Category Archives: Adventure

2014 Films, Adventure, Benicio del Toro, Bradley Cooper, Chris Pratt, Dave Bautista, Djimon Hounsou, Glenn Close, Gregg Henry, James Gunn, John C. Reilly, Josh Brolin, Ralph Ineson, Seth Green, Super Hero, Vin Diesel, Wyatt Oleff, Zoe Saldaña

Guardians of the Galaxy-2014

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Guardians of the Galaxy-2014

Director James Gunn

Starring Chris Pratt, Zoe Saldana

Scott’s Review #281

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Reviewed October 9, 2015

Grade: C-

The summer blockbuster hit of 2014, Guardians of the Galaxy, a Marvel comics film popular among fans and critics alike, disappointed this viewer.

Too many superhero films are overly conventional, by the numbers fair, and this one contains these characteristics. Presumably targeted for teens (I would think), the film has cute jokes and decent special effects, but a bland, mediocre screenplay that lacks edginess.

Handsome Chris Platt plays Peter Quill, a space pilot from Earth, abducted by a pirate group named the Ravagers. Now a grown man, Peter attempts to steal a mysterious and powerful Orb known for special powers, for monetary gain.

The Orb is desired by many, including the evil Ronan, and his daughter Gamora.

Predictably, events turn into a battle of good vs. evil as Peter and Gamora (who turns good) team up with misfits Drax (a strongman), Groot (a tree), and Rocket (a raccoon) to thwart intentions by Ronan of destroying a peaceful planet, Nova Empire.

The meat of the story involves the team’s journey from imprisonment and escape to their efforts to save the world.

As traditional with these types of films, there is inevitable romantic chemistry between Peter and Gamora, who at first are rivals, but slowly develop a fondness for each other when it is revealed that she is plotting against Ronan and his valiant efforts.

The strengths are the 1970s soundtrack a cassette player and the Walkman, unheard of in today’s modern world, to the story.

I love how this is not simply backgrounded music but referenced throughout the film in various situations.

For example, Peter comically explains to a clueless bad guy what his treasured cassette tape consists of and how he cannot bear to part with it.

The creative sets and bright colors are other positives to Guardians of the Galaxy. The Xander planet is portrayed as clean and progressive, which counterbalances the dark, dreary nature of where Ronan and his entourage live.

However, the film is too conventional and not edgy or out of the ordinary story-wise. Let’s take the hero for example. He is clean-cut, all-American, and is humorous. But, why exactly is he the hero? He inevitably saves the world but makes him go from a pirate who is a thief to a golden boy leading a team to save a relatively unknown planet.

There is, of course, a scene involving a backstory of his mother dying of cancer and his regret over not taking her hand one final time. This is assumed to make him kind-hearted and one of the good guys.

This feels forced to me and what we have seen time after time in superhero films. The message I received from the film was basic- the powerful, strong, masculine guy with a sense of humor mixed in for good measure, saves the world from the bad guys while including a bunch of tag-along.

This is fine albeit predictable.

I was left with some questions. What were Ronan’s and Tharos’s motivations? They were simply evil with not much explanation as to why. What led them down this path? Did they each want theirs to be the only planet remaining in the galaxy?

A tender moment towards the end of the film, when one of the team members dies, is done in a rushed way that was a missed opportunity for more emotion.

Guardians of the Galaxy (2014) is a mediocre superhero/action film that might have been better if further fleshed out. This film left me forgetting about it soon after the credits rolled.

Oscar Nominations: Best Makeup and Hairstyling, Best Visual Effects

2014 Films, Adventure, Bill Pohlad, Biography, Drama, Gaby Hoffmann, Jean-Marc Vallée, Laura Dern, Reese Witherspoon, Thomas Sadoski

Wild-2014

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Wild-2014

Director Jean-Marc Vallee

Starring Reese Witherspoon, Laura Dern

Scott’s Review #249

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Reviewed June 21, 2015

Grade: B+

Wild (2014) is a personal story of a young woman’s 1995 challenge to hike the 2,650-mile Pacific Crest trail as a form of therapy for her divorce and her recovery from drug addiction.

The film stars Reese Witherspoon in a thoughtful biography of a real-life figure, Cheryl Strayed, and is adapted from a novel entitled Wild: From Lost to Found on the Pacific Trail.

The film depicts Cheryl’s struggles to survive in the remote area of northern California through various weather patterns, and her interesting encounters with strangers.

The film is a showcase for Witherspoon as she takes center stage, appearing in almost every frame of the film.

Her producing the project undoubtedly has something to do with this. Regardless, it is a winning turn for Witherspoon as she is excellent. She portrays the role with vigor, emotional rawness, and vulnerability, which comes across on-screen.

She deserved her Oscar nomination for this part.

What sets her apart from other actresses who may have gotten this part is that Witherspoon is a small woman, which makes her physical struggles to commandeer trails and wilderness while hauling a large backpack containing her necessities, believable.

Shot using many flashbacks of Cheryl’s life before the enormous hike, we are introduced to the character of Cheryl and her challenging life before. We know that she is a recovering addict, but we do not know what led to these events.

Living in Minneapolis, she is very close to her mother Bobbi, played by Laura Dern, who tragically dies. This leads to a path of destructive behavior for Cheryl and ultimately to her divorce from her husband Paul, who periodically sends Cheryl care packages along her journey.

The bond that Cheryl shares with her mother, a struggling woman herself, is deep. Bobbi has difficulties raising a family and striving to improve her education and life and this is explored during the flashback scenes featuring Cheryl as a teenager.

I love the encounters Cheryl faces along the trail and feel it adds depth to the film.

Few and far between are these gems of interchange since she is mostly alone with nature, and the characters are interesting. Alone in the dark and desperate for a meal, she flags down a farmer named Frank.

At first, it appears Frank may be dangerous and wielding a gun so Cheryl is wary as she goes home with him for dinner.

Happily, Frank is married to a kindhearted woman named Annette, and the three of them enjoy a lovely feast. Later, she encounters a young boy whose mother has died. They bond as the boy sings a song that his mother used to sing to him, and when the boy leaves, Cheryl sobs in emotion for her mother.

These small snippets of real-life conversations and togetherness make the film feel happy and we root for Cheryl to accomplish her enormous feat.

Thanks to a bravura performance by Witherspoon, Wild (2014) is much more than a woman surviving on her own in the wilderness. It is encased in quiet emotion and understated supporting performances that give layers to a human story.

Oscar Nominations: Best Actress-Reese Witherspoon, Best Supporting Actress-Laura Dern

2014 Films, Adventure, Andy Serkis, Gary Oldman, James Franco, Jason Clarke, Judy Greer, Keri Russell, Kodi Smit-McPhee, Matt Reeves, Science Fiction, Toby Kebbell

Dawn of the Planet of the Apes-2014

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Dawn of the Planet of the Apes-2014

Director Matt Reeves

Starring Andy Serkis, Jason Clarke, Gary Oldman

Scott’s Review #232

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Reviewed March 29, 2015

Grade: C+

Dawn of the Planet of the Apes (2014) is a summer blockbuster hit that knocks it out of the park from a visual perspective- it is magnificent to look at with creative sets and realistic images, but the story is mediocre and predictable.

I think the filmmaker’s true intent was to focus on the look of this film, which is a splendid feature. The film is a slightly better-than-average big-screen adventure with more style than substance.

Set in San Francisco, or what was once San Francisco, the film is set in futuristic times. Apes have forged a new civilization after a deadly virus has eliminated 90% of the human population.

The apes are highly intelligent and manage a happy, unified existence. Then, one day, a human is encountered and, scared, shoots one of the apes. This leads to a peaceful resolution between Caesar, leader of the apes, and the humans, to each stay in their respective territories.

However, humans need access to a dam in the Apes area to provide electricity for themselves. Mutual distrust leads to tension, but the civilized apes and humans reach a truce.

Naturally, there is further conflict as sinister humans and apes vow revenge on each other. This leads to a waging war while the peaceful apes and humans strive to work things out.

A further angle of the story is the hunger for power within the ranks of the Apes, reminiscent of Lord of the Flies. The human protagonists, Malcolm and Ellie, played by Jason Clarke and Keri Russell- are a wholesome, decent couple.

Dawn of the Planet of the Apes pales to the original 1968 masterpiece, Planet of the Apes, starring Charlton Heston. To compare the two is unfair since, sadly, this one has nothing to do with the original.

It is simply the same franchise tag.

However, Dawn of the Planet of the Apes is weaker than its predecessor, 2010’s Rise of the Planet of the Apes. We had a charismatic star, James Franco, and an interesting story. The apes are experimented on and their intelligence is a strong angle.

With the sequel, the story is rather one-note and has a machismo, us against them angle, that is not unique.

The main drawback to this film is its limitations. The characters are portrayed as a) the good and sympathetic humans, b) the evil and destructive humans, c) the good and heroic apes, or, d) the evil, bad apes.

Everyone is defined for the audience and there is no ambiguity or complexities within the characters. This is a bit limiting. The evil ape Koba is purely bad and the drunken, gun-happy, humans are bad.

This is not to say that Dawn of the Planet of the Apes is not enjoyable, it is. It’s a fun, entertaining flick. For what it is, there is a somewhat message in the film, that there is a way to find peace and love between different species and types of people.

Hopefully, the audience gets that message.

Dawn of the Planet of the Apes (2014) is a summer blockbuster action/sci-fi flick that many will enjoy, however, it is a plot-driven extravaganza that could have been superior had it contained more layers to the story and more shape to some of the characters.

It is worth seeing as a visual cinema treat, but scarcely more than that.

Oscar Nominations: Best Visual Effects

1961 Films, Adventure, Animated, Children, Comedy, Disney, Eric Larson, Les Clark, Rickie Sorensen, Rod Taylor, Wolfgang Reitherman

101 Dalmatians-1961

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101 Dalmatians-1961

Directors Wolfgang Reitherman, Hamilton Luske, Clyde Geronimi

Voices Rod Taylor

Scott’s Review #226

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Reviewed March 8, 2015

Grade: A-

101 Dalmatians (1961) is a darling Walt Disney film that encompasses wholesomeness, love, and devotion.

Set in London, which adds a level of sophistication to the film, it tells the story of a lonely songwriter named Roger Radcliffe, who lives in a flat with his faithful and devoted Dalmatian, Pongo. Theirs is a happy existence, but something is missing.

Pongo, voiced by Rod Taylor (of The Birds-1963, fame), is determined to find a mate for himself and Roger and sets about to do just that by watching ladies and their dogs walk the streets in front of their homes.

He finds the perfect match for both (Anita for Roger and Perdita for him). The four of them look forward to years of happiness together until a sinister friend of Anita’s, Cruella De Vil, enters the story.

Cruella sees profit in the Dalmatians and attempts to steal and destroy them.

Cruella De Vil is a delicious villain and certainly one of the most entertaining in animated film history, but more than that, she is comically devious. Her maniacal laugh and witty language make her a perfect foil for a wholesome couple and wonderful, cute little pups.

The audience does not root for her, but there is something wicked and fun about her over-the-top character.

The 1961 film has an incredible artistic direction that animation today lacks —the scenes look like beautiful drawings.

There is a Mad Men quality to the design.

The “look” differs from current animation in that it is sleek and constructed skillfully, not loud, fast, and bombastic.

I love that the film is told from the perspective of the Dalmatian Pongo and Perdita, not from the perspective of human beings. The central characters, Pongo and Perdita, tell the story about their dogs, which adds to their empathy for the animals. We see their attempts to rescue all of the stolen dogs.

Also outstanding is how all of London’s dogs (and various other species of animals) band together in rescue. They work as a team to save and protect their own, who are being mistreated and sent to slaughter.

An enjoyable scene involves the climactic car chase between Cruella’s gaudy luxury car and a furniture van. As the pups use the van to escape, a cat-and-mouse game ensues, providing comedy and dramatic flair.

The scene is among the most suspenseful in the film, as the vehicles weave along dirt and back roads toward London.

In addition to this riveting scene are others involving the dogs tiptoeing past their captives as we cross our fingers they will not be heard and subsequently caught, and an adorable scene showcasing the dogs’ cleverness at covering their spots with soot to escape.

A heartwarming, inspirational film for the entire family to enjoy many times over, 101 Dalmatians (1961) will leave you smiling and humming.

It is a truthful, fantastic film about love for animals.

2013 Films, Adventure, Bill Nighy, Bryan Singer, Children, David Dobkin, Eleanor Tomlinson, Ewan McGregor, Fantasy, Ian McShane, Nicholas Hoult, Stanley Tucci

Jack the Giant Slayer-2013

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Jack the Giant Slayer-2013

Director Bryan Singer

Starring Nicholas Hoult, Eleanor Tomlinson

Scott’s Review #93

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Reviewed July 4, 2014

Grade: C

Jack the Giant Slayer (2013) is a fantasy, CGI-laden film most likely targeted at a young audience.

It tells the story of Jack, a farmhand who must rescue a beautiful princess from the world of giants after an accident causes a gateway to open to their world.

The film is loosely based on the fairy tale “Jack and the Beanstalk”.

The special effects in the Land of the Giants are the most impressive aspect.

Otherwise, it is a love story mixed with adventure and is not very engaging. It is also very predictable.

Heavyweights Ewan McGregor and Stanley Tucci appear in over-the-top performances and the acting of the princess (Eleanor Tomlinson) is shockingly wooden.

The finale is mildly entertaining as a chase through the castle occurs, but the film is so weighted down by the effects and the lack of a good story that it is a middle-of-the-road film.

2012 Films, Adventure, Drama, Espen Sandberg, Gustaf Skarsgård, International, International Adventure, International Drama, Joachim Rønning, Norwegian, Pål Sverre Hagen

Kon-Tiki-2012

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Kon-Tiki-2012

Director Joachim Ronning, Espen Sandberg

Starring Pal Sverre Valheim Hagen, Anders Baasmo Christiansen

Scott’s Review #78

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Reviewed June 28, 2014

Grade: C+

I don’t know what has happened to the nominating process for the Best Foreign Language Film Oscar (it has been controversial for years), but it used to be you could count on any of the five nominated films to be interesting, edgy, and even controversial.

These days, a few of the nominated films squeaking through barely rise above mediocrity and are such mainstream stories.

Kon-Tiki (2012) is one such film.

It tells the tale of a Norwegian scientist determined to sail, via raft, from Peru to the Polynesian islands to prove a Sun God, centuries ago, made the same voyage.

He forms a team and off they go.

Supposedly based on a true story, the team faces the typical challenges in an oceanic adventure- bad weather, sharks, the raft in peril, and dissent among the ranks.

These high sea clichés have gotten to me recently.

The film is similar in context to Life of Pi, also made in 2012. It’s not a bad film, but there is nothing special about it either and it has glossy and safe written all over it- the score is Spielberg to the nines who has nothing to do with this film.

The five adventurers are bronzed with buff bodies when nobody was buff in the 1940s when this film is set, and the scruffy beards, after months of sailing, look perfectly phony.

For the top-tier foreign language group, I expected something more cutting-edge and with more substance.

Oscar Nominations: Best Foreign Language Film

1951 Films, Adventure, Drama, Humphrey Bogart, John Huston, Katharine Hepburn, Robert Morley

The African Queen-1951

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The African Queen-1951

Director John Huston

Starring Humphrey Bogart, Katharine Hepburn

Scott’s Review #76

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Reviewed June 28, 2014

Grade: B-

The African Queen (1951) is a difficult film to review.

Revered and appearing on many of the greatest films of all time lists, this film is disappointing.

Humphrey Bogart and Katharine Hepburn star as a couple who despise each other, stranded together on a tugboat in Africa on the eve of World War I.

Sure, the chemistry between Bogart and Hepburn (Hollywood royalty in their day) is there, and the opposite attraction has a definite rooting value as their passion oozes off the screen.

He is a grizzled alcoholic American. She is a repressed, puritanical British woman. The locales of Africa, as the couple traverses on a makeshift boat, are gorgeous.

That is it for me, though- nothing else about the film is spectacular.

The plot is silly and unrealistic, and the two are thrown together purely for plot purposes. The adventure seems quite secondary to the love story at hand.

How far-fetched is that an “old maid” and a sailor could build torpedoes and blow up an enormous German warship?

The film is a decent, old-fashioned romantic adventure but not much more, which disappoints me because, given its accolades, I was expecting much more.

Bogart won the 1951 Best Actor Oscar for this performance.

Oscar Nominations: 1 win-Best Director-John Huston, Best Actor-Humphrey Bogart (won), Best Actress-Katharine Hepburn, Best Screenplay

2013 Films, Action, Adventure, Drama, Independent, Independent Adventure, Independent Drama, J. C. Chandor, Robert Redford

All is Lost-2013

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All is Lost-2013

Director J.C. Chandor

Starring Robert Redford

Scott’s Review #4

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Reviewed June 16, 2014

Grade: D

The accolades heaped on All is Lost from 2013 escape me.

Some felt that this was Robert Redford’s late-in-life masterpiece. I’ve never found him to be a great talent as an actor, and while not horrible in this film, it is not the Oscar-worthy performance being bandied about.

Many actors would play this role better- Tom Hanks and Sean Penn come to mind.

Beyond the performance, facets of the film remain unexplained. How did he become shipwrecked? Why did ships pass by not noticing him? Who is he?

Much of the movie drags and a feeling of having seen this film many times before kept gnawing at me. I do give the film credit for containing only one cast member.

But castaway and shipwreck movies have been around since the beginning. They all have the standard plot developments- broken equipment, sharks, and storms, which makes it quite contrived.

Fail.

Independent Spirit Award Nominations: Best Feature, Best Director-J.C. Chandor, Best Male Lead-Robert Redford, Best Cinematography

2014 Films, Adventure, Anthony Hopkins, Darren Aronofsky, Douglas Booth, Drama, Emma Watson, Epic, Finn Wittrock, Frank Langella, Jennifer Connelly, Kevin Durand, Marton Csokas, Nick Nolte, Ray Winstone, Religious, Russell Crowe

Noah-2014

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Noah-2014

Director Darren Aronofsky

Starring Russell Crowe, Jennifer Connelly

Scott’s Review #3

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Reviewed June 16, 2014

Grade: B+

Learning that Darren Aronofsky, a very dark director (Black Swan-2011, Requiem for a Dream-2000, and The Wrestler-2008), would be tackling a religious film piqued my curiosity.

Those expecting an uplifting, happy film about “god” will be disappointed.

This film is generating controversy from the religious folks, which I find interesting, but nobody wants me to go off on a tangent.

The film tells the tale of the biblical figure, Noah, and his quest to do God’s will through the signs he is given.

It takes incredible talent to make a film like this not seem silly and Aronofsky, Russell Crowe, and Jennifer Connelly succeed.

The film is quite dark and at times Noah comes off as more of a madman than a savior.

The visual effects and the musical score are wonderfully effective.

Noah (2014) has a few plot holes but is a nice fantasy/apocalypse-type film.

2013 Films, Action, Adventure, Amanda Plummer, Donald Sutherland, Elizabeth Banks, Francis Lawrence, Jeffrey Wright, Jennifer Lawrence, Josh Hutcherson, Lenny Kravitz, Liam Hemsworth, Philip Seymour Hoffman, Sam Claflin, Stanley Tucci, Woody Harrelson

The Hunger Games: Catching Fire-2013

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The Hunger Games: Catching Fire-2013

Director Francis Lawrence

Starring Jennifer Lawrence, Josh Hutcherson

Scott’s Review #1

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Reviewed June 16, 2014

Grade: B-

I confess to not having read any of the Hunger Games books, so I am critiquing the film on its film merits only with no knowledge of the books.

Interestingly, I graded the first Hunger Games (2012) film a B- and that is what I am giving this one, almost for the same reason.

The first hour sets up the second hour, but it is unnecessarily drawn out. At times it’s slightly dull.

The meat of the film then takes off and the film is quite good though the film still does not completely hold my attention throughout.

First and foremost, Jennifer Lawrence is the best part. She has the charisma and likability to carry it off.

The chemistry between the two leads (Lawrence and Hutcherson) is there so there is rooting value for the couple.

The third part of the triangle is weak (Liam Hemsworth has far too little screen time to make him a viable rooting factor).

Donald Sutherland is wonderful as the evil President, but Philip Seymour Hoffman seems to phone in his performance and the character is not all that intriguing.

The mood of the film and visuals (fog, train sequences) are great because there is modern darkness, and the premise and wondering who will die next during the games are interesting.

The somewhat twist at the end was effective.

To summarize nice characters/acting, great looking film, mediocre story, and slow pacing in the first act.