Category Archives: Matt Reeves

Let Me In-2010

Let Me In-2010

Director Matt Reeves

Starring Kodi Smit-McPhee, Chloe Grace Moretz

Scott’s Review #509

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Reviewed November 4, 2016

Grade: A-

I loved Let Me In (2010).

It is nearly as exceptional as the original, Let the Right One In (2008), which is Swedish.

Billed as horror, it contains none of the typical horror cliches or corny dialogue- rather it is mysterious, compelling, and character-driven.

This in itself is refreshing.

Additionally, the cinematography is exceptional in its coldness, darkness, and good old-fashioned ambiance.

Let Me In is about a twelve-year-old outcast, named Owen (Kodi Smit-McPhee),  who befriends a neighbor girl-Abby (Chloe Grace Moretz)- who we learn is a vampire.

Owen is bullied at school and through Abby, learns to stand up to his tormentors.

I am partial to foreign language films so, to me, the American version lacks the engaging language a bit and is not…well, foreign, so that detracts slightly, but not much at all, and this effort is quite remarkable.

This film is a horror film- in the classic sense of containing vampires and not being played for goofs- and quite gory, but also a beautiful, emotional film, and the concepts of sadness and loneliness are explored.

Let Me In (2010) is one of the best horror films I’ve seen in recent years.

Dawn of the Planet of the Apes-2014

Dawn of the Planet of the Apes-2014

Director Matt Reeves

Starring Andy Serkis, Jason Clarke, Gary Oldman

Scott’s Review #232

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Reviewed March 29, 2015

Grade: C+

Dawn of the Planet of the Apes (2014) is a summer blockbuster hit that knocks it out of the park from a visual perspective- it is magnificent to look at with creative sets and realistic images, but the story is mediocre and predictable.

I think the filmmaker’s true intent was to focus on the look of this film, which is a splendid feature. The film is a slightly better-than-average big-screen adventure with more style than substance.

Set in San Francisco, or what was once San Francisco, the film is set in futuristic times. Apes have forged a new civilization after a deadly virus has eliminated 90% of the human population.

The apes are highly intelligent and manage a happy, unified existence. Then, one day, a human is encountered and, scared, shoots one of the apes. This leads to a peaceful resolution between Caesar, leader of the apes, and the humans, to each stay in their respective territories.

However, humans need access to a dam in the Apes area to provide electricity for themselves. Mutual distrust leads to tension, but the civilized apes and humans reach a truce.

Naturally, there is further conflict as sinister humans and apes vow revenge on each other. This leads to a waging war while the peaceful apes and humans strive to work things out.

A further angle of the story is the hunger for power within the ranks of the Apes, reminiscent of Lord of the Flies. The human protagonists, Malcolm and Ellie, played by Jason Clarke and Keri Russell- are a wholesome, decent couple.

Dawn of the Planet of the Apes pales to the original 1968 masterpiece, Planet of the Apes, starring Charlton Heston. To compare the two is unfair since, sadly, this one has nothing to do with the original.

It is simply the same franchise tag.

However, Dawn of the Planet of the Apes is weaker than its predecessor, 2010’s Rise of the Planet of the Apes. We had a charismatic star, James Franco, and an interesting story. The apes are experimented on and their intelligence is a strong angle.

With the sequel, the story is rather one-note and has a machismo, us against them angle, that is not unique.

The main drawback to this film is its limitations. The characters are portrayed as a) the good and sympathetic humans, b) the evil and destructive humans, c) the good and heroic apes, or, d) the evil, bad apes.

Everyone is defined for the audience and there is no ambiguity or complexities within the characters. This is a bit limiting. The evil ape Koba is purely bad and the drunken, gun-happy, humans are bad.

This is not to say that Dawn of the Planet of the Apes is not enjoyable, it is. It’s a fun, entertaining flick. For what it is, there is a somewhat message in the film, that there is a way to find peace and love between different species and types of people.

Hopefully, the audience gets that message.

Dawn of the Planet of the Apes (2014) is a summer blockbuster action/sci-fi flick that many will enjoy, however, it is a plot-driven extravaganza that could have been superior had it contained more layers to the story and more shape to some of the characters.

It is worth seeing as a visual cinema treat, but scarcely more than that.

Oscar Nominations: Best Visual Effects