heroine of the first Friday, Alice Hardy (Adrienne King), takes center stage, eliciting a clever twist that must have shocked fans as she is offed less than fifteen minutes into the film- think the sequence with Drew Barrymore in 1996’s Scream for comparison.

Regardless of the reasons King would not be the star of the film (money demands or a rumored stalker), the fact of the matter is this improves the overall film adding an immediate surprise.

After this compelling opening number, things become much more familiar and predictable as the viewer is enshrined in the antics of young and horny camp counselors rushing to sunny Camp Crystal Lake (or in this installment, a neighboring camp) to set up for the impending arrival of kids.

The young adults are all beautiful, fresh-faced, and ready to be sliced to ribbons or dismembered in some fashion as the case may be.

As any horror aficionado knows, this is a major part of the appeal of slasher films, and Friday the 13th: Part II follows a familiar formula.

Paul (John Furey) and Ginny (Amy Steel) are the lead counselors- a bit more adult and responsible than the others, thus they ignore the authority’s warnings not to re-open the camp since it has only been five years since the original massacres.

As the day turns into evening, Paul teases the group with the story of the legend of Jason and how he survived his drowning only to live in the woods fending for himself and avenging the death of his mother.

Little do they know that the legend is real and Jason is lurking among the trees ready to off the group individually.

Besides Paul and Ginny, the supporting characters include sexy Terry, known to wear skimpy attire, sly Scott, who has designs on Terry, wheelchair-bound Mark, sweet and innocent, Vickie, jokester Ted, and, finally, madly in love, Jeff and Sandra, who are curious about the history of Camp Crystal Lake.

Delightfully, the character of Crazy Ralph (Walt Gorney), the comic relief of the original film, makes a heralded return to warn the youths of impending doom and gloom.

Friday the 13th: Part II mixes pranks and flirtations among many of the characters, but the audience knows full well what’s in store for each of them- save for the honorable “final girl”.

With Ginny receiving this title the others meet their fates in bloody style with interesting kills such as a throat slit by a machete while in a rope trap, a duo impaled with a spear as they engage in sex, and bludgeoning with a kitchen knife.

The final twenty minutes are quite engaging as Ginny must flee from the camp while enduring repeated obstacles preventing her safety such as a run through the woods, tripping and falling, and a failed barricade in a cabin.

A wonderful touch within this sequence is the return of Betsy Palmer (Mrs. Voorhees) in a cameo appearance as Jason sees a vision of his mother. This move successfully creates a tie-in to the original that works quite nicely as coupled with the opening sequence.

The final “jump out of your seat” moment is highly effective as Jason thought to be bested, leaps through a window for one final attack.

Interesting to note is what appear to be identical camera angles through much of the film, as the camera uses the point of view of the killer numerous times to elicit scares, and the viewer serves as the killer- reminiscent of the first film.

Additionally, camera shots of the peaceful, sunny camp and lake during the daytime are used, in contrast to the violence occurring at night.  Even the approaching car the counselor drives (a truck) is shot the same way as we see them arriving at the camp in full anticipation of a fun time.

Friday the 13th: Part II (1981) is a fun follow-up to one of the most celebrated horror films of the slasher genre and is a perfect counterpart to the original.

A viewing tip is to watch both films in sequence on perhaps a late-night horror extravaganza.

Subsequently followed by a slew of not-so-great sequels as the franchise became dated by the late 1980s, Part 2 serves as an excellent follow-up to the original using a similar style that will please fans.

Friday the 13th-1980

Friday the 13th-1980

Director Sean S. Cunningham

Starring Betsy Palmer, Adrienne King

Top 100 Films #18     Top 20 Horror Films #6

Scott’s Review #115

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Reviewed July 17, 2014

Grade: A

Friday the 13th (1980) is one of my favorite films (horror and otherwise) of all time as I have such fond and scary memories of watching at too young an age!

My highlight is in later years watching this film alongside star Betsy Palmer herself in a movie theater.

I can watch this film countless times and never tire of it. Is it high art? Hardly. Is it brilliant filmmaking? Not a chance. But for whatever reason, this film is very close to my heart and I love it.

The premise involves seven young adults, all squeaky clean and All-American looking, who flock to Camp Crystal Lake for a summer involving counseling, partying, and frolicking around the lake.

They engage in strip poker, smoke pot, and play jokes on each other, but share a good spirit.

Through flashbacks, we learn that two brutal camp counselor killings occurred years ago and the camp has been unsuccessful at reopening since that time due to strange events like bad water.

The residents of the town are convinced that there is a curse involving the lake and warn the teenagers to stay far away, specifically, one loony townsperson named Ralph, who frequently shows up proclaiming messages from god and other rants of doom.

Inevitably, the teens begin to be systematically hacked to bits one by one in creative fashion such as a slit throat, ax to the head, a dagger through the neck, and other good, old-fashioned horror kills.

The film has many standard horror elements- a dark, ominous storm, a mysterious hidden killer lurking in the shadows, giving first-time viewers a suspenseful whodunit.

Could the killer be crazy Ralph, one of the counselors? Or Steve Christie, the man opening the camp?

As each victim is killed one begins to narrow down the remaining suspects to the crimes and at least one red herring comes into play, which leads us to try to figure out the conclusion, which, critically speaking, is an enormous surprise.

The looming killer, whose feet and arms/hands are the only parts shown throughout is successfully ominous. As the killer angrily watches the counselors swim and goof around, one of them gets a sixth sense of being watched and is sure she sees someone in the trees, but quickly shrugs it off.

Another ominous scene involves one counselor setting up an archery game for the kids as another counselor jokingly shoots an arrow nearby.

They both laugh, but the foreshadowing of what is to come is fantastic.

Betsy Palmer and Adrienne King add so much to this film, which would not be nearly as good if not for them.

The conclusion involving a knockdown drag-out, mud fight is my favorite sequence, in addition to the final thirty-minute chase scene around the camp and its vicinity.

The final character hides in closets, storerooms, and bushes, and a cat-and-mouse game climaxes. Great stuff.

The big twist at the end almost rivals, and is very similar to, the shocking ending to the 1976 horror classic Carrie.

The sound effects are spectacular- the distant loons and the creepy sound effects add a ton to making Friday the 13th a classic fright-fest.

The line “kill her mommy, she can’t hide” is undoubtedly permanently etched in horror fan’s minds.

Friday the 13th (1980) has successfully held the test of time and is now a highly regarded classic within the horror genre.

A highly entertaining, mainstream, cut above the rest, and a fun must-see for all horror fans.